Three department store employees, Connie, Franky, and Jerry, share an apartment together in New York City. Despite Jerry's pragmatism, Connie and Franky pursue wealthy men for financial gain... Read allThree department store employees, Connie, Franky, and Jerry, share an apartment together in New York City. Despite Jerry's pragmatism, Connie and Franky pursue wealthy men for financial gain, leading to disappointment and heartbreak.Three department store employees, Connie, Franky, and Jerry, share an apartment together in New York City. Despite Jerry's pragmatism, Connie and Franky pursue wealthy men for financial gain, leading to disappointment and heartbreak.
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- Awards
- 3 wins total
- The Detective
- (as Robert O'Connor)
- A Mannequin
- (as Wilda Mansfield)
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Jerry and Tony have a good meet-cute although it's a little creepy in today's world. In a modern movie, Tony would play up the exaggerated visual of being bowled over. The premise remains the same throughout history. Ah-OO-Ga! This is a good setup for a light fun rom-com. The modeling does get a bit repetitive although it was probably daring for its time. The dancing isn't special enough to be good musical work. Then it turns darker and ends in something really dark. This is pre-Code and an early talkie for Joan Crawford as she transitions from the silent era. She is certainly a star in this new cinematic landscape.
This is a pre-code film, and despite the above-mentioned problems, they're always interesting to watch. This one had to do with giving in to one's baser instincts (having sex) for money and the good life. This is 1930, and America was still preoccupied with class distinctions. Gerry refuses to give in to Tony, but her roommate Connie (Anita Page) is kept by his brother David. Franky (Dorothy Sebastian) marries a big talker.
Two scenes stick out as a sign of the times - outside Gerry's apartment building on a hot summer night, the street is teeming with kids playing, an ice cream cart, and people sitting on the stoop. A very realistic portrayal of cities back then. With no air conditioning and no television, people sat outside for the air and to talk with their neighbors. Social interaction, not social networks, Internet, and cable, provided their entertainment.
The second striking thing was the radio description of an engagement of a couple from socially prominent families. I remember seeing an old Vogue magazine where an woman engaged to some sort of royalty got a full page portrait. Not uncommon.
For anyone who only knows the hard-faced Joan Crawford of later years, this movie will serve as a revelation. Made for movies with those huge, mesmerizing eyes, beautiful face, and trim figure, Crawford shines here. At times she sounds like she's sporting some sort of affected accent, though I don't know why. Page and Sebastian are also very good in their roles. Montgomery is underused - he was more than a dashing leading man - but he looks great and does the role well.
All in all, worth seeing for the young Crawford and a look at life in 1930 for shop girls.
This film is quite enjoyable, I like the interrelationships between the three girls - there's plenty of chemistry and camaraderie there. Robert Montgomery is a doll, his slim self handsomely decked out in tuxedo, white tie, and tails (ooh la la) - he plays his playboy-like part expertly. Joan Crawford acts up a storm in this, with a full range of emotions - and gets to show herself off in slinky outfits and barely-there lingerie as well (which she REALLY seems to enjoy doing!). The film includes a fun fashion show, complete with foppish Parisian dress designers, and lots of capes, drapes, ruffles, and deco look hats.
Did you know
- TriviaJerry tells her malingering roommate, "Snap out of it, Lady Vere de Vere." This lady was the subject of a poem by Alfred Lord Tennyson. She was the haughtiest and coldest lady in the peerage, and the one with the noblest title. Her name has become an ironic way of referring to someone who is acting snooty.
- Quotes
Mrs. Hinkle, the Landlady: Mr. Carter, third floor front. He's a process server. That's a real influential job. He thinks you're pretty nice. He'd like to take you out.
Geraldine 'Gerry' March: No, thank you, Mrs. Hinkle. You see, I'm avoiding process servers this season
- ConnectionsFeatured in Joan Crawford: The Ultimate Movie Star (2002)
- SoundtracksThe Wedding March
(1843) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Written by Felix Mendelssohn
Played during the opening and closing credits
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Details
Box office
- Budget
- $337,000 (estimated)
- Runtime1 hour 42 minutes
- Color