Ennemis publics

Interesting B movie from Grand National that reunites James Cagney with his Public Enemy co-star Mae Clarke. This was one of the movies Cagney made during his contract dispute with Warner Bros. The plot has tough guy Cagney taking over the position of Chief Deputy of the Departments of Weights and Measures, where he fights corruption with a good right cross. It never ceases to amaze me how bureaucrats were held in high esteem in 1930s movies. Name just about any government official and there was at least one movie with him as a crusading hero. More naive about government back then, I guess. Anyway this is not a bad movie but nothing exceptional. It moves along quickly. Cagney elevates the film above its Poverty Row backdrop. It's nice seeing him with Clarke again. The two have a playful chemistry. James Burke is a little annoying as Cagney's "Lucky Charms" sidekick. Worth a look for all Cagney fans, if for no other reason than to see him doing mundane things like shopping for groceries and putting gas in his car. All in the name of justice, of course.

Two-fisted, crusading Deputy Chief of the Department of Weights and Measures Johnny Cave is out to smash short-weighting delicatessens, markets, and grocery delivery services and to expose the crooked businessmen who are behind the short-weighting racket and who pay off the aldermen and mayor who are on the take. The plot sounds like a parody of all the tough-guy G-Men and T-Men movies of the thirties, but it is played straight and it works.

The pleasures of the movie, aside from Cagney as Cagney, are that this is the third and final movie to pair Cagney with Mae Clarke and that several great character actors in the supporting cast, particularly Edward Brophy, James Burke, and Henry Kolker, are given plenty of opportunities to show off their characteristic acts.

The interesting role for James Cagney is probably the main reason to watch "Great Guy". The role in itself is a fairly uncommon one for a leading role, and Cagney gives it his own distinctive style. The movie overall is a solid if rather predictable crime drama, with a couple of interesting details.

Cagney plays a new official in charge of the bureau of weights and measures, which is a relatively creative choice for a movie hero. As Cagney goes about investigating various instances of fraud, his character gradually takes on more and more of the tough guy persona that you associate with Cagney. At the same time, the stakes become ever higher in his battle with the sources of corruption.

The supporting cast is adequate, but they are generally overshadowed rather easily by Cagney. Mae Clarke is relatively appealing as Cagney's fiancée, but she mostly has to react to situations, since the script and dialogue don't give her much more to work with.

The movie as a whole largely follows a familiar pattern, and with a lesser star it would have been a rather routine affair. Cagney brings it up a couple of notches, and his own performance certainly won't disappoint anyone either.

Just saw this movie for the first time last night and I really enjoyed it. It's not every day you see a film about the Weights and Measures investigator. I got to tell ya, even watching Cagney in this B movie was completely enjoyable. These movies are a lot different when the lead actor shows up to act the walls off the place. He is 100% believable from start to finish and it really ups the value and watch-ability of the film.

My favorite scenes are his Investigation scenes. The film has several twists which are nice and some fun action scenes. Pretty intense fight scene at the end between Cagney and one of the bad guys. The two stuntmen were really duking it out.

Early in the movie, Cagney's Johnny Cave character tells his gumshoes in the Office of Weights and Measures that in the previous year, unscrupulous shop owners had cheated the American consumer out of more money than the aggregate National War Debt! Then he goes out and tickets a particularly greasy green grocer for short-selling him a bag of sugar that is four ounces off (oh, the horrors!!) and one skinny chicken that his butcher's scale has rather generously proclaimed to be six lbs., after which the fur--or in this case feathers--flies. Er, fly. When a racketeer in politician's clothing attempts to derail an investigation into the paltry poultry purveyor's practices, our hero becomes a lone wolf waging the war of the weights on behalf of housewives across America. After all, four cents here and a quarter there add up and before we know it we have anarchy! Word of his intransigence soon reaches both the Mayor and the Governor's offices, and Cagney becomes a marked man. If it sounds silly, it's not--the dishonest retailing practices are only a plot tool (or as Hitchcock would say, the McGuffin) and while unfamiliar, it works every bit as well here as any Treasury Agent or G-man anthology in which the fight is taken to shady crooks who are operating outside the interests of the country's common good. The production standards are decidedly Grade-B, but it is Cagney who makes this movie the delight that it is: this was his first film away from Warner Brothers after seeking release in court from his unreasonable contract, and he seems to be at ease and enjoying himself tremendously--the performance turned in here is intelligent and crackles with his unique energy and surefire charisma. Mae Clarke's presence lends a definite Warner's feel to the overall production. The supporting players turn in solid performances and the story moves along smartly after a rocky introduction that seems to begin three or four reels into the story--but sit back and enjoy it for the Cagney showcase and engaging Depression-era time capsule that it is.