The Riders of the Whistling Skull

Plot - The 3 hero buddies join a girl (Russell) and others, all determined to find her missing archaeoloist dad in a strange Indian land far from settler civilization.

The flick's a genuine oater oddity. The 3 Mesquiteers and their allies are arrayed against a mysterious rock skull and its hostile Indian cult, with hints of preternatural happenings surrounding the ugly skull. For example, there's the apparently dead Indian woman suddenly and jarringly coming to life. Now, oaters of old may not have been known for their realism, but here there's a strange air of an 'other world' that may be lurking behind the disappearance of the archaeologist.

And dig that spectacular Technicolor cliff-scape, whose jagged rocks the two warring sides climb, clamber, and fall from. It's a landscape from Mars and unlike the usual cowboy wilderness. Oddly, the effect is all from inspired location filming, with no studio backdrops in sight. And catch the many creative camera angles and set-ups that magnify the strange visual atmosphere.

There's also plenty of action that largely replaces the usual talk or character development; instead, it's the rocks and cliffs that get center stage. Then too, shouldn't overlook that big rock-slide near the end that still has me wondering how they did it, and in only an 8-day filming schedule. My only complaint is the apparent use of a trip-wire to bring down two horses head-over-heels and probably to their doom. Good thing the movie practice was soon outlawed.

I suspect the flick's been generally overlooked because of a strangeness that doesn't easily fit into the matinee cowboy genre. Now, I'm not saying the flick's a sleeper classic or hidden gem. Instead it's definitely a weird one-of-a-kind and should not be missed. So catch it if you can.

This film essentially begins with a young woman by the name of "Betty Marsh" (Mary Russell) coming out West in search of her father who has gone missing while searching for an ancient city rumored to have vast sums of gold. As luck would have it, while riding in that area, the Three Mesquiteers come upon an elderly man who was with Betty's father and just happens to have a book which contains directions to the lost city. Unfortunately, not long after regaining consciousness, the man is murdered and, as a result, the Three Mesquiteers, along with Betty and her companions, set off to find the lost city and rescue Betty's father. To get there, however, they not only have to travel through an extremely hostile territory, but they also have to contend with a murderer within their group who is willing to do whatever is necessary to have the gold all for himself. Now, rather than reveal any more, I will just say that, not counting three other films from other various studios, this was the 4th film in the Three Mesquiteers series produced by Republic Pictures. In that regard, like all of its predecessors, this movie has a rather short running time (approximately 58 minutes) as well. Admittedly, the acting is rather basic but, even so, the supernatural element adds a bit of suspense not normally found in any of the others (except possibly, "Ghost Town Gold") and, for that reason, I have rated the film accordingly. Average.

Riders of the Whistling Skull (1937)

** 1/2 (out of 4)

A woman's father goes missing looking for a lost Indian city. Soon a survivor from the exploration shows up with bizarre terrors so The Three Mesquiteers (Robert Livingston, Ray Corrigan, Max Terhune) agree to help the woman search for her father and the lost city.

RIDERS OF THE WHISTLING SKULL often gets called the best "Western- horror" film but that's a bit of a stretch. I'm not going to challenge it being called the best of its sub-genre but at the same time, to be honest, there aren't too many horror elements, although the haunting and curse of the lost city is enough to make it of slight interest to horror fans who might not other wise watch a film with The Three Mesquiteers.

With that said, for the most part this is a pretty entertaining Western as Livingston, Corrigan and Terhune are all in fine form and Mary Russell is also good in her role as the daughter. The supporting players contain some very bad performances but nothing to take away from the entertainment. There are several nice action scenes and of course several scenes where our heroes are in peril and have to find a way out.

I thought the stuff dealing with the lost city was handled well. RIDERS OF THE WHISTLING SKULL isn't going to be mistaken for the work of John Ford but it's entertaining.

The Three Mesquiteers (Stony, Tucson, & Lullaby) ride with a band of explorers searching for Professor Marsh an archeologist, the father of the female lead, who has discovered a lost city with hidden treasure, but who has been held by a prisoner by an Indian tribe, who has killed Marsh's partner, through a traitor amid the archeology party. Its up to the Mesquiteers to discover the villain among them and save the party from thirst and the murderous rampage of the tribe. Very enjoyable 3M film with nice emphasis of the comradery between the three friends, and also gives a nice glimpse of the style Republic used in their westerns and serials set out west. Wright's direction is quicker than what else I've seen of him, but he rushes through the end which is the drawback of the film. Nice location shooting in Nevada, and a good supporting cast make this one a winner. Rating, based on B westerns, 9.

Oliver Drake is one of my script-writing heroes, but his work here is just not up to his usual standard. Much of the story doesn't quite hold together, and, besides, it looks like somebody's idea for a serial after somebody (Pappy Yates?) changed his mind.

However, it does star the Three Mesquiteers, and all three get a chance to shine.

In fact, Crash Corrigan even gets to remove his shirt. (What a gorgeous specimen he was, even still when I met him, just a month before he died. He started as a physical fitness expert and continued to take care of himself.)

Probably the best way to enjoy "Riders of the Whistling Skull" is to ignore the story and appreciate the action, of which there is plenty, and the scenery, including the Whistling Skull of the title.

Yakima Canutt is present so you know there will be lots of stunts, and some very good ones.

Another reviewer mentions the "comradery" among the three and it's true there is almost no friction this time, except for a little joshing.

Lullaby, in an interesting change, ends up with a lady, but "ends up" surely means only till the next entry in the series.

It's a rather weak 3M movie, but the series itself was always uneven, with different eras and different roles for the heroes. Still, it's a pleasant enough way to spend about an hour.