The Ames Company tries to keep Uncle Cedric uninvolved. But Cedric hires Joe and Minnie, buying her a dress shop with bookkeeper Colleen. Scandal follows when Donald is infatuated with Colle... Read allThe Ames Company tries to keep Uncle Cedric uninvolved. But Cedric hires Joe and Minnie, buying her a dress shop with bookkeeper Colleen. Scandal follows when Donald is infatuated with Colleen, who makes the shop profitable.The Ames Company tries to keep Uncle Cedric uninvolved. But Cedric hires Joe and Minnie, buying her a dress shop with bookkeeper Colleen. Scandal follows when Donald is infatuated with Colleen, who makes the shop profitable.
- Jeweler
- (as Andre Beranger)
- Chorus Girl
- (uncredited)
- Warren - Page Boy
- (uncredited)
Featured reviews
At several points, both Powell and Blondell are obviously laughing out of character at the screenplay, and they are immeasurably better than the film and their roles and the cast they are saddled with. Keeler and Oakie ! Hugh Herbert! Pretty ghastly roster. But they were both contract stars, professionals, and they turned in high quality performances of the material they were given. Powell was very glad this was the last with Keeler.
Powell was becoming increasingly vocal about the fact that he didn't even like to sing (!!?), and Blondell was writing letters to the executives begging to be given scripts that varied even slightly from the last dozen movies she had made, but the simple truth was, Warner Bros. Didn't have anybody else that could perform these roles, and they didn't have much in the way of scripts or screenplays either. So both stars abandoned Warner Bros altogether when their contracts ran out, and moved on to the best performances of their careers.
It's a shame they couldn't have made those kinds of films in the early and mid-30s, when they were at their physical peaks, particularly Blondell. Happily though, neither of them considered their film careers to be anything more than a great paycheck.
This film is supposed to be a light hearted musical comedy for the depression-era audience, and that is just what it is. I'll grant you that the musical numbers aren't as memorable as other Powell/Keeler films(by the way, they were never married - Powell married Joan Blondell that year). I'd also say that Paul Draper's tap dancing is a cut below the flowing moves of Fred Astaire.
However, the film has some redeeming comedic value. Hugh Herbert is a gem of a bumbling business executive, and Joan Blondell was in her element as Jack Oakie's conniving sidekick.
Overall, I found this film to be quite acceptable.
This is a rom-com drama musical. I'm not really taken with the drama. The Donald Colleen romance comes and goes. I like the song and dance musical although nothing really stands out. There is one or two bigger production scenes. This is fine for the musical fans.
Did you know
- TriviaSeventh of eleven feature films starring Joan Blondell and Dick Powell released from 1931 to 1941. They would be married from 1936-1944.
- Quotes
Joe Cork: Say, Pop, I got a terrific idea last night.
Pop Reilly: Yeah, so did I; but, there wasn't a drop in the house.
- Crazy creditsAfter the main titles, most of the principals (Powell, Keeler, Oakie, Blondell, Fazenda, Wilson, and Alberni) and introduced and sing about what they're going to do in the picture that follows. The exceptions are Herbert (who giggles) and Draper (who tap dances)
- ConnectionsEdited into Six Hits and a Miss (1942)
- SoundtracksBoulevardier from the Bronx
(1936) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Sung and danced by Joan Blondell and Jack Oakie
Details
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1