Les trois mousquetaires

First version based on Alexandre Dumas' classic yarn of intrigue at the 17th century French court . Entertaining and fun version based on the classic Dumas novel with an intrepid Douglas Fairbanks. Spectacular swordplay in nifty style , this is the first and superior version of the classic Dumas novel set in 17th Century France . Alexandre Dumas's source for his novel was a book by 19th-century writer Courtils de Sandraz, which was purporting to be D'Artagnan's biography; the Musketeers were actually real people, not fictional characters created by Dumas . Producer and actor Douglas Fairbanks presents Dumas' exciting story of love and adventure , ¨The three musketeers¨ . For this silent rendition is adapted in the greatest splendor , the complete romance , the historical characters, the full novel just as Alexandre Dumas write it . It is packed with comedy , derring-do , intrigue , a love story , action , drama and moving swordplay . An awesome silent casting and big-budgeted production shot in Hollywood Studios and location make for a fairly amusement swashbuckler . This is the classic version of the Dumas's novel with a fine cast headed by handsome Douglas Fairbanks as D'Artagnan in a brave role as a young and handsome soldier of fortune , a dashing , audacious lover and nimble athlete . He is accompanied by Leon Bary as Athos , George Siegmann as Porthos and the notorious secondary actor Eugene Palette as Aramis and of course the nasty Milady Winter compellingly played by Barbara La Marr . This delightful adaptation based on Alexandre Dumas classic novel starts with the youngster D'Artagnan who arrives in Paris to find Mister Treville , chief of Musketeers. But he meets with three two-fisted Musketeers , Athos, a rollicking adventurer , fighting to live and living to love , Porthos and Aramis . DÁrtagnan to be aware they are Musketeers and is invited to unite them in their objective to struggle against guards of Cardinal Richelieu well performed by Nigel De Brulier and the astute Milady De Winter who is lovely as a jewel, deadly as a dagger the wickedest woman in all Christendom . Meanwhile, D'Artagnan falls in love with a gorgeous young , Constance , she is a golden-haired beauty entangled in a web of treachery and intrigue. Furthermore , there is developed an intrigue between Luis XIII , the prestigious actor Adolphe Menjou , Queen Anne of Austria : Mary McLaren , dazzling as her gilded palace for her, men dared a thousand perils , and Duke of Buckingham ; and of course the nasty Richelieu , as evil as ever . The musketeers join forces for royal vengeance with the shout : ¨One for all and all for one¨. Then , the musketeers whose friendship has become a legend to stir the hearts of men and shouting their slogan set out to help the Queen . Straightforward as well as gallant D'Artagnan and the three musketeers scheme a plan to save her , clashing against a malicious Richelieu .

It's a nice rendition from the immortal novel with pretty budget and breathtaking scenarios . The picture contains rousing action , plenty of crashing , intrigue , romantic adventure , romance , treachery mayhem and a lot of fence . Amusing swashbuckling with lavish production , glamorous gowns and luxurious sets . Furthermore , a vein of humour is evident here , though sometimes falling flat . For this movie itself , though , energetic and frantic are the best adjectives you could think of to describe its attraction . Charming Douglas Fairbanks steals the show when he bounds and leaps , hits and run ; in addition he is the screenwriter of this rollicking adventure . Fairbanks executes athletic feats , moving sword-play and spectacular acrobatics similarly he demonstrated in other classics such as The Mark of Zorro (1920), Robin Hood (1922), Three musketeers , Don Q Son of Zorro , The gaucho , The Taming of the Shrew , among others . Douglas performed most of the stunts in his films himself . He was an excellent athlete and used his physical abilities to his best advantage . Adequate cinematography in black and white stunningly showed on the splendorous images . Glamorous production design is well reflected on the luxurious interiors and exteriors stunningly filmed . The motion picture was professionally realized by Fred Niblo (Ben Hur). This cool filmmaker provided visual style , comedy , fencing , drama , clangorous action in equal proportions . It's followed by a second part : ¨The iron mask¨ (1929) by Allan Dwan and again with Douglas Fairbanks , Margueritte De La Motta and Nigel De Brulier who plays Cardinal Richelieu,he would also play the role in the 1935 film of the same name ; in addition, the 1939 film "The Man in the Iron Mask."

This classy story is subsequently remade on several versions , firstly take on about this classic is the following : 1935 adaptation by Rowland V. Lee with Walter Abel and Paul Lukas ; it is followed by the MGM classic version in musical style by George Sidney with Gene Kelly , Paul Lukas , Gig Young , Vincent Price , Frank Morgan and Lana Turner as Milady ; 1973 amusing version by Richard Lester with Michael York, Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Sheen , Kiefer Sutherland, Oliver Platt and Chris O'Donnell, and 2001 rendition by Peter Hyams with Justin Chambers, Mena Suvari and Tim Roth , among others. The last rendition (2011) was starred by Matthew Macfadyen , Milla Jovovich , Luke Evans , Ray Stevenson and Logan Lerman. ¨The three Musketeers¨ is an outstanding and entertaining adaptation of the classy that will appeal to the costumer genre buffs and it results to be a good adaptation with big budget based on the classic tale .

I think how much you'll enjoy the film will be impacted on how closely you want the film to follow the book (which it doesn't) as well as whether or not you've seen many of Douglas Fairbanks' films. What I mean by the latter is that I think my expectations were way too high for this movie because I expected a VERY physical and athletic film--but it wasn't. This was a HUGE surprise because Fairbanks was known for his amazing stunts--such as in "Thief of Bagdad" or "The Mark of Zorro". I expected to see his great leaps and bounds--but there just weren't very many athletic scenes. Now this is NOT to say that it's a bad film--it's still pretty good. It's just that I think it could have been a lot better. Enjoyable but not among the actor's best films--though the costumes and sets were pretty amazing for 1921.

By the way, the version I saw was the one in the public domain that is linked to IMDb. Oddly, this version has reversed the last two reels of the film!! In other words, it ends and then continues! I am not sure if you can find a corrected version or not.

Douglas Fairbanks knew how to be in the middle of the action. In all the scenes he is in it is go, go, go. He never walks when he can run, jump, even fly. Fairbanks was very athletic and he shows those skills in the movie. Very rarely in this film does he stand still and that is not for long. When he is in a scene there is always going to be plenty of action.

The basic plot is that Fairbanks wants to become one of the King's musketeers and in the process finds himself involved in protecting the Queen's honor. The movie is a bit overlong and I found myself having troubles at time following the plot which made the move drag somewhat. But when there was action everything changed. The film comes alive during the scenes involving sword play and when Fairbanks is trying to get back to the Queen from England. And when all is said and done Fairbanks gets his wish and becomes (as you know he will) a Musketeer!

Impoverished nobleman Douglas Fairbanks (as D'Artagnan)'s greatest ambition is to join the King's royal swordsmen, "The Three Musketeers". And, after impressing the three best swordsmen in Paris, Mr. Fairbanks becomes their fourth blade. He also finds love, with Marguerite De La Motte (as Constance), and much palace intrigue. Nigel de Brulier (as Cardinal Richelieu) makes life particularly irksome, involving Fairbanks and friends in schemes against weak a King Adolphe Menjou (as Louis XIII), and his unfaithful Queen Mary MacLaren (as Anne).

Alexandre Dumas' classic is a perfect vehicle for Fairbanks; who, after the success of his "Zorro", struck box office gold with a series of classy audience pleasing productions. While this is not the best "Musketeers" movie, it's certainly true that Fairbanks' 1920s films had an indelible impact upon subsequent adaptations. Fairbanks, through the force of his personality, didn't so much "play" characters like "D'Artagnan" as much as he made the characters play him.

Fred Niblo (director) and Arthur Edeson (photographer) create a great swashbuckling atmosphere. Nigel de Brulier steals the acting honors, with his cunning, cat-stroking "Richelieu"; the best supporting player will reprise his role in a trio of additional "Musketeers" films, including the superior Fairbanks sequel "The Iron Mask" (1929). Pretty "leading lady" De La Motte (from "Zorro") and others will also return. After all, it is... "All for one and one for all."

******* The Three Musketeers (8/28/21) Fred Niblo ~ Douglas Fairbanks, Nigel de Brulier, Marguerite De La Motte

In 1625 an ambitious youth joins forces with THE THREE MUSKETEERS to save the French Queen's honor from the machinations of the cruel Cardinal Richelieu.

Douglas Fairbanks had one of his most popular roles as the swashbuckling hero of Alexander Dumas' 1844 novel. Exulting in his sheer physical vitality, he never walks when he can run, never runs when he can leap. While a bit melodramatic & stagy, Fairbanks is obviously having a wonderful time and he wants his audience to enjoy themselves, too.

As producer, as well as star, Fairbanks ensured fine production values & large sets to backdrop his stunts. Notice particularly the Parisian street scenes, how detailed & exact they are, with the crowds of extras looking as if they had real purpose in what they were doing. Also be mindful of the architectural staging, whether it be walls, rooftops or monumental staircases; they were all built with Fairbanks' physical dimensions in mind, so that he could run, creep or climb along them effortlessly.

To such a degree does Doug dominate the drama, that the characters of the three Musketeers themselves remain largely undeliniated. Léon Bavy as Athos, George Siegmann as Porthos & Eugene Pallette as a most unlikely Aramis are mere window-dressing to showcase Fairbanks' exuberance. Coming off rather better are British actor Nigel de Brulier as the rapacious Richelieu, beautiful Barbara La Marr as the Cardinal's evil agent Milady de Winter & Lon Poff as the sepulchral Father Joseph. Here are three villains worth watching.

Lovely Marguerite De La Motte supplies Doug's love interest. Adolphe Menjou does well as the cold-hearted, vain Louis XIII.

Not surprisingly, the original story has been streamlined & altered in various ways and at least a couple of notable deaths have been omitted so as to provide a happier fadeout. Fairbanks would continue the tale - and reprise the role of D'Artagnan - eight years later in THE IRON MASK (1929).

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What were the facts surrounding the historical Richelieu & Buckingham? Since the novel & films make much of their rivalry, a closer examination is in order.

Both men rose from semi-obscurity to positions of enormous power & influence in their respective kingdoms. Each found it necessary to dominate the weak sovereigns whose patronage they enjoyed. Both endured the utter contempt & hatred of powerful domestic factions allied against them. And were there ever a flirtation between the French Queen Anne of Austria and Buckingham, it was of a very mild nature. There certainly was nothing resembling The Adventure of the Queen's Diamonds and all the derring-do associated with it.

Armand-Jean du Plessis, Cardinal and Duke de Richelieu (1585-1642), came from a minor gentry family which was saddled with enormous financial debt upon the death of his father. However, blessed with a very good brain & a manipulative mother, Richelieu used his intellectual charm to advance his ascent through the Byzantine levels of Church hierarchy. Once having caught the attention of Louis XIII Richelieu never looked back. Eventually wielding absolute authority, the Red Eminence took as his life's mission to thwart Spanish Habsburg hegemony in Europe and to crush all outbreaks of French Protestantism as they arose throughout the kingdom.

For his part, George Villiers, 1st Duke of Buckingham (1592-1628), had his extreme physical attractiveness to thank for grabbing the eye of James I - who liked to dance both ends of the ballroom - and later became the favourite of Charles I as well. The son of a knight, Buckingham soon rose to a lofty pinnacle of power and angered the English nobles by his monopoly of the king's affections and his arrogant accruement of great wealth. As a diplomat & military strategist, Buckingham was hopelessly inept and he needed the king's protection to save him from trial in the Star Chamber. Having failed disastrously in an attempt to succor the Huguenot of La Rochelle, France, he returned to England where he was quickly assassinated by a disgruntled naval officer. When news of Buckingham's death reached London the people rejoiced in the streets.