Le voleur de Bagdad

With Douglas Fairbanks, an entertaining story, and all sorts of interesting sights, this classic is lots of fun to watch. The settings, costumes, and story put you convincingly into a fantasy world, and Fairbanks gets plenty of help both from these and from Anna May Wong and the rest of the supporting cast in making the characters come to life.

The first half is pleasant, although sometimes rather slow, as it sets up the rest of the story. Fairbanks has a perfect role for him as the good-natured thief who falls in love with a princess and then gets involved in a lot more adventure than he had planned on. His energy and believability, along with the interesting sets, carry the first part of the movie. The second half, when Fairbanks and his rivals are sent off on their quests, is full of adventure and fascinating detail. It's done with plenty of creativity and also many lavish special effects, most of which still work well. The excitement level is built up nicely in leading up to the action-packed finale.

It's a movie that is both enjoyable and skillfully made. It would have to rank among the best adventure/fantasy stories made in the silent film era, and it's still as entertaining as just about anything of the kind being made today.

The acting is corny. The sets are strange. The special effects are crude as hell. (You can even see the wires.) And you sit there for 138 minutes totally entranced.

Seeing this is like seeing Star Wars for the very first time. Honestly. And seeing Fairbanks do his stuff (he really does hop from pot to pot in one scene) drives home exactly why he was a superstar. Talk about presence; This guy owns the screen!

If you care about movies, then give this one a try. (the HBO restoration with the London Symphony Soundtrack is the best.)

"The Thief of Bagdad" was my first introduction to Douglas Fairbanks Sr. and, as first impressions go, I've not been this impressed with an old-time film star since I watched Fairbanks' cinematic successor, Errol Flynn, begin creating his own legend in "Captain Blood".

The imagination and power of the visual design of the sets by Raoul Walsh make a nice complement for Fairbanks' script. Having read some of the original material from Sir Richard Burton's unexpurgiated translation of the Arabian Nights (that is, the uncensored, unwatered-down version that most of the general public is familiar with), I can honestly say that, while this story is in none of the tales I read, it would have been a perfect fit within Scherazade's many fantastic tales of moral instruction. The language, the situations, the magical artifacts, the transformation of a callow youth into a great (if still wily and underhanded) hero...they all so accurately reflect the atmosphere of those wondrous tales that I have read and enjoyed.

As for Fairbanks himself, well...is there any red-blooded American boy who HASN'T wanted to be like him? Maybe the boys of today wouldn't recognize the name, but five bucks says that they would definitely recognize the attitude and the style. Charming, smart, irresistable to women, tough enough to take on the bad guys, gifted with a physique that borders on the unbelievable...he's every boy's greatest heroic fantasy come true.

All that said, another reason "The Thief of Bagdad" is important AND fun is because it really marks the starting point for the modern genre of action-adventure films. The use of humor is extensive (my favorite bit being Fairbank's method of "touching" a particular bush), helping keep things from becoming TOO serious for it's own good. Then there's the use of special effects, some very hokey by today's standards, but probably state-of-the-art for it's time and still very impressive, considering the time period this film was made. There's also the touch of romance that helps sweeten the tone. Though subsequent offerings have not had as deft a touch as this film does, this would be a logical beginning to that tradition. Finally, there's the final confrontation between the protagonist and antagonist, but I truly doubt that anyone has ever come up with a showdown that relied more on brains than brawn as this one.

Don't let the age of this film offput you. Like it's inspiration, it weaves Scherazade's song with a melody that has yet to be outdone (though it has been matched during subsequent decades).

This movie is great fun to watch, like you would expect from a genre movie such as this one. It has all the typical adventurous, action and comedy elements present to make this a great swashbuckling movie. Add to that Douglas Fairbanks in good shape and you have a classic unforgettable genre movie!

Douglas Fairbanks is totally great in this one. He looks, acts, breaths, eats like a real superstar. He handles all of the athletic action in the movie really well. It's not hard to see why this man was THE swashbuckling hero of the '20's.

The movie is really great looking, with many grand looking sets. Really great looking stuff! (though obviously all fake.) Something you would normally expect to see in a D.W. Griffith movie. The movie also has some silly looking but yet great early special effects, toward the ending of the movie.

The story has all the ingredients needed for such a genre movie as this one; an heroic main character, a love interest, stereotypical villains and lots of fun and action. Especially toward the ending the movie starts to become greatly adventurous after a sort of slower middle and good first part. It's of course all rather simple and formulaic but this is also what makes the genre so great. You just always know what to expect. It's good simple fun that's professionally and well made, that's also beautiful to look at.

Also definitely fun to see how much of this movie was later used again in Disney's "Aladdin". Some, mostly action sequences, are obviously almost directly copied.

A great fun movie, from swashbuckling-specialist director Raoul Walsh.

9/10

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A beautiful princess, courted by royal suitors, is desired by a powerful Mongol magician. There is none in the kingdom wily & cunning enough to thwart the evil one's wicked plots - no one, that is, except THE THIEF OF BAGDAD.

This is another wonderful Douglas Fairbanks silent adventure epic. The world of the Arabian Nights springs alive before our eyes, with Fairbanks as all its fantastic heroes rolled into one. His athleticism is here perfectly at home in a realm of flying carpets, magic armies & undersea battles.

Director Raoul Walsh & Art Director William Cameron Menzies have created a realm of domes & towers, turrets & great halls, bazaars & souks - all the perfect backdrop for Fairbanks & the plot's sinuous action.

In the supporting cast, Sojin makes an excellent villain, the mysterious epitome of evil. Look for Anna May Wong as a palace maid & versatile African American actor Noble Johnson as the Indian Prince.

Both versions of this film now available on video feature scores based on themes from Rimsky-Korsakov's Scheherazade, which exquisitely conveys all the allurement of the Thousand and One Nights.