Vie facile

This is a classic, with one of the great slapstick scenes of all time (in an automat) and wonderful innuendo and great timing throughout the film. Jean Arthur is a splendid comedienne, just lighting up the screen with a wry innocence, and Ray Milland is perfectly cast as someone a little debonair, a little too bourgeois, but ultimately quite charming. Finally, Edward Arnold is a lot of fun to watch as he chews up the scenery. As a long time fan of Preston Sturges who was quite happy to see "Miracle at Morgan Creek" finally released on DVD, I have to say, it is A CRIME that this little gem isn't available on DVD, just ridiculous.

This is an amusing, entertaining Hollywood antique featuring a number of actors who became Hollywood icons such as Jean Arthur, Ray Milland, and Edward Arnold. Before Ed Asner there was Edward Arnold. Mr. Arnold was one of the greatest actors in Hollywood history. His performances were consistently great and through him a weak script became good and good script great. He was one of those actors who dominated the screen and could play a wide range of roles opposite some of the most famous Hollywood players. As for Jean Arthur, she specialized in a style of acting that established a precedent for Lucille Ball, except that Ms. Arthur did not have to act goofy. Movies from the 1930s were made in a certain style that was unique to that period. Black-and-white, simple, engaging, upbeat stories, lots of action, and optimistic about life - all this during the Great Depression. This is another Preston Sturges gem and definitely is worth watching.

The pleasures of a Preston Sturges film are many, and even his poorest are miles above the competition. I know, you're saying that Mitchell Leisen directed this and that it was based on a play but after hearing that incredible dialogue and seeing those broadly drawn characters, imbued with a warmth not found in most comedies, you can't tell me that this isn't a Preston Sturges film. Sure, there is evidence of Leisen's restraining hand that you can't find in, say, Miracle of Morgan's Creek, but it's Sturges, all right. But for me, the real joy is seeing my favorite actress from this period, Jean Arthur, work with material, from my favorite writer from this period, Sturges. She fits this material so well that it is a shame they never worked together again. Another real strength is the work of the character roles, always so good in Sturges films and we see a few of the actors who will later become part of the 'Sturges stock company'. So, if you want hilarious situations, laugh-out-loud dialogue and strong comedic characters, I heartily recommend this great film.

Unlikely to ever happen in the 21st century but if History is your game, it's plausible on the 1930s. The premise is simple in that a series of mishaps all fall into the lap of an innocent woman. A MUST if you're a Jean Arthur fan...it takes someone of her comedic skill to pull it off. The resulting chaos is again, pure Preston Sturges.

Another in the long line of extremely pleasurable comedies starring Jean Arthur--no one can make fluttery bewilderment more enchanting, and there's plenty to be bewildered about in this heavenly screwball farce. Arthur is poor, honest, hardworking Mary Smith, whose life is changed when a sable coat thrown out of a window lands on her head. She tries to return it, but the man who threw it, rich banker J.P. Ball (Edward Arnold), in a fit of pique at his wife's extravagance, insists she keep it, and even buys her a matching hat in a nearby store. The store's employees, assuming she's a fancy kept woman (the idea!) spread the word around town, and soon everyone in sight wants to be her best pal, not least of all Arnold's son (Ray Milland), who is trying to make his way in the world without his father's backing. Although scenes such as Arthur's dismissal from her job (for "ethical violations") have become dated (without losing their humor), the portrait of an entire city eagerly sucking up to a (supposed) rich man's consort in hopes something will rub off on them couldn't be more timely. The movie has some of the best choreographed pratfalls in the genre, not least of all in the celebrated Automat sequence, when the windows accidentally open and everyone scrambles for the free food. (It's slapstick Marxism). And Arthur's pleased yet skeptical reaction to the enormous hotel suite she's offered (it looks like it belongs in the Emerald City of Oz) is just right; she looks at the lily-shaped tub, which is crowned by a statue of a shrugging goddess, and comments, "Look at her standing there with her arms sticking out; I guess she doesn't know either.") The only wrong note (for me), is the performance of Luis Alberini as the hotel owner; his brand of dialect humor gets tiresome--I'd just as soon it was left in the thirties for good.