J'ai le droit de vivre

You Only Live Once is directed by Fritz Lang and written by C. Graham Baker and Gene Towne. It stars Sylvia Sidney, Henry Fonda, Barton MacLane, Jean Dixon and William Gargan. Music is by Alfred Newman and cinematography by Leon Shamroy.

He has been pounding on the door of that execution chamber since the day he was born.

One of Fritz Lang's first American productions is a cracker-jack proto- noir, a leading light (darkly shaded of course) in the sub-genre of fugitive lovers on the lam pictures. Story leans on the legend of Bonnie and Clyde and finds Fonda as three times jailbird Eddie Taylor. After strings are pulled and promises made, Eddie gets released into the arms of his adoring gal, Jo Graham (Sidney). Determined to go straight and settle down with Jo, Eddie finds a society not ready to forgive and forget, worst still, he's old comrades in criminal arms have cooked something up and it's not going to be good news for Eddie. Cue the Romeo & Juliet factor as two lovers love each other so much they will stop at nothing to be together and to try and make the other one happy.

Lang brings his expressionistic bent to the tragi noir tale, drifting fogs, mists and spider web shadows across key scenes. Canted angles feature, reflections in a psychological eye also play their part, while the protection of animals theme – and the continuing frog motif - further strengthens the otherworldly – cum - nightmarish aura that so often permeated Lang's movies. The action scenes are deftly marshalled by the director, with a smoke grenade led robbery and a prison escape particularly worthy of luring you to the end of your seat.

Lang also gets fine performances from his lead actors, Sidney is not done too many favours by the screenplay, where she is saddled with one of those compliant love interest roles, but she brings a quality to her scenes with Fonda that earns respect. Fonda is great in what is a two- fold role, shifting skilfully between a tender lover to an embittered man, he's a triumphant fulcrum for all the various strands that Lang is weaving together. It has been argued that it's a film that's too morally grey, but as film noir lovers will tell you, this is no bad thing, especially when Lang marries up his superb visuals with alienation, fatalism and pessimism.

Historically important to film noir and Lang fans, You Only Live Once is an ambiguous gem. 9/10

This film stands the test of time as the story of a man trying to become someone else and a woman's loss of faith in justice. Lang's comment on the difficulty of the romantic couple may stem from his former wife's transition to a Nazi, but the strong relationship between Eddie and Joan is both beautiful and disturbing. This film is meticulously shot, with perfect casting (who knew Henry Fonda was ever young?). It's always enjoyable to watch the old Hollywood movies with no blood, and very strange looking kisses.... Superb example of a Lang film and film noir. Worth watching on DVD for a quality restoration.

Joan Graham (Sylvia Sidney) is the efficient secretary of a public defender Stephen Whitney (Barton MacLane) and is in love of the smalltime criminal Eddie Taylor (Henry Fonda). Her boss and friend Stephen helps Eddie to leave the prison on probation, Eddie promises to have a straight life and immediately get married with Joan. He finds a job as truck driver, but is unfairly fired on his first day. While trying to find another job, there is a heist in a bank with six victims and Eddie is accused. Joan convinces him to go to the court and prove his innocence, but based on circumstantial evidence and prejudice of the jury, Eddie is sentenced to the electric chair. On the night of his execution, the FBI finds the real criminal and Eddie grants an indulgence. However, Eddie is trying to escape from prison in a hostage situation, and kills his friend Father Dolan (William Gargan), who was trying to help him. Eddie meets Joan and together they try to reach the border and escape from justice.

"You Only Live Once" is the second American movie of Fritz Lang and a tragic melodrama. The depressive story of love and prejudice discloses a tough criticism to a very unfair, corrupt and hostile society, where losers do not have the chance to recover their dignity and common people are corrupt. The screenplay is visibly influenced by Bonnie and Clyde, who died on 23 May 1934, ambushed in their getaway car - therefore less than three years before the release date of this film. Henry Fonda and Sylvia Sidney show a great chemistry in good performances in this minor movie of this great director. My vote is seven.

Title (Brazil): "Vive-se Uma Só Vez" ("You Only Live Once")

Upon release from prison an ex-con (Henry Fonda) tries to go straight and start a decent life with his new wife (Sylvia Sidney). However, he is sacked by his former employer and increasingly desperate considers returning to a life of crime.

An impressive film with excellent direction by Fritz Lang who brings his unusual camera angles to bear on a bleak story. The film is said to be somewhat inspired by Bonnie and Clyde, but more than anything is an interesting exploration of how fate and circumstance can lead to disaster and tragedy. Moving at a crisp pace the film delivers plenty of suspense and surprises as Fonda is framed for murder not long after his release and, interestingly not long after he is fired, threatens to return to his miscreant ways. This keeps the viewer guessing as to whether Fonda's proclamations of innocence are true when he is arrested. The film is quite bleak for its time and contains quite an uncharacteristic performance from Fonda as a man desperate and disgusted by the callous treatment given him by society. Fonda doesn't entirely convince, but the film is still very good.

Fritz Lang did a great job with this well-acted, uniquely photographed drama from the '30s. It's not anything to see if you're looking for a lift, though. Henry Fonda and Sylvia Sidney, so young it's unbelievable, play a husband and wife escaping the law. Sidney is a secretary who falls in love with a convict and marries him as soon as he gets out of prison. He's a three-time felon and has a tough time getting back into society. Ultimately, he's convicted of a crime he didn't commit and sent to death row. He escapes with Sidney and they become sort of a Bonnie and Clyde on the run for the Canadian border.

There are some plot problems, for instance, how Fonda got the gun in order to escape. Also, the boss at the trucking firm where he works is over the top in his dislike for Fonda and refuses to give him another chance.

The acting is very intense from both Sidney and Fonda. Looking at the young Fonda, one can really see where Jane got her looks. This isn't a big film, nor is it a happy one, but it's worth seeing.