User reviews

Oliver Drake is one of my script-writing heroes, but his work here is just not up to his usual standard. Much of the story doesn't quite hold together, and, besides, it looks like somebody's idea for a serial after somebody (Pappy Yates?) changed his mind.

However, it does star the Three Mesquiteers, and all three get a chance to shine.

In fact, Crash Corrigan even gets to remove his shirt. (What a gorgeous specimen he was, even still when I met him, just a month before he died. He started as a physical fitness expert and continued to take care of himself.)

Probably the best way to enjoy "Riders of the Whistling Skull" is to ignore the story and appreciate the action, of which there is plenty, and the scenery, including the Whistling Skull of the title.

Yakima Canutt is present so you know there will be lots of stunts, and some very good ones.

Another reviewer mentions the "comradery" among the three and it's true there is almost no friction this time, except for a little joshing.

Lullaby, in an interesting change, ends up with a lady, but "ends up" surely means only till the next entry in the series.

It's a rather weak 3M movie, but the series itself was always uneven, with different eras and different roles for the heroes. Still, it's a pleasant enough way to spend about an hour.

Stuntman actor Ray Corrigan stars as one of the three mesquiteers in "Riders of the Whistling Skull". Costars Robert Livingston (Stony) and Max Terhune (Joslin) accompany him to Lukachuke, along with "Betty" (Mary Russell). The acting and story are very "B" feature, from Republic. They pack a lot into those 58 minutes, so no time for goofing around. Some great old scenery of Painted Canyons in Mecca California from the 1930s, but it's all pretty forced. The group travels into the hills to see what the heck happened to the archeology professor. Directed by Mack Wright, who had started in silents. Wright worked six times with John Wayne and six times with Gene Autry. It's all very okay.

Riders of the Whistling Skull (1937)

** 1/2 (out of 4)

A woman's father goes missing looking for a lost Indian city. Soon a survivor from the exploration shows up with bizarre terrors so The Three Mesquiteers (Robert Livingston, Ray Corrigan, Max Terhune) agree to help the woman search for her father and the lost city.

RIDERS OF THE WHISTLING SKULL often gets called the best "Western- horror" film but that's a bit of a stretch. I'm not going to challenge it being called the best of its sub-genre but at the same time, to be honest, there aren't too many horror elements, although the haunting and curse of the lost city is enough to make it of slight interest to horror fans who might not other wise watch a film with The Three Mesquiteers.

With that said, for the most part this is a pretty entertaining Western as Livingston, Corrigan and Terhune are all in fine form and Mary Russell is also good in her role as the daughter. The supporting players contain some very bad performances but nothing to take away from the entertainment. There are several nice action scenes and of course several scenes where our heroes are in peril and have to find a way out.

I thought the stuff dealing with the lost city was handled well. RIDERS OF THE WHISTLING SKULL isn't going to be mistaken for the work of John Ford but it's entertaining.

There were a long string of Three Mesquiteer films during the 1930s. The films consisted of three friends who were government agents in the old West and the films were very low-budget B-movies. However, the lineup changed all the time--and there must have been about two dozen different lineups--including, for a while, a young John Wayne. Among the most consistent lineup for the series were Crash Corrigan, Robert "Whistling Skull" begins with a member of a lost expedition arriving in town. He begins talking about some lost Indian treasure--and then is suddenly killed with a poison-tipped knife. So, the Boys and their new friends all go in search of the lost party--and possibly find the treasure as well.

Livingston and Ray Terhune. Oddly, Terhune's shtick was having Elmer (his ventriloquist dummy) and--a very strange thing indeed for the West! While I'll quickly admit that these weren't particularly good films (I've seen a lot with this particular lineup), they were reasonably fun and worth seeing if you like the genre. However, among the Mesquiteer films I have seen, this must be the very worst--mostly because the acting is simply atrocious. I am not exaggerating when I say that many of the extras repeat their lines like they are reading them off cue cards...and they were dyslexic! In addition, the plot, though original, was truly bizarre.

By the way, in addition to the weird plot and bad acting, the language was often amazingly offensive--even for 1937. My favorite line is "...those dirty ignorant savages" when members of the search party meet up with natives.

The Three Mesquiteers (Stony, Tucson, & Lullaby) ride with a band of explorers searching for Professor Marsh an archeologist, the father of the female lead, who has discovered a lost city with hidden treasure, but who has been held by a prisoner by an Indian tribe, who has killed Marsh's partner, through a traitor amid the archeology party. Its up to the Mesquiteers to discover the villain among them and save the party from thirst and the murderous rampage of the tribe. Very enjoyable 3M film with nice emphasis of the comradery between the three friends, and also gives a nice glimpse of the style Republic used in their westerns and serials set out west. Wright's direction is quicker than what else I've seen of him, but he rushes through the end which is the drawback of the film. Nice location shooting in Nevada, and a good supporting cast make this one a winner. Rating, based on B westerns, 9.

One of the most interesting of the Three Mesquiteer films has the guys getting involved in an archaeological expedition to find a hidden treasure guarded by a legendary Indian cult, presumably descendants of the Aztecs because they believe in human sacrifice. At least Robert Livingston almost ends up being barbecued at the stake.

Mary Russell's father and his partner went off in search of the cult and the partner came back, but he's murdered in one of those locked room puzzles. Despite or maybe because of the fact the Three Mesquiteers were in the room they go along to find a treasure and capture a killer.

These modern Aztec type cultists have kept up with modern weaponry because of their leader and when you find out who it is that will be self explanatory.

I'm agreeing that the film does resemble some of those cult Kharis mummy films some of which were not all that good. The end is a rather spectacular climax where the cultists are wiped out. Mother nature has more to do with it than the Mesquiteers.

Mesquiteer fans should enjoy this.

I was never a western fan. It was made worse when we first got cable back in 1976 and several of the stations were heavily running the black and white programmers where only the names changed slightly from film to film. What ever it was never hooked me into liking westerns. John Wayne was never a favorite of mine as a result.

But as time went on I did find I will watch a western now and again and have raved about several, Unforgiven, Tombstone and Silverado for example, when really good ones come along.

But I've never been a fan of the genre, so when Sinister promised something different in their catalog I jumped.

The film is one of the Three Mesquiteer series that came from a a long running series of novel and was turned into a long running series of films. John Wayne was one of the original trio of ranch hands who do good in the West.

The plot involves an expedition to find a lost Indian city and a lost pair of scientists who earlier went looking for it. Supposedly its located in a Whistling Skull. Just as the party is to leave one of the scientists shows up speaks of finding the city and being taken prisoner only to be killed before revealing the exact location. The Mesquiteers, who had found the now dead scientist, tag along as the party sets out in order to find the city and the one remaining scientist.

The movie moves like the wind, running in this print only 53 minutes, and has just about every western cliché you can think of and then some. Assuming you haven't seen a bunch of these in a while its worth seeing, and even if you have seen a bunch of these its still fun.

Its simply a fun frantic mystery western, recommended.

This film essentially begins with a young woman by the name of "Betty Marsh" (Mary Russell) coming out West in search of her father who has gone missing while searching for an ancient city rumored to have vast sums of gold. As luck would have it, while riding in that area, the Three Mesquiteers come upon an elderly man who was with Betty's father and just happens to have a book which contains directions to the lost city. Unfortunately, not long after regaining consciousness, the man is murdered and, as a result, the Three Mesquiteers, along with Betty and her companions, set off to find the lost city and rescue Betty's father. To get there, however, they not only have to travel through an extremely hostile territory, but they also have to contend with a murderer within their group who is willing to do whatever is necessary to have the gold all for himself. Now, rather than reveal any more, I will just say that, not counting three other films from other various studios, this was the 4th film in the Three Mesquiteers series produced by Republic Pictures. In that regard, like all of its predecessors, this movie has a rather short running time (approximately 58 minutes) as well. Admittedly, the acting is rather basic but, even so, the supernatural element adds a bit of suspense not normally found in any of the others (except possibly, "Ghost Town Gold") and, for that reason, I have rated the film accordingly. Average.

The Riders Of The Whistling Skull is The Three Mesquiteers best and most famous adventure and the best B-western of the nineteen-thirties, with more action, thrills, and suspense in it's fifty-three minutes than in all twelve chapters of some of Republic Pictures' serials!

The story involves the Three Mesquiteers and their search for the missing father of a pretty archaeologist, kidnapped by a sinister Indian cult after discovering the lost city of Lukachukai and it's treasure, all surrounding the creepy rock formation known as The Whistling skull.

This is first rate all the way with great locations and lots of weird touches like the cult's ritual dance (with a young Iron Eyes Cody in attendance) and the "mummy" who stands up and brandishes a knife!

I recommend this heartily to fans of B-westerns and to people who want to witness the best that the genre has to offer.

The Three Mesquiteers accompany an archeological expedition to a lost Indian city of gold called Lukachuke in a mystery western full of humour, intrigue and rollicking action, especially at the end with a landslide. It's called a horror-western but apart from the cursed lost city there isn't much horror. What there is is great landscape, a well-designed lost city and plenty of fun. Definitely top tier of its type.

Plot - The 3 hero buddies join a girl (Russell) and others, all determined to find her missing archaeoloist dad in a strange Indian land far from settler civilization.

The flick's a genuine oater oddity. The 3 Mesquiteers and their allies are arrayed against a mysterious rock skull and its hostile Indian cult, with hints of preternatural happenings surrounding the ugly skull. For example, there's the apparently dead Indian woman suddenly and jarringly coming to life. Now, oaters of old may not have been known for their realism, but here there's a strange air of an 'other world' that may be lurking behind the disappearance of the archaeologist.

And dig that spectacular Technicolor cliff-scape, whose jagged rocks the two warring sides climb, clamber, and fall from. It's a landscape from Mars and unlike the usual cowboy wilderness. Oddly, the effect is all from inspired location filming, with no studio backdrops in sight. And catch the many creative camera angles and set-ups that magnify the strange visual atmosphere.

There's also plenty of action that largely replaces the usual talk or character development; instead, it's the rocks and cliffs that get center stage. Then too, shouldn't overlook that big rock-slide near the end that still has me wondering how they did it, and in only an 8-day filming schedule. My only complaint is the apparent use of a trip-wire to bring down two horses head-over-heels and probably to their doom. Good thing the movie practice was soon outlawed.

I suspect the flick's been generally overlooked because of a strangeness that doesn't easily fit into the matinee cowboy genre. Now, I'm not saying the flick's a sleeper classic or hidden gem. Instead it's definitely a weird one-of-a-kind and should not be missed. So catch it if you can.