A young girl gets involved with a crowd that smokes marijuana, drinks and has sex. She winds up an alcoholic, pregnant drug addict and is forced to get an abortion.A young girl gets involved with a crowd that smokes marijuana, drinks and has sex. She winds up an alcoholic, pregnant drug addict and is forced to get an abortion.A young girl gets involved with a crowd that smokes marijuana, drinks and has sex. She winds up an alcoholic, pregnant drug addict and is forced to get an abortion.
Robert Quirk
- Ed
- (as Bobby Quirk)
Edward Biby
- Party Guest
- (uncredited)
Mae Busch
- Mrs. Monroe
- (uncredited)
Jack Cheatham
- Detective
- (uncredited)
Dorothy Davenport
- Mrs. Merrill
- (uncredited)
Fern Emmett
- Neighbor Homer's Wife
- (uncredited)
Adolph Faylauer
- Party Guest
- (uncredited)
Featured reviews
Road to Ruin, The (1934)
** (out of 4)
A good girl that never even been kissed falls in with the wrong crowd and soon she's staying out past eight, smoking drinking and eventually..........building suspense .....having sex. Soon she starts seeing a local thug who gets her pregnant and then forces her to have an abortion. Will she straighten up in time? **suspense builds even more** Here's another forgotten exploitation film that isn't too bad but even its short 62-minute running time seems a tad bit long. The over-dramatic ending gets a few laughs but for the most part the film plays rather straight, which means we don't get any major laughs like other films from its genre.
** (out of 4)
A good girl that never even been kissed falls in with the wrong crowd and soon she's staying out past eight, smoking drinking and eventually..........building suspense .....having sex. Soon she starts seeing a local thug who gets her pregnant and then forces her to have an abortion. Will she straighten up in time? **suspense builds even more** Here's another forgotten exploitation film that isn't too bad but even its short 62-minute running time seems a tad bit long. The over-dramatic ending gets a few laughs but for the most part the film plays rather straight, which means we don't get any major laughs like other films from its genre.
This is a sound remake by Mrs Wallace Reid (who appears uncredited near the end in her accustomed role seated at a desk wearing a tie and a concerned expression as the voice of caring, socially responsible authority) of an earlier, apparently much racier, silent film she had made also starring Helen Foster. The 1928 version, according to Variety's reviewer 'Chic' "was crude and hotly sexed", but had now been "denatured and with the action greatly restrained...toned down to the point of mildness. The director apparently worked with one eye on the censors and the other on the box office, with astigmatism resulting."
Considering that the film is called 'The Road to Ruin', the film certainly spends an inordinate amount of its running time on the road - devoting an awful lot of footage, for example, to a wild pre-Code party which ends with the participants joining in a type of strip poker before all ending up in a swimming pool - before at long last arriving rather abruptly at its final tragic destination. There's also the little matter of Miss Foster's age. She still brings a sweet innocence to her role, but in the earlier version she was already 21 years old; and was by now 27, yet still playing a schoolgirl.
As is usual in such films, one wonders why the slimeball who plies Ann with booze and drugs and then pressures her into an abortion didn't just pick on a more robust girl with looser morals in the first place - of whom there seems no shortage in the film - rather than corrupting this delicate young flower. Nell O'Day as Ann's worldly blonde schoolfriend Eve Monroe, for example (resembling a prettier version of the young Bette Davis), despite obviously already having been round the block a few times as a 'sex delinquent' comes out of the film relatively unscathed; thus raising the possibility that if Ann had gone to her for advice about birth control the final tragedy might have been averted. (Eve obviously gets her glamorous, worldly-wise blonde good looks from Mommy, by the way, as played by an unbilled Mae Busch).
Considering that the film is called 'The Road to Ruin', the film certainly spends an inordinate amount of its running time on the road - devoting an awful lot of footage, for example, to a wild pre-Code party which ends with the participants joining in a type of strip poker before all ending up in a swimming pool - before at long last arriving rather abruptly at its final tragic destination. There's also the little matter of Miss Foster's age. She still brings a sweet innocence to her role, but in the earlier version she was already 21 years old; and was by now 27, yet still playing a schoolgirl.
As is usual in such films, one wonders why the slimeball who plies Ann with booze and drugs and then pressures her into an abortion didn't just pick on a more robust girl with looser morals in the first place - of whom there seems no shortage in the film - rather than corrupting this delicate young flower. Nell O'Day as Ann's worldly blonde schoolfriend Eve Monroe, for example (resembling a prettier version of the young Bette Davis), despite obviously already having been round the block a few times as a 'sex delinquent' comes out of the film relatively unscathed; thus raising the possibility that if Ann had gone to her for advice about birth control the final tragedy might have been averted. (Eve obviously gets her glamorous, worldly-wise blonde good looks from Mommy, by the way, as played by an unbilled Mae Busch).
Although she was past being a teenager when the original silent version of "The Road to Ruin" (1928) was made, beautiful Helen Foster (as Ann Dixon) is still an innocent young thing. After hanging out with bad girl Nell O'Day (as Eve Monroe), Ms. Foster begins to smoke, drink, and have sex - nothing too unusual, when you consider the characters routinely being played by the likes of Bette Davis, Greta Garbo, and Mae West. But, things are worse for Foster; she hasn't an abortionist worth his salt...
Filmmaker Dorothy Davenport, aka the widow of Wallace Reid, might have considered casting the beloved couple's real life son Wally Jr. in the film. It might have been exploitive, but that, obviously, was too late a consideration. Despite the material, Glen Boles (as Tommy), Bobby Quirk (as Ed), and their gals are a swell bunch to follow before degradation takes its toll.
**** The Road to Ruin (3/21/34) Dorothy Davenport ~ Helen Foster, Glen Boles, Nell O'Day
Filmmaker Dorothy Davenport, aka the widow of Wallace Reid, might have considered casting the beloved couple's real life son Wally Jr. in the film. It might have been exploitive, but that, obviously, was too late a consideration. Despite the material, Glen Boles (as Tommy), Bobby Quirk (as Ed), and their gals are a swell bunch to follow before degradation takes its toll.
**** The Road to Ruin (3/21/34) Dorothy Davenport ~ Helen Foster, Glen Boles, Nell O'Day
This is a cautionary tale aimed at parents. Similar to "Reefer Madness", the film seeks to warn society against the perils of bad parenting. Ann Dixon (Helen Foster) is the main character, a teen who is a model of proper behavior. As her relationship with friend Eve Monroe (Nell O'Day) develops, she is influenced by Eve's behaviors, which are riskier and more permissive.
The plot is almost predictable. A puff on a cigarette leads to an alcoholic drink, which leads to a ride in a fast car, and before you know it...pregnancy! Well, there are some other dots to connect along the way, but it's a fairly linear progression. And who is to blame? The parents.
There are other factors, of course, like bad associations and peer pressure, but the lack of parental supervision and bad parental modeling are the main culprits.
And there are boys and men who pressure the girls into behaviors that push the boundaries of propriety, and there are others who have no regard for the welfare of young women.
The film suffers from simplicity of plot, one-dimensional characters, and a predictable preachiness. It is not meant to be entertaining, per se; there is a definite element of exploitation, since the newly instituted Hayes Code can be circumvented somewhat by claiming to be educational. The risqué scenes would be censored in most other films.
The plot is almost predictable. A puff on a cigarette leads to an alcoholic drink, which leads to a ride in a fast car, and before you know it...pregnancy! Well, there are some other dots to connect along the way, but it's a fairly linear progression. And who is to blame? The parents.
There are other factors, of course, like bad associations and peer pressure, but the lack of parental supervision and bad parental modeling are the main culprits.
And there are boys and men who pressure the girls into behaviors that push the boundaries of propriety, and there are others who have no regard for the welfare of young women.
The film suffers from simplicity of plot, one-dimensional characters, and a predictable preachiness. It is not meant to be entertaining, per se; there is a definite element of exploitation, since the newly instituted Hayes Code can be circumvented somewhat by claiming to be educational. The risqué scenes would be censored in most other films.
I thought this was truly a unique movie considering it was filmed in 1934, when subject matter of this type was definitely a no-no. The film is about an innocent girl, Ann Dixon, who hangs out with her friend, Eve Monroe. They get boyfriends and start drinking and smoking. Ann breaks it off with her boyfriend and hooks up with a low-life older guy. They get busted at a topless/half-naked pool party and Eve comes up positive for a venerial disease of some type. Ann is negative but the film doesn't specifically tell you that she has become pregnant. Her low-life boyfriend takes her to the doctor for an abortion. I can't tell you the rest without ruining the movie so watch it for yourself. You shouldn't be disappointed if you like the off-the-wall types of rarer movies like I do. Enjoy the movie and look for other types such as this one.
Did you know
- TriviaAdapted by William Zeffiro into a tongue-in-cheek stage musical of the same title which premiered in 2008. At one of the final shows, at The 45th Street Theater in New York City, 96-year-old Glen Boles (a star of the original film) made an appearance.
- GoofsEve is allegedly naked beneath the Spanish shawl during the later half of the party. However, when she dives into the pool, she can clearly be seen wearing a flesh-colored body suit.
- Quotes
Eve Monroe: He's a very hot number. Ooh, does that lad know his stuff! When he's kissed you, you stay kissed.
- ConnectionsFeatured in Sex and Buttered Popcorn (1989)
Details
- Runtime
- 1h 2m(62 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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