Eastern millionaire's son Bard finds his father murdered and flies west to see rancher Drew who may know something about it. En route he crashes his plane into Jerry's bathroom; she falls in... Read allEastern millionaire's son Bard finds his father murdered and flies west to see rancher Drew who may know something about it. En route he crashes his plane into Jerry's bathroom; she falls in love with him which makes her suitor Steve jealous.Eastern millionaire's son Bard finds his father murdered and flies west to see rancher Drew who may know something about it. En route he crashes his plane into Jerry's bathroom; she falls in love with him which makes her suitor Steve jealous.
Buck Bucko
- Wranger
- (uncredited)
George Chandler
- Joe, Western Union Clerk
- (uncredited)
Wong Chung
- Cook
- (uncredited)
John Elliott
- Sheriff
- (uncredited)
Bud Geary
- Tony's Chauffeur
- (uncredited)
Walter Hiers
- Traveling Salesman
- (uncredited)
Fred Kohler Jr.
- Party Guest
- (uncredited)
Jerry Mandy
- Louie, the Barber
- (uncredited)
Featured reviews
The copy of this movie that I looked at was in poor condition. A five-minute chunk was missing, the image was dark and every once in a while the title "Fade In" would appear. Nonetheless, it was interesting for reasons having nothing to do with the production.
James Kirkwood comes to visit Robert Warwick. They talk about Warwick's dead wife and his son, George O'Brien. When O'Brien comes home from his polo match, he finds his father shot dead. The only clue is in his vault: a name change and a detective's report stating they are ending a quarter of a century's surveillance on "William Drew." O'Brien heads out, crashing his plane into Sally Eiler's bath room while she's taking a shower. Drew's cow hands, Humphrey Bogart and Stanley Price, take a dislike to O'Brien. Miss Eilers and Rita Laroy are sort of interested.
It's derived from a Max Brand novel that had been filmed with Tom Mix a decade earlier as TRAILIN'. O'Brien is interesting to old movie fans. In this one, it's clear that Fox had him leading a programmer. Stanley Fields gives a fine, psychopathic performance, but Bogart, while he shows plenty of menace, seems miscast. Even so, it's Bogart who holds the most interest for the modern viewer, and he gives a clear and recognizable performance.
James Kirkwood comes to visit Robert Warwick. They talk about Warwick's dead wife and his son, George O'Brien. When O'Brien comes home from his polo match, he finds his father shot dead. The only clue is in his vault: a name change and a detective's report stating they are ending a quarter of a century's surveillance on "William Drew." O'Brien heads out, crashing his plane into Sally Eiler's bath room while she's taking a shower. Drew's cow hands, Humphrey Bogart and Stanley Price, take a dislike to O'Brien. Miss Eilers and Rita Laroy are sort of interested.
It's derived from a Max Brand novel that had been filmed with Tom Mix a decade earlier as TRAILIN'. O'Brien is interesting to old movie fans. In this one, it's clear that Fox had him leading a programmer. Stanley Fields gives a fine, psychopathic performance, but Bogart, while he shows plenty of menace, seems miscast. Even so, it's Bogart who holds the most interest for the modern viewer, and he gives a clear and recognizable performance.
I saw this movie in 1977 at London's NFT paired with A DEVIL WITH WOMEN (1930) and introduced by William K Everson. The copy presented was nice and clear, and much better than ones I have encountered on YouTube, which look horrible. Hopefully good copies of this film exist as it is quite possible that some of the negative views have been affected by these frightful uploads.
When the film begins, a rich man, Thomas Woodbury, dies. His son, Tony (George O'Brien), soon learns that for decades his father has been having a man named William Drew watched by private detectives. And, he learns that his father actually had a previous identity and lived originally in Wyoming. So, he decides to head to Wyoming and learn from Mr. Drew himself what the connection is between them. However, a few hiccups occur during his investigation. First, his plane crashes right into a pretty lady's bathroom while she's taking a shower. She's unhurt and Tony is DEFINITELY interested in seeing more of her. Second, one of Drew's employees, Steve Nash (Humphrey Bogart), is REALLY curious about Tony and why he wants to see Drew...and so he takes it upon himself to rough up the young man. But Tony soon escapes. What's really going on here? Who is Drew really and why would Nash act this way?
This is an early film of Bogart and that's the reason I decided to watch the movie. The print is pretty lousy but considering how hard it is to find Bogart's early films, I watched it on YouTube despite its shortcomings. While most folks today recognize Bogart as a top- tier star, he acted in a bunch of films in mostly minor roles for nearly a decade before his talents were recognized. Films like "A Holy Terror" might explain why, as Bogart was oddly cast as a guy from Wyoming...despite his strong New York accent and manners.
So is it any good? Well, since it's a cheap B-movie from Fox, it had a relatively small budget and certainly was NOT one of their premier productions back in 1931. And, I must admit that the secret that Tony discovers is a real DOOZY...making it worth your time waiting for this. But, on the other hand...the film just inexplicably ends...no fade out, no incidental music...almost like the just ran out of film! Odd...but still watchable.
This is an early film of Bogart and that's the reason I decided to watch the movie. The print is pretty lousy but considering how hard it is to find Bogart's early films, I watched it on YouTube despite its shortcomings. While most folks today recognize Bogart as a top- tier star, he acted in a bunch of films in mostly minor roles for nearly a decade before his talents were recognized. Films like "A Holy Terror" might explain why, as Bogart was oddly cast as a guy from Wyoming...despite his strong New York accent and manners.
So is it any good? Well, since it's a cheap B-movie from Fox, it had a relatively small budget and certainly was NOT one of their premier productions back in 1931. And, I must admit that the secret that Tony discovers is a real DOOZY...making it worth your time waiting for this. But, on the other hand...the film just inexplicably ends...no fade out, no incidental music...almost like the just ran out of film! Odd...but still watchable.
I have never heard of this little film, from director Irving Cummings, about whom the best and most known film will forever remain BELLE STARR, starring Gene Tierney and Randolph Scott. Except this film, the rest of Cumminngs' filmography is purely very hard to purchase; most is from the silent era. This one is just a rare and curious film, pre Code period, and that's why it is interesting to watch. But you can live without it, it is only destined to gem diggers. I am not even sure it was aired on TCM. I don't understand the title...Terror, i thought of a horror thriller. However, because it is from Irving Cummings - the director of BELLE STARR - I wanted to watch it, at least once in my life.
On returning home, a polo player discovers that his millionaire father has been killed. He heads West to confront a rancher who may be at the heart of the mystery.
An uninteresting pre-code adventure film that lacks a decent script. George O'Brien stars as the son who is seeking answers to his father's death but the film is only interesting thanks to an early appearance by Hollywood legend Humphrey Bogart in a supporting role.
An uninteresting pre-code adventure film that lacks a decent script. George O'Brien stars as the son who is seeking answers to his father's death but the film is only interesting thanks to an early appearance by Hollywood legend Humphrey Bogart in a supporting role.
Did you know
- TriviaThe $1,000 that Drew offers Steve to get Tony out to the ranch would be equivalent to about $18,665 in 2022.
- GoofsSteve is an employee and ,as such, would not have to be bribed to bring someone from town to the ranch.
- ConnectionsReferenced in Duke Nukem: Time to Kill (1998)
Details
- Runtime53 minutes
- Color
Contribute to this page
Suggest an edit or add missing content