Six Hits and a Miss

This is one of the newest of the Vitaphone shorts--known as a "Melody Master". These later musical shorts generally had been more straight forward and had simpler sets and no real story to tie it all together--just a famous band of the day doing their stuff. However, starting during the war years these shorts began to have a narrator and purported to give a bit of background on the band leader.

"Six Hits and a Miss" is very unusual for a Melody Master in that the film is not named after a band leader and he and his band are really NOT the stars of this short. The title refers to a rather dull septet--with five neat guys singing along with a lady. The film also features the Dancing Colleens. I must admit that this routine was pretty spectacular--like one from an old Busby Berkeley musical. However, when the couple dance, the tapping sound appears to have been provided by the band--not their shoes. Finally, you see Rudolf Friml Jr. and his band. Overall, one of the duller entries into the series and why they named the short after this group, I have no idea.

Six Hits and a Miss (1942)

*** (out of 4)

Six Hits and a Miss are actually a group but it's doubtful too many people will remember them today. They, along with The Dancing Colleens, are in the spotlight for this Vitaphone short, which is nine minutes of nice entertainment. Six Hits and a Miss sing "You Gotta Know How to Dance" while the Colleens' do the dancing. There were dozens, if not hundreds, of musicals like this one but I couldn't help but think of CITIZEN KANE while watching this thing. No, this isn't that great of a film or anywhere close to it but the movie is certainly very ambitious and I did wonder if director Negulesco was trying to bring some of that Welles flair to the movie. Just look at the various crane shots, scooping shots and just the overall camera movements. The music and dancing are always good in these films and that's the case here but more than that it was the visual style that really kept me entertained.

It's hard to believe there was a time in our movie culture when audiences would have been entertained by short films like this.

Six Hits and a Miss was apparently an actual singing/dancing group in the 1940s, and this film is just 10 minutes or so of them performing while complex dance numbers unfold on screen. It goes on and on, with no real differentiation between the songs or dances, so that everything blends together.

It was a surprise to me to see fairly big-time director Jean Negulesco at the helm of this. He must not yet have made the transition to feature director, but he would be responsible later in his career for films like "Johnny Belinda" and "Three Coins in the Fountain."

Today, this Vitaphone movie short from World War II plays like a big band swing music video spotlighting the Harry Warren/Al Dubin ditty, "You've Got To Know How To Dance." The one-reeler begins with The Six Hits and a Miss warbling the lyrics, the Miss singing lead, the Six Hits surrounding her as backup chorus and harmony. The Six Hits and A Miss were popular rivals to such swing acts as The Andrews Sisters until the war intervened and took two of the Six Hits away to join Uncle Sam overseas. Somehow, The Four Hits and a Miss just didn't jell with the public. As a result, the top of their career, performing in the Judy Garland/Mickey Rooney extravaganza, "Girl Crazy," was also their swan song.

Though the Six Hits and a Miss begin and end the short, most of the film consists of inserts from the lackluster musical "Colleen," featuring Ruby Keeler and Paul Draper emulating Ginger Rogers and Fred Astaire with some showy tap dancing. The choreography utilized in the "Colleen" sequence is obviously influenced (or maybe copied is a better word) by that of the inimitable Busby Berkeley.

"Six Hits and a Miss" is recommended for big band swing fans who enjoy the music of the World War II era. Others beware.

Jean Negulesco first rose to prominence as a director of Vitaphone musical shorts. Earlier efforts had been largely simply staged and shot, but Negulesco livened up the staid proceedings with moving cameras and frequent cuts. Here's one.

The title refers to the singing group of the same name. Rudolph Friml Jr. And his orchestra provide the music for the piece, and we soon find ourselves in Busby Berkeley territory, with an overhead camera showing off the dancers. It's pleasant, if a bit overproduced.