Le triomphe de Sherlock Holmes

Good camerawork helps this stylishly shot although slightly stagily performed version of Doyle's THE VALLEY OF FEAR. The principals are excellent in their roles, but the supporting actors tend to ham it up a bit. Wontner gives a witty performance as Holmes and Ian Fleming -- no, not that Ian Fleming -- is an intelligent Watson.

The Story holds pretty true to the book (The Valley of Fear), especially the flashback segment. Wontner and Fleming have excellent chemistry as Holmes and Watson, and Harding is a great Moriarty. The only drawbacks to the film, are the claustrophobic sets, and the silent movie style of direction.

TRIUMPH OF SHERLOCK HOLMES stars British thespian Arthur Wontner, today a forgotten interpreter of Holmes who would soon be overshadowed by the glossy American productions starring the illustrious Basil Rathbone, for some people the greatest Holmes ever. Wontner is actually a terrific Holmes, and looks remarkably like the first illustrations of Holmes. Wontner also prepared the dialog for the movie, and sticks relatively close to the source material, in this case THE VALLEY OF FEAR. Ian Fleming's Dr. Watson is a lot closer to the Watson of the stories, a retired Army officer and dapper fellow with an eye for the ladies. Wontner and Fleming have a palpable chemistry and affectionate interplay that reminds me more of the Holmes and Watson of the original stories than most other cinematic Holmes and Watsons. If you don't know the plot of VALLEY, and I admittedly had forgotten, you will be kept guessing right up to the very end the identity of the killer. A word on Lyn Harding as Holmes' archfoe Moriarty: He is as good a Moriarty as I have ever seen on screen. What keeps me from giving this film an extra point is its primitiveness. By 1935, most films looked and sounded a lot better than this. Also, this is a "modern" Holmes adaptation; that is to say, Holmes has been moved forward in time to the present day, in this case 1935, which may save on costumes and sets, but slightly impairs the atmosphere. See it for its historical value, and also to see someone other than Rathbone tearing it up as the world's greatest detective.

I am thoroughly enjoying making my way through my Mystery DVD set. One of the simple pleasures is in coming across an unheralded, long-forgotten movie that is a cut above. The "Triumph of Sherlock Holmes" is one of these. I thought the story was absorbing and it was well-acted down to the smallest role, although somewhat stagey. I struggled with the soundtrack and took into account that the film is almost 75 years old and may have been copied from a copy, and that the sound system may have been primitive to begin with.

I am beginning to think that Arthur Wontner is the definitive Sherlock Holmes. I enjoy his characterization and that of Lyn Harding, who makes a sinister Moriarty. Other entries have given capsule summaries and filled in some background. I just want to endorse this picture as well worth the time. I try to pretend how well some of them would work on a big screen, as in a movie theater, and this one would be worth the price of admission.

Warts and all, I give it a rating of 8.

An excellent Holmes story that benefits greatly by going directly to the source (mainly Arthur Conan Doyle's "The Valley Of Fear") and not only sticking pretty much to the original plot but also using a lot of the great dialog that Doyle wrote for Holmes. The problem with translating Sherlock Holmes to the screen (or writing new Holmes stories in full-length novel form) is that Doyle's original creation was such a brilliant detective he solved most mysteries almost instantly. Therefore, the short story was the best medium in which to present his adventures. If a story has to be stretched out to novel or feature film length, some other means had to be found to fill out the time and pages. Thus, beginning with Basil Rathbone (or maybe even earlier with William Gillette's original play), Sherlock Holmes became an action hero rather than a thinker. Arthur Wotner's Holmes and the script of "Triumph" retains the original essence of "the best and wisest man I have ever known" and shows us that he can delight and thrill us even more by seeing him as he was intended to be seen.