IMDb RATING
7.2/10
4K
YOUR RATING
A corrupt D.A. (Thurston Hall) with political ambitions is angered by news stories implicating him in criminal activity and decides to frame the reporter (James Cagney) for manslaughter in o... Read allA corrupt D.A. (Thurston Hall) with political ambitions is angered by news stories implicating him in criminal activity and decides to frame the reporter (James Cagney) for manslaughter in order to silence him.A corrupt D.A. (Thurston Hall) with political ambitions is angered by news stories implicating him in criminal activity and decides to frame the reporter (James Cagney) for manslaughter in order to silence him.
- Awards
- 3 wins total
William B. Davidson
- Bill Mason
- (as William Davidson)
Featured reviews
The investigative reporter Frank Ross (James Cagney) finds evidence of corruption against a powerful politician Jesse Hanley (Thurston Hall) that is candidate to Governor in the elections. Hanley sends his gangsters to catch Frank to frame him. They knock his head and soak him with whiskey and then they put him fainted in car that hits another and kills the driver and two passengers. Frank can not prove that he is innocent and is sentenced to twenty years of hard labor in Rocky Point Prison.
The newspaper direction tries to find evidence of Frank's innocence while he befriends the gangster Stacey (George Raft) that was sentenced to 199 years. Stacey asks Frank to help him to be accused for a crime that he had not committed since he has planned to escape from the courthouse. In return, he would help to find who has framed him up using his contacts in the underworld. Will Stacey really find the responsible for the frame-up?
"Each Dawn I Die" is and engaging prison movie, despite the unrealistic plot. Stacey spontaneously returning to Rock Point is absolutely unbelievable and destroys the story. My vote is seven.
Title (Brazil): "A Morte me Persegue" ("The Death Chases me")
The newspaper direction tries to find evidence of Frank's innocence while he befriends the gangster Stacey (George Raft) that was sentenced to 199 years. Stacey asks Frank to help him to be accused for a crime that he had not committed since he has planned to escape from the courthouse. In return, he would help to find who has framed him up using his contacts in the underworld. Will Stacey really find the responsible for the frame-up?
"Each Dawn I Die" is and engaging prison movie, despite the unrealistic plot. Stacey spontaneously returning to Rock Point is absolutely unbelievable and destroys the story. My vote is seven.
Title (Brazil): "A Morte me Persegue" ("The Death Chases me")
A reporter is framed and sent to prison, but with the help of a fellow con he'll try to clear his name and set things straight. That's about as far as the plot ever gets developed and it's full of holes and completely implausible events. The characters are hopelessly cliche, mostly overacted, and the melodrama of the ending goes so far over the top as to be almost laughable. And yet somehow the film has a feeling of quality and sincerity which is able to overcome all of this.
Similar to "Fugitive from a Chain Gang", this is a 1930s Warner Brothers film with a conscience, taking aim at corrupt politicians and brutal prisons. The flaws in the film are not due to lack of effort or creativity, but simply because this is the way they used to make those types of films. Jimmy Cagney and George Raft use their talent and star appeal to draw you in and keep you on the edge of your seat throughout the entire movie. It isn't necessarily a film you'd go out of your way to see, but it's definitely worth watching if you get the opportunity.
Similar to "Fugitive from a Chain Gang", this is a 1930s Warner Brothers film with a conscience, taking aim at corrupt politicians and brutal prisons. The flaws in the film are not due to lack of effort or creativity, but simply because this is the way they used to make those types of films. Jimmy Cagney and George Raft use their talent and star appeal to draw you in and keep you on the edge of your seat throughout the entire movie. It isn't necessarily a film you'd go out of your way to see, but it's definitely worth watching if you get the opportunity.
Raft and Cagney, in their only appearance together, doing what they did best. While the plot of this film noir is a little contrived, aren't they all, the pleasure watching true greats perform is a joy and a pleasure.
Folks, It doesn't get much better than "Each Dawn I Die" with James Cagney and George Raft... This is one of my top-5 all-time gangster / prison films from the golden era of Hollywood film-making...
I thought James Cagney, George Raft, George Bancroft and Jane Bryan were just terrific in this film... I can watch this movie three or four times a year, depending on my mood and state of mind... I never seem to grow tired of this film... Probably never will, either....
I am much more into the tough guy and mobster roles' actors like Cagney, Bogie, Robinson & George Raft made in their peak years in Hollywood... I never was big on Musicals' or Song and Dance films..... The years between 1930 to 1950 are no doubt my favorite years of classic film-making..... "Gangster & Horror" were at their best....
MR.BILL Raleigh
I thought James Cagney, George Raft, George Bancroft and Jane Bryan were just terrific in this film... I can watch this movie three or four times a year, depending on my mood and state of mind... I never seem to grow tired of this film... Probably never will, either....
I am much more into the tough guy and mobster roles' actors like Cagney, Bogie, Robinson & George Raft made in their peak years in Hollywood... I never was big on Musicals' or Song and Dance films..... The years between 1930 to 1950 are no doubt my favorite years of classic film-making..... "Gangster & Horror" were at their best....
MR.BILL Raleigh
This is a great prison film--with lots of unusual twists, a great story and stellar actors. While many of the usual 1930s prison film clichés are definitely present, the overall package is so enjoyable that many will forgive its excesses. I must point out, though, that many modern audiences might laugh a bit at the dialog, but fans of Warner films of the age have come to expect and love these type films.
The movie begins with crusading reporter, Jimmy Cagney, being set up for a crime to stop him from investigating crooked public officials. On this trumped up charge, he is given a hefty prison sentence and is sent to a tough prison. On the way, he meets habitual criminal, George Raft, and they strike up a very bizarre friendship.
At first, Cagney is sure his conviction will be overturned and he's practically a model prisoner. However, after years in jail and no breaks in sight, he agrees to help Raft with a breakout and Cagney's life behind bars gets significantly worse.
Where it all goes from there you'll just need to see for yourself. However, considering that two exceptional tough guy actors head the cast (Cagney and Raft), you know this will be an exciting film--which it certainly is. Now being a Warner product, you know that the prison lingo and action will be a bit hard to believe and you know that, given a chance, Cagney will chew the scenery (he definitely does overact a bit here and there). But considering how entertaining it all is, I can certainly forgive all this. A great film for fans of old time films.
The movie begins with crusading reporter, Jimmy Cagney, being set up for a crime to stop him from investigating crooked public officials. On this trumped up charge, he is given a hefty prison sentence and is sent to a tough prison. On the way, he meets habitual criminal, George Raft, and they strike up a very bizarre friendship.
At first, Cagney is sure his conviction will be overturned and he's practically a model prisoner. However, after years in jail and no breaks in sight, he agrees to help Raft with a breakout and Cagney's life behind bars gets significantly worse.
Where it all goes from there you'll just need to see for yourself. However, considering that two exceptional tough guy actors head the cast (Cagney and Raft), you know this will be an exciting film--which it certainly is. Now being a Warner product, you know that the prison lingo and action will be a bit hard to believe and you know that, given a chance, Cagney will chew the scenery (he definitely does overact a bit here and there). But considering how entertaining it all is, I can certainly forgive all this. A great film for fans of old time films.
Did you know
- TriviaAccording to a series of contemporary articles in the "Los Angeles Times" and the "New York Times", Warner Bros. bought the rights to Jerome Odlum's 1938 novel of the same title as a vehicle for James Cagney with Edward G. Robinson to co-star. Robinson was then replaced by John Garfield, and Michael Curtiz was to direct. Eventually, Curtiz was replaced by William Keighley, and Fred MacMurray was to replace Garfield in the reporter's role. When MacMurray became unavailable, a screen test with Jeffrey Lynn was made. Finally, Raft was signed and swapped roles with Cagney, so Raft became the gangster and Cagney the reporter.
- GoofsThe conversation in the prison yard between Ross and Fargo Red, concerning dogs not having pores, is unrealistic. The slow-witted Red would surely have heard the word as "paws". As such he would not then have asked "How do they sweat?"
This is an "Unacceptable Goof" per IMDb Guidelines as it's a "Personal Opinion" ("Do not include your own opinions") that does not allow for "Artistic License" ("Please allow for artistic license on the part of the filmmakers. Most movies and shows are not meant to perfectly reflect reality as you experience it.")
- Quotes
'Hood' Stacey: So, how tough are you, babe?
- ConnectionsFeatured in Hollywood: The Great Stars (1963)
- SoundtracksDon't Give Up the Ship
(1935) (uncredited)
Music by Harry Warren
Played by the band in the theater before the showing of the movie
- How long is Each Dawn I Die?Powered by Alexa
Details
Box office
- Budget
- $735,000 (estimated)
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.37 : 1
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