An army trainer becomes captain of the prison yard and in time, falls for the sister of a hardened inmate.An army trainer becomes captain of the prison yard and in time, falls for the sister of a hardened inmate.An army trainer becomes captain of the prison yard and in time, falls for the sister of a hardened inmate.
- 'Sailor Boy' Hansen
- (as Joseph Sawyer)
- Mickey Callahan
- (as James Robbins)
- Warden Taylor
- (as Joseph King)
- Cop on Phone
- (scenes deleted)
Featured reviews
Lieutenant Druggin (Barton MacLane) is relieved of his temporary position as yard captain, much to his dislike. When an army officer, Captain Steve Jameson (Pat O'Brien), accepts a two-year assignment to be his replacement, Druggin sets about to thwart Steve's changes, believing them to be too liberal.
Before arriving at his assignment, Steve spends a night in a club with his army buddies where he meets and falls in love with the singer, May Kennedy (Ann Sheridan), unaware that she has a criminal brother, Red Kennedy (Humphrey Bogart), bound for San Quentin following his capture at the club the same evening.
After meeting May's brother at San Quentin, Steve is determined to reform the young man without informing him that he knows and loves his sister. Red figures in on part of Steve's reform program, selecting those most likely to be rehabilitated for the fresh air road jobs, before based on seniority and good behavior alone. Steve convinces the prison board by explaining how many of the seasoned criminals take advantage of the old system to use the jobs outside the walls as means of escape. All goes awry when 'Sailor Boy' Hanson (Joe Sawyer) pulls strings with Druggin to get assigned with Red on the same work detail. Hanson needles Red about his sister being exploited by Steve by using her brother as a weapon. Hearing about Steve and May's relationship for the first time so angers Red that he throws in with Hanson and they make their getaway. It is now up to Steve to catch Red before he is totally lost to crime.
"San Quentin" has a stellar cast that raises this somewhat routine prison drama to higher ground. Humphrey Bogart's character runs the gamut of emotions but remains true to form as a wannabe tough guy with a chip on his shoulder. The gifted actress Ann Sheridan was seldom given an opportunity by the studio to strut her stuff, but she could make even the most thankless role shine. This time she is given an opportunity to show off her singing talent. Pat O'Brien, while not a versatile actor, could be counted on to give a good performance. The supporting cast of character actors makes every aspect of this tough prison drama believable.
Veteran director Lloyd Bacon delivers the goods in creating a fast paced film with an exciting chase scene near the end, filled with some daring stunt work, especially the motorcycle jump. There is exceptional camera work by Sidney Hickox of the environs of San Quentin, in particular the shots of the yard with the prisoners at times appearing almost surrealistic.
When Bogart is maliciously informed, through the efforts of the bad Barton MacLane, that O'Brien has less than honorable intentions toward his sister, Ann Sheridan, he breaks out and shoots O'Brien, though not seriously
When he finds that he has made a mistake, he decides to give himself up, but
"San Quentin," though far from one of Bogart's best roles, is almost always included in his film retrospectives as a favorite choice of his fans
The story was about a new guy in charge of the San Quentin prison yard who was going to be humane and make things work. Pat O'Brien plays that guy, "Capt. Steve Jameson." The previous man in charge is a nasty, corrupt bird named "Lt. Druggin," who Barton MacLane plays effectively well.
In the meantime we have the featured crook, "Red Kennedy," played by Humphrey Bogart, who almost always played villains in his 1930 films, and we have his sister "May" played by Ann Sheridan. O'Brien has the hots for her and promises to be fair to her brother. "Red," however, is too paranoid and stupid to appreciate what's done for him and that's when we get to the interesting finale to the film.
Overall, not bad but not worth watching a second time. At 70 minutes, at least it didn't overstay its welcome.
The story is perhaps not the most interesting or refreshing but it is told in a good way. The pace of the movie is high and obviously made by experienced professionals. The editing is a bit offbeat and weird at times and the action and ending is rather weak but nevertheless "San Quentin" remains a perfectly watchable movie, thanks to the professional cast & crew involved.
The movie has a solid cast. Pat O'Brien plays the leading role very well and he really makes the character work. Also great was Humphrey Bogart, from the period when he was not yet a leading man in Hollywood movies. The most other characters remain rather flat and blank but this was often the case in movies from the '30's.
Of course prison movie set in the '30's are the most interesting to watch, when convicts still wore those great uniforms and guards where known as brutal animals who weren't afraid of using their weapons. This movie is set in that period and although this movie is not an heavy or dramatic one, it still makes this movie a better than average one, thanks to the time period it is set in.
It's not an essential viewing. The movie is too dry, simple and short for that. However when you do watch this movie, you won't regret it. It's well made entertainment and has some excellent actors in it.
7/10
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Did you know
- TriviaWhen Druggin was looking at the index cards of the prisoners, a close-up shot on Hansen's card shows an entry for Bertillion (sic) Measurements. The Bertillon System was created in the late 1800s by Alphonse Bertillon, a French police officer and biometrics researcher, who applied the anthropological technique of anthropometry to create a human identification system based on physical measurements. Anthropometry was the first scientific system used by law enforcement to identify criminals. Before that time, criminals could only be identified by name or photograph. The Bertillon System consisted of five measurements: head length, head breadth, length of middle finger, length of the left foot, and length of the cubit. Along with these measurements, Bertillon set a standard for facial photography, now known as the mugshot, to complete this system. Although the system was based on scientific measurements, it was known to have its problems. For example, it did not work accurately with women or children because it was based on the data of men who had reached full physical maturity and had short hair. The Bertillon System was eventually replaced by fingerprinting.
- GoofsBefore going onto the yard, Bogart's hair is dark. When on the yard, suddenly he becomes a blonde.
- Quotes
Captain Stephen Jameson: Hi, Beautiful.
May Kennedy aka May De Villiers: Hello, Sergeant, where's the war?
May Kennedy aka May De Villiers: Haven't you read the papers? We're fighting the Indians 'cause they won't take the country back.
May Kennedy aka May De Villiers: Really, Sergeant?
Captain Stephen Jameson: And don't call me Sergeant!
May Kennedy aka May De Villiers: Well, I won't if you promised to tell me what you are.
Captain Stephen Jameson: D'ya know what two bars mean?
May Kennedy aka May De Villiers: Sure, twice as many drunks as one bar.
- ConnectionsEdited into Les Passagers de la nuit (1947)
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Details
Box office
- Budget
- $365,000 (estimated)
- Runtime
- 1h 10m(70 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1