La course de Broadway Bill

Once upon a time, horse racing was considered the sport of kings. In the first half of the 20th century, it was the most popular sport in America - believe it or not. Baseball may have been America's favorite pastime then, but more people followed the horses than any other sport.

Of course, well into the second half of the 20th century, horse racing had come to lose its moniker as a sport. And, the public's interests had then grown to include more organized and competitive sports such as football, soccer, basketball, tennis and golf. Horse racing in America has itself continued to decline in all aspects - the numbers of tracks, horse farms and animals, trainers and followers.

But, with that background, one can understand why a considerable number of movies were made about horse racing during Hollywood's Golden Era. The plots of many were built around the race track or the horses, while others had days at the races. Some were crime and mystery films, some were comedies and romances, others were dramas. "Broadway Bill" is a combination drama, comedy and romance.

Many of these dramas had similar plots. This is a fairly good story with a top cast of the period. Warner Baxter is Dan Brooks and Myrna Loy is Alice Higgins. Behind those leads are some top supporting actors of the day. Walter Connolly is J.L. Higgins, Alice's father. Raymond Walburn plays Col. Pettigrew and Douglas Dumbrille is Eddie Morgan.

Brooks is one of three men married to daughters of J.L., each of whom has been installed as president of one of the self-made millionaire's companies. All seem happy with their lot, and Dan did for a while because he loved his wife, Helen Vinton plays Margaret, who basks in the comfort of her hierarchically demanding father, J.L., played by Connolly. But, Dan's yen for race horses begins to sway his heart away from giving his all to the box company he has headed since marrying Helen.

Myrna Loy is the youngest, as yet unmarried of the Higgins daughters. While J.L. has one last company presidency to install on whomever Alice marries, she has her heart set more on Dan. There's no hanky panky going on here, but she shares Dan's enthusiasm for racing and his prize colt, Broadway Bill. Dan hopes to start racing his horse, and is aiming for the big derby. When he finally leaves his job and the family to put everything into racing his horse, wife Margaret doesn't go after him. Her thinking is that he will either come back to her or they are through. So, it's not hard to imagine how the film ends.

Columbia Pictures had been a Poverty Row studio in the 1920s, and was a second-tier studio by the early 1930s. But director and writer Frank Capra's work for Harry Cohn was gaining the studio wide recognition. After a 1933 Oscar nomination for "Lady for a Day," Cohn and Capra made "It Happened One Night" in February 1934. It would win the studio its first Academy Awards, and be the first movie to win the top four Oscars - for best picture, director, actor and actress. But after that, and before the next major story that Capra would work on ("Mr. Deeds Goes to Town"), he made "Broadway Bill" for Columbia.

A number of things about this production show that Columbia (and Capra, perhaps?) were still in that second tier of studios. The opening scene of "Broadway Bill" is an example. Dan Brooks is driving alongside a racing horse. It had to seem phony even way back then - it was a stage setting with a stationary car filmed with a video of a horse running behind - to the side of the car. The film shows some other deficiencies as well. Its scenes are choppy in places, and some seem to have poor direction or editing. And the screenplay itself is weak. There are some scenes when one waits for Baxter to say his next line, while he stands there tearing hay apart in his hands.

Capra himself didn't think too much of this film in later years. He wanted to remake it, which he did in 1950 as "Riding High." While the plot stayed the same, it was a musical comedy with Bing Crosby in the lead.

This isn't a rollicking comedy, but it is a somewhat interesting, if jumbled story. Those who enjoy old films may like this one. Others might find it too slow or boring. Here are some favorite lines.

Col. Pettigrew, played by Raymond Walburn, "Milked by my own chicanery."

Oscar 'Happy' McGuire, played by Lynne Overman, "First time I ever saw a guy sucked in by his own gag."

Col. Pettigrew, "Well, I guess I'm just a child of impulse."

Broadway Bill (1934)

*** (out of 4)

Wonderfully charming film about Dan Brooks (Warner Baxter), a man who walks away from his wife's family business so that he can enter his horse, Broadway Bill, in the Derby where the hopes to become a winner. The only one who believes in Dan is his wife's sister (Myrna Loy) and the not-all-there Colonel Pettigrew (Raymond Walburn). This film followed IT HAPPENED ONE NIGHT so that's probably the main reason this here isn't as well remembered but apparently not even the director himself liked it as he would never speak about it an only discussed it in his book when talking about its remake RIDING HIGH. With that said, I personally found the film to be quite charming due in large part to the wonderful cast with Baxter and Loy leading the way with some very strong supporting performances. Baxter gets to play the fast-talking, go getter and he's wonderful in the part. He brings to so much energy and good charm to the role that you can't help but want to see him succeed. Loy is at her very best as she has no problems getting smiles and making for a good love interest even though the film keeps their relationship rather watered-down considering you really couldn't have a married man wrapped up with his sister in law. The supporting cast features Walburn getting plenty of laughs playing a lovable moron, Walter Connolly, Douglas Dumbrille, Margaret Hamilton and Raymond Walburn. Clarence Muse plays the servant in the film but he nearly steals the film as he's given plenty of a very good scenes and works extremely well with the entire cast. I was a little surprised to see how the movie ends but it's quite touching as only Capra could do. This isn't one of the director's greatest films but it's a pleasant little "B" movie that has a terrific cast, some nice laughs and a winning story so recommending it is easy.

"Broadway Bill" is one of Frank Capra's lesser known gems. Made in 1934 and starring Warner Baxter and Myrna Loy, it is the story of a man who is willing to walk away from a life of wealth to follow his dream. In many ways it is the typical Capra film.

Adapted from a story by Mark Hellinger, "Broadway Bill" has all of the feel and characters one might expect from a Damon Runyon tale.

Baxter as the owner of Broadway Bill and Loy as his sister-in-law, who is also in love with him are first rate. As are Walter Connolly, Clarence Muse, and especially Raymond Walburn, who walks off with the best role.

Dated and a little sappy, but full of good cheer from start to finish.

"Broadway Bill" is a good bet.

8 out of 10

From 1934 to 1946, Frank Capra's movies are all well known and beloved...except this one. His golden age started the year before with It Happened One Night and would last through his second film after returning from his efforts to help document the Second World War, but this little horse racing comedic drama is all but forgotten. It's not at that high level of something like American Madness, but it's a perfectly fine little film about one man using his moxie to make his own way, something much more typically Capraesque than It Happened One Night, ironically enough.

The small town of Higginsville was established by the Higgins family, and the current patriarch J. L. (Walter Connolly) has four daughters. His eldest, Margaret (Helen Vinson) is married to Dan Brooks (Warner Baxter), a former owner of horses who came into town three years prior and charmed his way into her heart, but he's so caught up on making his own way through horses again, namely through his mount, the titular Broadway Bill, that he's ignoring the box factory J. L. put him in charge of, letting it falter, and getting into an argument that leads him to leave Higginsville with Bill and his helper Whitey (Clarence Muse), leaving behind Margaret's youngest sister, Alice (Myrna Loy) who had helped him with Bill's training.

The problem is that Dan wants to do this entirely on his own, so he does not bring any Higgins money with him, meaning he brings no money with him other than pocket change. With just that, he has to find a way to pay $550 in fees to get Bill into the big $25,000 race. He connects with an old friend, the Colonel (Raymond Walburn), just as penniless as himself, and they work to figure out how to con their way to the funds. It's a combination of amusing bits as the Colonel tries to trick people into the idea that he has secret knowledge then falling for it when the cry for it becomes loud enough (something very intelligently used since the same behavior affecting betting odds plays in the film's finale) along with serious efforts to keep Bill healthy especially in the face of an unexpected rainstorm. It's primarily a drama, but Capra would never do something single-mindedly dramatic, peppering in comedic bits through even his most serious films.

I suppose the one thing that is just too oddly built is the romance that develops between Dan and Alice. I mean, it's obvious from her introduction in a car with him at the beginning of the film that they have more in common than he has with his own wife, but we have to have this chaste little dance between them throughout the film, especially once she shows up near the track to hand over Bill's mascot, a rooster that he won't race without. It just feels like extra stuff that doesn't really feed into the central idea of Dan making his own way in the world. I suppose you could say that it does feed it because Dan had to marry Margaret to get into the family, Alice being too young when he showed up, except that's a trick of timing, not of Dan being forced into one marriage when he wanted another. Meh, I'm just saying that them being unmarried was enough. The fact that Dan is already married feels like an unnecessary barrier, though he needs to be married to be that head of the box factory. Eh, I'm putting too much thought into this. I don't think it quite works, but that's not to say that their interactions are bad. Loy and Baxter have good chemistry (even if he looks like he could be her father), and the attraction makes sense since she's young, pretty, and loves his horse, and he's got an independent streak that none of the men around her share.

Challenges are mounted and overcome, and we get our big race. It's an exciting bit of filmmaking that has quite an unexpected ending providing a surprisingly somber tone to the film's finale, though Capra would never let an audience go out on a sour note, providing one final bit of happiness and joy when J. L. learns his lesson about what's important (Capraesque spoiler: it's not acquiring wealth and new businesses).

Is it a great film? Not at all. The business around getting the money to enter the race feels over busy while the romance with Alice is needlessly complex. However, the central story of one man finding his own way in the world and inspiring those around him is pure Capra and works fairly well with a fun little stinger to let the audience out of the theater on. It's not quite "Nobody's perfect", but it's pretty good. Broadway Bill is all but forgotten, but it's emblematic of the kind of good fare that Capra had been learning to churn out with regularity for about a decade.

Extremely heart-warming depression era movie by director Frank Capra about a big-hearted race-horse who ran his heart out to the point that it burst leaving those who believed and loved him, in the audience as well as those in the movie, in tears: Broadway Bill.

Marrying into money Dan Brooks, Warren Baxter, just couldn't take being big business tycoon J.L Higgins' son-in-law anymore and left him as well as his wife Margaret, Helen Vinson, to go back to his life on the racetrack with his horse Broadway Bill and his horses groom Whitey, Clarence Muse. Dan got Broadway Bill into a number of low purse money races at the local Imperial Racetrack to get the horse, if he won them, into the big race at the track The Imperial Derby against Kentucky Derby favorite Gallant Lady.

With that wonderful Frank Capra spirit the movie is about the little man standing up to the powerful establishment and with both his hopes and dreams prevail against the establishments money and power in the end. Warren Baxter and Myrna Loy were both wonderful as Broadway Bill's owner trainer and Dan's sister-in-law Alice who, unlike her older sister Margaret, saw the good that Dan had inside of him. A goodness that was reflected on Dan's caring and feeling for the horse and for the people who, unlike Alice's father, had to live day by day with no hope for the future but for their next meal and a place with a roof over their heads to sleep overnight.

Everything was stacked against Broadway Bill in the movie but like the champ that he was he overcame all of them and ended the film with a heart-stopping as well as heart-breaking finish on the racetrack. Re-made 16 years later in 1950 with Bing Crosby in the movie "Riding High" which even has a number of scenes from the movie " Broadway Bill" inserted into it but the original is still by far the best of the two and the one to watch.

Noble and uplifting with Frank Capra using the betting at the racetrack to make a point about the conditions in the country at that time, 1934. With most of those betting on Broadway Bill being down on their luck and looking for the gallant and courageous equine to give them back the hopes and dreams that they lost because of the Great depression that hit America as well as the world after the stock market crashed on October 29, 1929. Tremendous final race sequence with a both heart-lifting as well as heart-breaking stretch run that will leave you totally speechless as well as reaching for your handkerchief.

Incredibly up-lifting ending that only Frank Capra could have dreamed up with Dan's hopes and dreams as well as Broadway Bill's courage and determination making even Dan's father-in-law the greedy and unfeeling J.L Higgins finally see the light in that being a kind and giving human being was worth more that all the wealth that he had."Broadway Bill" has everything going for it: a great story with great acting and directing and last but not least a great star Broadway Bill.