Honey, a young entertainer on a carnival boat, is in love with Buck but Buck's father is against the romance.Honey, a young entertainer on a carnival boat, is in love with Buck but Buck's father is against the romance.Honey, a young entertainer on a carnival boat, is in love with Buck but Buck's father is against the romance.
- Director
- Writers
- Stars
William Boyd
- Buck Gannon
- (as Bill Boyd)
Eddy Chandler
- Jordon
- (as Eddie Chandler)
Jack Carlyle
- DeLacey's Assistant
- (uncredited)
Willie Fung
- Chino
- (uncredited)
Sam Harris
- Spectator
- (uncredited)
Joe Smith Marba
- Windy
- (uncredited)
Larry McGrath
- Bartender #2
- (uncredited)
Bob Perry
- Bob - Bartender
- (uncredited)
Hal Price
- An Observer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Before gaining huge fame as the cowboy star Hopalong Cassidy, William Boyd was a movie star in his own right--starring in a bunch of films in the 20s and early 30s. Many of them were B-movies, like "Carnival Boat". By B, I mean that they were meant as the second, less film offered at a double-feature. This second film was always cheaply made, lasted only about an hour and usually went straight to the action-- and all this is true of this film.
Buck is the foreman with a logging company. However, his father is concerned that Buck isn't exactly a tough boss--and often lets the men slack off. He's even more upset when he tells Buck not to allow the men to frequent the visiting show boat, as it will only get them into trouble--yet later that same night, he finds Buck and his men there! Buck is there to see his girlfriend, Honey (Ginger Rogers) but Dad will have none of it--his son is a disappointment. Can Buck prove himself to Dad? And, if Buck wants to marry Honey, is there any way Dad would ever accept a singer from one of these dreaded boats? Hint--the answers to these probably won't come as major surprises.
Overall, this is an entertaining film that certainly has little in the way of pretense. It's at its best with some of the action scenes-- such as the deftly handled runaway train sequence. Worth your time but far from a must-see picture.
By the way, in addition to Boyd later getting a makeover in order to become a cowboy, Ginger Rogers is seen here in her pre-makeover days. She still sports brown hair and obviously hasn't undergone the voice coaching she must have had as her star continued to rise in Hollywood.
Buck is the foreman with a logging company. However, his father is concerned that Buck isn't exactly a tough boss--and often lets the men slack off. He's even more upset when he tells Buck not to allow the men to frequent the visiting show boat, as it will only get them into trouble--yet later that same night, he finds Buck and his men there! Buck is there to see his girlfriend, Honey (Ginger Rogers) but Dad will have none of it--his son is a disappointment. Can Buck prove himself to Dad? And, if Buck wants to marry Honey, is there any way Dad would ever accept a singer from one of these dreaded boats? Hint--the answers to these probably won't come as major surprises.
Overall, this is an entertaining film that certainly has little in the way of pretense. It's at its best with some of the action scenes-- such as the deftly handled runaway train sequence. Worth your time but far from a must-see picture.
By the way, in addition to Boyd later getting a makeover in order to become a cowboy, Ginger Rogers is seen here in her pre-makeover days. She still sports brown hair and obviously hasn't undergone the voice coaching she must have had as her star continued to rise in Hollywood.
Up and coming star Ginger Rogers takes a distinct second place to the special effects in a story about the men in a logging camp and the women on a Carnival Boat they should avoid. Ginger's partnered with William Boyd who was not yet Hopalong Cassidy.
Boyd is the son of the camp foreman Hobart Bosworth who is feeling the effects of his age. He'd like to see his son succeed him as foreman of the camp, but Fred Kohler has an impressive record for the job and he's not squeamish about what he has to do for that promotion.
At the same time Ginger works a Carnival Boat which provides the men of the woods some amusement and like the saloons of the old west relieves them of their wages. Boyd likes Ginger, but Bosworth doesn't feel she's a suitable bride for his son.
I think you can probably figure out where and how this is all going to end. The plot is trite, but the special effects that include a runaway logging train and a river log jam are really first rate for their time. It makes Carnival Boat something to see if one can.
Boyd is the son of the camp foreman Hobart Bosworth who is feeling the effects of his age. He'd like to see his son succeed him as foreman of the camp, but Fred Kohler has an impressive record for the job and he's not squeamish about what he has to do for that promotion.
At the same time Ginger works a Carnival Boat which provides the men of the woods some amusement and like the saloons of the old west relieves them of their wages. Boyd likes Ginger, but Bosworth doesn't feel she's a suitable bride for his son.
I think you can probably figure out where and how this is all going to end. The plot is trite, but the special effects that include a runaway logging train and a river log jam are really first rate for their time. It makes Carnival Boat something to see if one can.
Probably the best thing about CARNIVAL BOAT is the location filming as director Albert Rogell actually took the crew up to logging country for the bulk of the shooting. Otherwise it's your basic action programmer with some good stunt work and some tedious comic relief from Edgar Kennedy and Harry Sweet. William Boyd, later Hopalong Cassidy, stars as the lumberjack torn between father and sweetheart (Ginger Rogers). This may be the low point of Ginger's film career. It was her third Hollywood film (after five in New York), all made for Albert Rogell at RKO/Pathe. She seemed stuck in a downward trend (Pathe really didn't make any good films so far as I know) so she asked out of her contract and Pathe was more than happy to grant her the favor. A couple of years of freelancing and she signed again with RKO, soon to become a star.
The impressive logging operations, the exciting runaway-train and log-jam sequences overcome this movie's routine double plot. First, Bill Boyd is in love with showgirl Ginger Rogers, who performs on a carnival boat that stops at the logging camp. His father, Hobart Bosworth, doesn't think much of her and he fears also Boyd will leave logging, dashing his hopes for Boyd to become boss when he retires. Second, Fred Kohler is also vying for the job of boss and even resorts to tactics to make Boyd look bad. When this fails, he even considers murder when both try to break up a log jam at a dam with dynamite. The film is briskly paced and beautifully photographed. Edgar Kennedy and his logging partner, Harry Sweet, provide the little comedy relief there is, and there is a couple of realistic looking fight sequences.
Ginger Rogers made 2 movies with William Boyd, neither of them really great, but 'Carnival Boat' is by far the better of the two and in fact is a really good movie on its own, one of director Albert Rogell's best in a long career of B movies.
The logging scenes are terrific, some of the stunts are amazing, and the runaway train is thrilling even in 2025. Hobart Bosworth is forgotten today but he was a great star in the earliest days of film; he had the lead in the very first movie ever made in Hollywood, a short from 1909 called 'In the Sultan's Power.' The entire film industry had enormous respect and admiration Bosworth and, in an interview decades later as her film career was winding down, Rogers said she had considered it a great honor to play across from him, if only briefly.
Boyd's fight scenes are amatuerish, even for 1932, but he makes up for it with a dynamic screen presence. Ginger's vaudeville act is a lot of fun (watch how she glides to one side of the stage to introduce her chorus line - very professional) and even though she is only onscreen for a few minutes, she dominates all of her scenes, easily matching Boyd and Bosworth as a forceful personality even while 'keeping it light.'
Definitely worth watching 'Carnival Boat'.... just keep in mind that it's an inexpensive film from 1932, not from 2022.
The logging scenes are terrific, some of the stunts are amazing, and the runaway train is thrilling even in 2025. Hobart Bosworth is forgotten today but he was a great star in the earliest days of film; he had the lead in the very first movie ever made in Hollywood, a short from 1909 called 'In the Sultan's Power.' The entire film industry had enormous respect and admiration Bosworth and, in an interview decades later as her film career was winding down, Rogers said she had considered it a great honor to play across from him, if only briefly.
Boyd's fight scenes are amatuerish, even for 1932, but he makes up for it with a dynamic screen presence. Ginger's vaudeville act is a lot of fun (watch how she glides to one side of the stage to introduce her chorus line - very professional) and even though she is only onscreen for a few minutes, she dominates all of her scenes, easily matching Boyd and Bosworth as a forceful personality even while 'keeping it light.'
Definitely worth watching 'Carnival Boat'.... just keep in mind that it's an inexpensive film from 1932, not from 2022.
Did you know
- TriviaThe second of two films in which William Boyd and Ginger Rogers played together. The first was L'étrange mission du Nordlande (1931).
- GoofsThe scenes aboard the runaway train were printed in reverse, as can be seen on the backwards writing on the sides of the rail cars.
- ConnectionsFeatured in Hollywood the Golden Years: The RKO Story: A Woman's Lot (1987)
- SoundtracksHow I Could Go for You
(1932) (uncredited)
(also called "How I Could Love You")
Music and Lyrics by Bernie Grossman and Harold Lewis
Performed by Ginger Rogers and chorus
Details
- Release date
- Country of origin
- Language
- Also known as
- Carnival Boat
- Filming locations
- Sierra Nevada Mountains, California, USA(logging scenes)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 2 minutes
- Color
- Aspect ratio
- 1.37 : 1
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