Night Waitress

The story itself is fine, concerning a waitress on probation and a seemingly shady guy. She suspects him as a gangster but he has a charm nonetheless.

From there the plot is fast paced (the running time is only 57 minutes)and fairly predictable. The acting is average overall, though the leads (Grahame and Jones) are a cut above.

Honestly though, for movie buffs, the background is just as interesting. Anthony Quinn runs around as a gangster. Some of the sets look familiar as well.

Worth a watch!

Margot Grahame has just been put on probation. She goes back to work at Billy Gilbert's waterfront fish restaurant. She wants to work and avoid trouble. Sailor Gordon Jones wants to date her. When gangsters kill a criminal in the restaurant, she's the only witness. The gang starts looking for her.

It's a nice, atmospheric B movie that doesn't bother with gloss. Director Lee Landers, just breaking out of B westerns the year this was made, shoots quickly and efficiently, with San Pedro standing in for San Francisco in the shipside shots.

Margot Grahame was Britain's highest-paid screen actress in this period. Dubbed 'the Aluminum Blonde', she was a skilled performer, trying to break into the much more prosperous American industry.

With a fine cast of then-minor players - the IMDb claims this is Anthony Quinn's first feature; it's really his fifth - it's a good example of what could be done on a small budget.

... But the movie is pure Lew Landers.

Margot Graham is exotic as the title character. Her acting, at least here, isn't very interesting. But she has a tough yet intelligent look.

Graham is a woman on parole. She is working as -- yes: a waitress. And in a waterfront dive.

The rest is stock criminals. We have a stock romance. We have a boat and an Asian helper. None of the actors in these roles made much impression on me.

It isn't really bad. (And some Landers films reality ARE bad.) It's just routine. We've seen essentially the same movie many, many times. But Graham makes this one stand out.

WHAT A SURPRISE this one was to us. We found it in the off hours at Turner Classic Movies and due to the marvelous invention of the DVR, we were able to view it at our leisure.

IT IS TRULY A fine example of how good a "B" movie can be. Without any pretensions of the serious message film or "Art" if you please, this is the sort of "potboiler" that makes movie going the pleasure that it is. In short, it is fun.

WE FIND THE starring roles Margot Grahame (a Brit import) and Gordon Jones (from Iowa,USA). This was most pleasing to us to see "Mike the Cop" (from the ABBOT & COSTELLO Television series) in a starring role. This was at the very early stages of actor's career, when anything could happen. His looks, athletic ability and muscukar physique served him well in this regard.

BUT AS IS the case with so many, be it in show business or wherever, he didn't quite make the cut to stardom. Instead, the former USC Trojan footballer (starting Guard as "Bull" Jones) and pal of another football player there named "Duke" Morrison (John Wayne) found his niche as supporting player and character actor. Having gradually "filled out", his build helped to establish him in many a role, both villainous and sympathetic.

IN REGARD TO this short feature's merits and why we sing its praises, it has the whole package for a movie of its station in life. At 57 minutes, it only occupied an hour of the double bill on Saturdays. This left plenty of time for the cartoon, the live action comedy short, the serial chapter and the trailers (aka "Previews of Coming Attractions"). Its bright and cheerful attitude groomed its audience for more to come on the screen.

ONE OTHER ASPECT of this title NIGHT WAITRESS is the manner in which the production team so skillfully puts together the supporting cast. It has been said that you'll never see a bad scene that has Billy Gilbert or Marc Lawrence in it. Well here we have both. Added to the mix, one Don "Red" Barry, Willie Best, Walter Miller (former lead in serial king) and Paul Stanton.

PERHAPS THE MOST interesting tidbit of trivia is the casting of Antonio Rodolfo Oaxaca Quinn in an uncredited role as a gangster. This was undoubtedly a great start and boosted his career, getting it off to great start. His tie on the screen is far greater than one would think; bringing us to conclude that Mr. Quinn made such an equally spectacular impression on those bigwigs at RKO.

BUT MOST IMPORTANTLY the greatest single attribute and accomplishment of this little picture was in its ability to entertain us and ultimately leave us happy. Then we could move on to the "main event" (Featured "A" Picture).

Passable crime movie from RKO featuring two actors who didn't quite make the grade. At least in her home country Margot Grahame was known as Britain's answer to Jean Harlow and dubbed the "Aluminium Blonde" as well as being their highest paid star but Hollywood didn't really want to know, even after her sterling performance in "The Informer". Besides her looks had more in common with Lucille Ball or Barbara Pepper. And Gordon Jones, even though he worked solidly from 1932 until 1963 (the year he died), was destined to have a very familiar face even if you couldn't remember his name.

Helen Roberts (Grahame) is back at her waitressing job after a brush with the law and with the full support of Papa Torres (Billy Gilbert) who just wants to see her make good. How anyone could have cast Grahame as a probation girl is amazing - her posh tones seemed more at home in Buckingham Palace than Tony's Fish Palace!!! When not brushing off unwanted suitors she also has to put up with the whispered innuendos about her past which makes her particularly hardened to breezy sea Captain Marty Rhodes (Jones) who wants to get to know her better. He seems to be mixed up with some pretty shady characters who feel he can lead them to a gold shipment but, like Helen, he is really just an innocent bystander who doesn't know what the mysterious shipment he has been hired to deliver, is!!!

The most interesting thing about this movie is the number of familiar faces in smaller roles, forget about the two leads. Don "Red" Barry of later "Red Ryder" fame is Rigo who is organising the gold cargo, Marc Lawrence (here billed as Laurence) is Dorne, a thug (what else!!), another thug is played by Anthony Quinn who happened to get a couple of good close-ups. There was also Willie Best as a bystander and the always good Frank Faylen, he of the thousand bit parts and Dobie Gillis's always exasperated father, playing a policeman in the crowd.