Honor Among Lovers

"I've been taking care of myself. Trying to recapture my lost youth. Exercise, you know? Seven beautiful thoughts before breakfast, bursting into song at unexpected moments. I'm a changed man."

Claudette Colbert is absolutely gorgeous and she plays her scenes of emotional conflict well, but the story has too many unpleasant aspects to truly like this film. Frederic March is an alpha businessman carrying on with a lot of women with no intentions of marrying (he calls the institution "bunk"). He puts the moves on his secretary (Colbert) and when she resists, he goes off to screw someone else for hours, missing an entire football game in the process. He can't stop thinking about his secretary, however, so Monday morning he says he'll marry her if it means that much to her, but when she informs him that she just got married (to a stock broker played by Monroe Owsley), he fires her on the spot despite her stellar performance in the office. And this, naturally, is ultimately going go to be the protagonist, helped along by his impossible-to-believe transformation and an all-too-convenient implosion from the stock broker.

Had it gone in a different direction at a few moments in the story, including late when a somewhat surprising event occurs, it could have been brilliant, but the film plays it safe, and didn't really feel pre-Code. The virtuous woman never gives in to premarital sex, the womanizing alpha male should have been her choice all along because he's successful and can be trusted to do the right thing (ha!), and divorce is justified by an avalanche of reprehensible things the husband does. These are cartoon characters. On top of it, the small part of a dimwitted woman (Ginger Rogers, argh) is spoken to like a child each time she's on the screen. But hey, it's worth seeing for Colbert.

In this romantic melodrama from Paramount Pictures and director Dorothy Arzner, Claudette Colbert stars as Julia Traynor, secretary to wealthy business mogul Jerry Stafford (Fredric March). The two work great together, but when Jerry reveals that he has romantic feelings for her, Julia states that she has a boyfriend, Philip (Monroe Owsley), and that they are to be married. After some time in drunken commiseration with his dissolute pal Monty (Charlie Ruggles), Jerry comes to accept the union of Julia and Philip, and even allows Philip to invest money for him, which leads to problems for everyone. Also featuring Pat O'Brien in his feature debut.

This is light on plot and style, and its appeal rests with the performers, all of whom are good, although Owsley makes one wonder what Colbert saw in him. Ginger Rogers is amusing as a dim-bulb chipper companion of Ruggles. This marked one of the first appearances of March's mustache.

It's a pre-code romantic drama in New York City in 1930-1931. Being pre-code allows the characters' morals to be more suspect than in later films. Wealthy Wall Street tycoon Jerry Stafford (Fredric March) is in love with his highly efficient secretary, Julia Traynor (Claudette Colbert). However, he's not the marrying kind, so he invites her to accompany him on an around-the-world trip. She has a young boyfriend, Philip Craig (Monroe Owsley), near the beginning of his Wall Street career. Philip and Julia plan to marry when they have enough money, but Jerry's aggressive pressure on Julia prompts them to marry immediately. Jerry is not impressed and fires Julia.

The film follows Philip's efforts to build his business as a broker for Jerry and Monty Dunn (Charles Ruggles), one of Jerry's friends. Things have appeared well on the surface for a year, but Philip is encountering serious financial trouble. Jerry re-enters their lives, which ends in a highly conflicted climax.

"Honor Among Lovers" is early filmmaking by Dorothy Arzner, the only woman who directed sound films in those years. By modern standards, it's unpolished, but Colbert and March make the best of a thin story. The studio cinematography features long shots, and the pacing is quite pedestrian. It's interesting, mainly as a period piece.

Julia Taylor (Claudette Colbert) is a crackerjack Girl Friday for focused businessman Jerry Stafford ( a mustachioed Fredric March) who is impressed by more than her efficient and invaluable assistance to him. When she informs him she is to marry another he has to fire her due to his romantic feelings regarding her. Reluctant to make his romantic intentions known, she commits to a reckless financier (Monroe Owsley in a typical unctuous turn), a smug adulterer who eventually goes bust. To save him she offers herself to the ever noble Stafford who responds by bailing him out no strings attached.

Colbert and March always paired well together and in "Honor" they do so again but Dorothy Arzner's direction lacks passion as the couple find their way into each other's arms eventually in what is mostly a dull affair that relies on more reason than raciness.

We've all had to sit through those tedious sexual harassment videos at work – bland, patronizing productions that are required viewing for all new employees. Companies could make the experience a whole lot more fun if they just showed this film instead.

Moustache-sporting Fredric March is wealthy CEO Jerry Stafford, a debonair gadabout who secretly pines for his cute and unattached secretary Julie Traynor (Claudette Colbert). Not so secretly, actually – within the first ten minutes Stafford hits on Julie with abandon and then steals a kiss which leaves her flustered. He brushes it off with a "I was surprised just as much as you were" (though a careful reviewing of the scene confirms that he wasn't surprised at all), then pops open the wine – they're having lunch in his office, natch – and asks her to go on a cruise around the world with him. Safe to say, this guy would be in white collar prison these days. Even better, a few scenes later Julie marries her low-incomed broker of a fiancé (Philip Craig, as played by the Pee Wee Herman-looking Monroe Owsley); she reports to work the following Monday to tell Stafford she won't go on that cruise with him after all, on account of marriage. Stafford's response? He fires her!

I should mention here that Jerry Stafford is the hero of this film. Yes, we're certainly in the world of 1930s cinema.

Stafford doesn't turn out to be the biggest cad. That would be Craig, who by his and Julie's first anniversary has become wealthy, due mostly to the money Stafford has given his brokerage firm. Craig loses all of his newfound wealth on a silk deal Stafford cautioned against. Only problem is, Craig used some of Stafford's money as well…without telling him. Destitute, Julie goes to Stafford and asks for money, offering herself in exchange. Here the movie becomes like the 1930 version of "The Cheat" (available on the Pre-Code Hollywood DVD set), with foul play, accidental shootings, and exonerations. Only in this movie no one gets branded.

This was the second of four on screen pairings for Colbert and March. The following year they reunited for DeMille's "Sign of the Cross" and, a month after that, for Mitchell Leisen's "Tonight Is Ours" (filmed in late '32 but released in January '33 – and ostensibly credited to director Stuart Walker, who according to all and sundry did nothing). I enjoy these two together, though apparently Colbert didn't; March was notorious for getting a bit too "familiar" with his leading ladies. Colbert reportedly disliked the man – there are stories of March wandering around "in a daze" on the set of "Sign of the Cross," he was so nuts about her.

Overall, a predictable melodrama that's most memorable for its (nowadays) jawdropping displays of sexual harassment in the workplace and the fact that it features three celebrities (Colbert, March, and a twenty one year-old Ginger Rogers) on the brink of their still-enduring fame. Dorothy Arzner's directorial work is okay, but nothing incredible -- the camera's static most times and, other than a solemn scene of Claudette walking up a hauntingly-lit staircase toward the end of the film, there aren't many novel shots. Arzner's work was much better in her subsequent film with March, "Merrily We Go To Hell" (also included on the Pre-Code Hollywood DVD set).