La dame sans passeport

Not the best film that Hedy Lamarr has been in, but certainly another chance to enjoy this incredibly beautiful and talented actress. She made this semi-documentary film noir after Samson and Delilah. Supposedly, she got paid some big bucks as she was a hot property at the time.

The story takes place in pre-Castro Cuba, but it is basically the same as today. It was a jumping off spot for refugees from Europe who wanted to come to the US. Hedy plays a Buchenwald concentration camp victim that has been bouncing around, is broke, and only 90 miles from her dream.

She runs into an INS agent (John Hodiak) that is working undercover to find out about the smugging into the US. Director Joseph H. Lewis was more familiar with westerns, and you can see that here as Hodiak ends up playing Dudley Do-right and rescuing Nell (Lamarr) from Snidely Whiplash (George Macready, who plays a great cultured bad guy).

A quality story, it's not, but. hey, we came here for Hedy.

History repeats itself, again and again. Cuba was a magnet for people running away from Europe, before and after WWII. The country was a stepping stone for entering legally, or illegally, in the United States. At that time Cubans lived somewhat placidly in their land, but as things changed there, they are the ones trying to escape from the horrible conditions in that country.

We are taken along to Havana by an Inmigration officer trying to find who is behind the smuggling of illegal refugees into America. This officer gets to know soon after his arrival the connection is Polinov, a shady character who has a pretty thing going operating from his Gulf Stream bar in the old section of town.

Joseph H. Lewis directed this MGM film that has a look of being a B type picture, even though Hedy Lamarr was the main attraction going for it. Ms. Lamarr was totally wasted in the movie. As Marianne, the gorgeous woman who wants to get to America, she shows hardly any emotion and is, in general, a bland addition to the film. John Hodiak shows some intensity and speaks with a heavy accent. George Macready is the evil Palinov.

The film shows a few scenes taken in Havana in all its beauty.

By the time of "Lady Without a Passport," Hedy Lamarr had seen better days. Of course, having seen better days for Hedy Lamarr would be any other beautiful woman's ultimate moment. She was one of the great film beauties. She never was one of the great film actresses, however, although she's pretty good in this post-war film about immigrants trying to get into the U.S. illegally with the help of the always oily George Macready. Immigration operative John Hodiak is sent to Havana, where he poses as a Hungarian trying to get into the states. He falls in love with Lamarr along the way.

John Hodiak, who facially has always reminded me of Martin Landau, does a very good job. There is some magnificent Havana scenery to behold. For me the film bogs down in the protracted ending as everyone is tracing a plane, but picks up again in scenes filmed in the Florida everglades.

The movie is black and white and very atmospheric.

The lady from the title refers to Hedy Lamarr. However, although her character is referred to in the title of the film, she really is not the star of this picture. Instead, John Hodiak is the star and he does a very nice job playing dual roles--an American immigration agent as well as a stateless Hungarian.

When the film begins, a man is accidentally run over when escaping from someone. Why folks are chasing him isn't certain...and you learn more about this as the film progresses. It seems that this unknown dead man is an illegal alien...and clues on his body point to his having just been in Cuba. So, Peter (Hodiak) goes down to this island nation to investigate...with the help of the local police. The trail then leads to a smooth but deadly jerk, played very well by George Macready (he played snake-like characters very well). So how is pretty Hedy involved? Watch the film.

I think for Ms. Lamarr, this film was a letdown and didn't do a lot for her career. Now it isn't because it's a bad film at all...it's very good. But she isn't given a lot to do but look pretty...even, inexplicably, during a trek through the Everglades near the end of the film...and her makeup and hair look superb!!! I live in Florida and even if this had been in the middle of winter, she sure COULDN'T have looked that perfect! Well worth seeing...and an interesting and unusual plot.

The title character of "A Lady Without Passport" is Marianne Lorress (Hedy Lamar), a Viennese ex-patriate who has waited years to immigrate to the U.S. where her father lives. She is stuck in Cuba due to American regulations and is down on her luck. There she meets Pete Karczag (John Hodiak), an INS agent who is trying to bust a smuggling ring.

An ex-pat in a way station, waiting to leave but held back by the authorities. Where have we heard that before? Yes, this is undoubtedly another of the films inspired by the success of "Casablanca" (1942). But it lacks the intensity or charm of the Bogart vehicle. The set for the hotel in this film looks like the set from "To Have and Have Not" (1944), another film about ex-pats trying to get away.

But let me focus on the positive aspects of the film. First, there is John Hodiak. The character he plays is clever and street smart--traits that Hodiak pulls off quite well. Secondly, there are the Havana location shots that add an authenticity and the little bit of charm that the film possesses. Lastly, the (B&W) photography shows some originality and adds to the mood of the narrative.

The music feels inappropriate at times, but first-rate at other times. Ms. Lamar falls short of being the woman who drives the story and who inspires a man to risk his life.