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À chaque aube je meurs

Original title: Each Dawn I Die
  • 1939
  • Tous publics
  • 1h 32m
IMDb RATING
7.2/10
4K
YOUR RATING
James Cagney and George Raft in À chaque aube je meurs (1939)
Trailer for this strange story of two men from opposite worlds
Play trailer1:43
1 Video
43 Photos
Film NoirPrison DramaPsychological DramaCrimeDramaThriller

A corrupt D.A. (Thurston Hall) with political ambitions is angered by news stories implicating him in criminal activity and decides to frame the reporter (James Cagney) for manslaughter in o... Read allA corrupt D.A. (Thurston Hall) with political ambitions is angered by news stories implicating him in criminal activity and decides to frame the reporter (James Cagney) for manslaughter in order to silence him.A corrupt D.A. (Thurston Hall) with political ambitions is angered by news stories implicating him in criminal activity and decides to frame the reporter (James Cagney) for manslaughter in order to silence him.

  • Director
    • William Keighley
  • Writers
    • Norman Reilly Raine
    • Warren Duff
    • Jerome Odlum
  • Stars
    • James Cagney
    • George Raft
    • Jane Bryan
  • See production info at IMDbPro
  • IMDb RATING
    7.2/10
    4K
    YOUR RATING
    • Director
      • William Keighley
    • Writers
      • Norman Reilly Raine
      • Warren Duff
      • Jerome Odlum
    • Stars
      • James Cagney
      • George Raft
      • Jane Bryan
    • 60User reviews
    • 23Critic reviews
  • See production info at IMDbPro
    • Awards
      • 3 wins total

    Videos1

    Each Dawn I Die
    Trailer 1:43
    Each Dawn I Die

    Photos43

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    Top cast70

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    James Cagney
    James Cagney
    • Frank Ross
    George Raft
    George Raft
    • 'Hood' Stacey
    Jane Bryan
    Jane Bryan
    • Joyce
    George Bancroft
    George Bancroft
    • John Armstrong
    Maxie Rosenbloom
    Maxie Rosenbloom
    • Fargo Red
    Stanley Ridges
    Stanley Ridges
    • Meuller
    Alan Baxter
    Alan Baxter
    • Carlisle
    Victor Jory
    Victor Jory
    • Grayce
    John Wray
    John Wray
    • Pete Kassock
    Edward Pawley
    Edward Pawley
    • Dale
    Willard Robertson
    Willard Robertson
    • Lang
    Emma Dunn
    Emma Dunn
    • Mrs. Ross
    Paul Hurst
    Paul Hurst
    • Garsky
    Louis Jean Heydt
    Louis Jean Heydt
    • Lassiter
    Joe Downing
    • Limpy Julien
    Thurston Hall
    Thurston Hall
    • Hanley
    William B. Davidson
    William B. Davidson
    • Bill Mason
    • (as William Davidson)
    Clay Clement
    Clay Clement
    • Stacey's Attorney
    • Director
      • William Keighley
    • Writers
      • Norman Reilly Raine
      • Warren Duff
      • Jerome Odlum
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews60

    7.24K
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    Featured reviews

    7claudio_carvalho

    Despite the Unrealistic Plot, It is an Engaging Prison Movie

    The investigative reporter Frank Ross (James Cagney) finds evidence of corruption against a powerful politician Jesse Hanley (Thurston Hall) that is candidate to Governor in the elections. Hanley sends his gangsters to catch Frank to frame him. They knock his head and soak him with whiskey and then they put him fainted in car that hits another and kills the driver and two passengers. Frank can not prove that he is innocent and is sentenced to twenty years of hard labor in Rocky Point Prison.

    The newspaper direction tries to find evidence of Frank's innocence while he befriends the gangster Stacey (George Raft) that was sentenced to 199 years. Stacey asks Frank to help him to be accused for a crime that he had not committed since he has planned to escape from the courthouse. In return, he would help to find who has framed him up using his contacts in the underworld. Will Stacey really find the responsible for the frame-up?

    "Each Dawn I Die" is and engaging prison movie, despite the unrealistic plot. Stacey spontaneously returning to Rock Point is absolutely unbelievable and destroys the story. My vote is seven.

    Title (Brazil): "A Morte me Persegue" ("The Death Chases me")
    7bobc-5

    How can something this bad be that good?

    A reporter is framed and sent to prison, but with the help of a fellow con he'll try to clear his name and set things straight. That's about as far as the plot ever gets developed and it's full of holes and completely implausible events. The characters are hopelessly cliche, mostly overacted, and the melodrama of the ending goes so far over the top as to be almost laughable. And yet somehow the film has a feeling of quality and sincerity which is able to overcome all of this.

    Similar to "Fugitive from a Chain Gang", this is a 1930s Warner Brothers film with a conscience, taking aim at corrupt politicians and brutal prisons. The flaws in the film are not due to lack of effort or creativity, but simply because this is the way they used to make those types of films. Jimmy Cagney and George Raft use their talent and star appeal to draw you in and keep you on the edge of your seat throughout the entire movie. It isn't necessarily a film you'd go out of your way to see, but it's definitely worth watching if you get the opportunity.
    7Xstal

    'You Dirty Rats'...

    Raft and Cagney, in their only appearance together, doing what they did best. While the plot of this film noir is a little contrived, aren't they all, the pleasure watching true greats perform is a joy and a pleasure.
    mrbill-23

    One of my all-time favorites.

    Folks, It doesn't get much better than "Each Dawn I Die" with James Cagney and George Raft... This is one of my top-5 all-time gangster / prison films from the golden era of Hollywood film-making...

    I thought James Cagney, George Raft, George Bancroft and Jane Bryan were just terrific in this film... I can watch this movie three or four times a year, depending on my mood and state of mind... I never seem to grow tired of this film... Probably never will, either....

    I am much more into the tough guy and mobster roles' actors like Cagney, Bogie, Robinson & George Raft made in their peak years in Hollywood... I never was big on Musicals' or Song and Dance films..... The years between 1930 to 1950 are no doubt my favorite years of classic film-making..... "Gangster & Horror" were at their best....

    MR.BILL Raleigh
    8planktonrules

    Full of clichés, but still quite wonderful

    This is a great prison film--with lots of unusual twists, a great story and stellar actors. While many of the usual 1930s prison film clichés are definitely present, the overall package is so enjoyable that many will forgive its excesses. I must point out, though, that many modern audiences might laugh a bit at the dialog, but fans of Warner films of the age have come to expect and love these type films.

    The movie begins with crusading reporter, Jimmy Cagney, being set up for a crime to stop him from investigating crooked public officials. On this trumped up charge, he is given a hefty prison sentence and is sent to a tough prison. On the way, he meets habitual criminal, George Raft, and they strike up a very bizarre friendship.

    At first, Cagney is sure his conviction will be overturned and he's practically a model prisoner. However, after years in jail and no breaks in sight, he agrees to help Raft with a breakout and Cagney's life behind bars gets significantly worse.

    Where it all goes from there you'll just need to see for yourself. However, considering that two exceptional tough guy actors head the cast (Cagney and Raft), you know this will be an exciting film--which it certainly is. Now being a Warner product, you know that the prison lingo and action will be a bit hard to believe and you know that, given a chance, Cagney will chew the scenery (he definitely does overact a bit here and there). But considering how entertaining it all is, I can certainly forgive all this. A great film for fans of old time films.

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    Storyline

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    Did you know

    Edit
    • Trivia
      According to a series of contemporary articles in the "Los Angeles Times" and the "New York Times", Warner Bros. bought the rights to Jerome Odlum's 1938 novel of the same title as a vehicle for James Cagney with Edward G. Robinson to co-star. Robinson was then replaced by John Garfield, and Michael Curtiz was to direct. Eventually, Curtiz was replaced by William Keighley, and Fred MacMurray was to replace Garfield in the reporter's role. When MacMurray became unavailable, a screen test with Jeffrey Lynn was made. Finally, Raft was signed and swapped roles with Cagney, so Raft became the gangster and Cagney the reporter.
    • Goofs
      The conversation in the prison yard between Ross and Fargo Red, concerning dogs not having pores, is unrealistic. The slow-witted Red would surely have heard the word as "paws". As such he would not then have asked "How do they sweat?"

      This is an "Unacceptable Goof" per IMDb Guidelines as it's a "Personal Opinion" ("Do not include your own opinions") that does not allow for "Artistic License" ("Please allow for artistic license on the part of the filmmakers. Most movies and shows are not meant to perfectly reflect reality as you experience it.")
    • Quotes

      'Hood' Stacey: So, how tough are you, babe?

    • Connections
      Featured in Hollywood: The Great Stars (1963)
    • Soundtracks
      Don't Give Up the Ship
      (1935) (uncredited)

      Music by Harry Warren

      Played by the band in the theater before the showing of the movie

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    FAQ18

    • How long is Each Dawn I Die?Powered by Alexa

    Details

    Edit
    • Release date
      • September 5, 1945 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Muero cada amanecer
    • Filming locations
      • Sing Sing Penitentiary - 354 Hunter Street, Ossining, New York, USA
    • Production companies
      • First National Pictures
      • Warner Bros.
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $735,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 32 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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