À Paris tous les trois

Paramount imported two of MGM's second line leading men to appear opposite Claudette Colbert in I Met Him In Paris. This film finds Claudette as a buyer for a New York department store on a holiday in France trying to decide whether she wants to marry staid and established Lee Bowman.

But of course the last place you want to go to make decisions like that is Paris because too many temptations will find you. In this case two too many temptations in the form of cynical Melvyn Douglas and romantic Robert Young.

Young decides to invite Colbert on a skiing holiday in Switzerland and Douglas decides to invite himself along. The best scenes in the film involve all three of our protagonists learning winter sports. In fact the scene involving Claudette Colbert falling off a toboggan and being in harm's way of another racing toboggan is a great example of a really dangerous situation being played for laughs and quite successfully.

I Met Him In Paris which has the bulk of its scenes in Hollywood recreated Switzerland is a great example of a nice comedy which really could have been better if an Ernest Lubitsch or a Leo McCarey had done it. Mona Barrie has a small, but very important part that occurs toward the end of the film which I cannot say more about lest I spoil things.

Definitely fans of Claudette Colbert will appreciate this film which holds up very well after over 70 years.

Claudette Colbert stars in one of her most underrated romantic comedies (though it was a big hit at the time and so acclaimed that The New York Times listed it as one of the ten best films of the year) as an aspiring American fashion designer who is off to see Paris and leave her dull fiancé Lee Bowman behind for at least a temporary separation. Alas, Claudette is a lost babe in the woods in France, speaking no French but she runs into two young Americans who take her under her wing and have more than a little interest in taking her romantically. Moderately successful novelist Robert Young is the one who is the more spirited and to Claudette's taste; his playwright buddy Melvyn Douglas is a little too stodgy and dour for her. She thinks Douglas is a spoil sport nosing in on their fun, unaware he is actually watching out for her since Bobby boy is not yet divorced and has a habit of romancing innocent young ladies. Eventually she warms up a little to Douglas but when she learns that the boys have hidden Young's marital status from her she's enraged and none too pleased either with her old beau Bowman who clearly doesn't trust her and has shown up to check up on her. (Claudette's character herself isn't that much of an angel given she's open to being wooed even while she is promised to another). This delightful piece of fluff moves faster than the runaway bobsled Claudette finds herself on at one point and while the plot has holes (shouldn't she have been checking out the fashion scene in Paris on her vacation rather than venturing off to Switzerland with the boys?) the movie is a lot of fun and the queen of romantic comedy, Miss Colbert, gives one of her most delightful performances.

Claudette Colbert saved and scrimped for a trip to Paris just for her own little self. Even beau Lee Bowman can't talk her out of it. It's not that he's not happy for her or begrudging her well-deserved trip, but he feels anything can happen to her without him there. Though just why he's not going, I don't remember or understand. She goes, meets a waiter who speaks funny English, a French masher, and Robert Young and Melvyn Douglas who rescue her from the masher. But Bob came to her rescue first. The two men are supposedly friends, because they hang out together, but they don't act like it with their constant ribbing and competitiveness over Claudette. For such a good cast, it's hard to describe just how really bad this film is. There's no pace, no laughs, no anything. Just talking, and they're constantly bickering, and Claudette bad-mouths the other guy to the one she's with at the time. This was a total disappointment for all concerned, including director Wesley Ruggles. And, frankly, it's one of the worst old movies I've seen in a long time. Poor Claudette! Who cares who she picked! Stay away from this picture.

Two clunkers in a row - first Bluebeard, then I met him in Paris. The clothes are great, the settings lovely, and the script - a mind-boggling inane conglomeration of improbable and contrived situations that must have contributed to the demise of the screwball comedy. A series of wealthy people with too much time on their hands, acting juvenile (or madcap, as they used to call it). Everyone here has been better elsewhere. Douglas and Young are both in love with Colbert, and three high-tail it off to Switzerland, as the question surfaces: who will Claudette end up with? Of course, Melvyn Douglas is billed above Robert Young, so we know what the outcome must be. As much as I love old films, and Colbert, and Douglas, and Young, I stuck this one out, but it never really gelled for me.

If you love romantic comedies then this passes as easy watching.Douglas and Colbert gel but the script lacked sparkle . When I analyse Colberts career it has to be said that she really isn't in many that you would describe as classics,that have stood the test of time.Her performances are generally excellent but often in mediocre films