Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.
- Extra
- (uncredited)
- John Utterson
- (uncredited)
- Hyde's Landlady with Lamp
- (uncredited)
- Street Kid - Raises Fist to Mr. Hyde
- (uncredited)
- Patron in music hall
- (uncredited)
- Old woman outside of music hall
- (uncredited)
- Poole - Jekyll's Butler
- (uncredited)
- Policeman
- (uncredited)
Featured reviews
The movie is very well made and the story is extremely solid written and features some interesting elements. The way Dr. Jekyll is torn between his evil and good side is brought effectively to the screen. The movie is basically about the battle between good and evil, only this time set into the mind of one man. It is mainly due to the solid written story that this premise works out so well and effective.
Of course also the acting helps a lot to tell the story with. Conform '20's style, every actor goes over-the-top in his performance, with exaggerated movements and facial expressions. Especially Cecil Clovelly goes way too over-the-top in his role. Also of course John Barrymore does this, especially when he is turned into Mr. Hyde. But nevertheless every actor feels well cast and plays his or her role with lots of profession. The still very young looking John Barrymore is good in his role as both Dr. Henry Jekyll/Mr. Edward Hyde and he plays both roles convincing, despite going a bit too much over-the-top at moments.
The movie only features a bit too many unnecessary characters that don't add enough, or anything at all to the story. On top of that there also are some needless sequences, which don't seem to serve a purpose. Such as the Italian historical sequences, told by Gina. Yes, it serves a purpose later for the story but it could had easily been done in a more simple and shorter way, to make the movie flow better.
Perhaps the most surprising thing about this movie is its look. The sets look impressively detailed, although the entire movie is obviously filmed on a stage. Also the costumes and make-up are good, as are the impressive looking early special effects, which also adds to the horror of this movie.
Yes, as an horror movie this movie also works well. It's atmosphere feels dark and the Mr. Hyde character makes sure that the movie always remains unpredictable as well as both tense and scary.
The ending is very well written and also works very effective. It's well thought out and handled and provides the movie with an impressive and memorable ending, which might also come quite unexpected, since it's not an happy one.
A must-see for the fans of the story and horror fans in general.
8/10
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How personal this film must have been to John Barrymore. It seems to have been more than an assignment for him. He brought plants from his apartment to use in the film, he transported sets & costumes from one of his hit plays to be filmed in a flashback sequence, he was miming a story that had been done by the great stage actor Richard Mansfield whom was acquainted with his late father Maurice Barrymore. Interesting enough Barrymore would film another great Mansfield stage success four years later, BEAU BRUMMEL, which was Barrymore's first truly Hollywood made film. One wonders whether the choice to cast Martha Mansfield as Jekyll's love interest had anything to do with her name being Mansfield. There has never come up any evidence that she was related to Richard Mansfield but her name on movie theater marquees for the film must have looked familiar to older movie goers at the time who remembered the great theater actor who died in 1907 and never lived to film even a primitive version of DJ&MH himself. It must have been a good selling point. So John Barrymore as well as the Drew-Barrymore theatrical clan must have known Richard Mansfield on an intimate level at one time or another. I've always counted this film & JB's performance as an homage to Richard Mansfield and the acting profession in general. Perhaps, though it is not on record, a young JB might have seen Mansfield on stage doing Dr Jekyll & Mr Hyde.
The film's directorial credit is officially given to John S Robertson and writing credits to Clara Beranger(Wm DeMille's wife) but certainly J.Barrymore added touches here and there to spark up the production such as the above mentioned items he brought or transported to the film set. And also JB's winning portrayal at the time on the Broadway stage as Richard the 3rd performed at night while he filmed DJ&MH during the day. The make-ups for Richard the 3rd & Mr Hyde are strikingly similar when viewing photographs of JB as the two characters. Hyde, while favoring Richard, is truly the more severe of the two roles, and needed to be to put the character over on film. Another plus this film has is that it is made closer to the 1886 timeline of Stevenson's Victorian novella than the later feature length productions of 1931, 1941 and on. The sets where Hyde cavorts look nothing but like an inner London Victorian slum. Also some of the sets where Dr Jekyll has dinner with his elitist friends are accurately Victorian.
Director Robertson along with cameraman Roy Overbaugh keep the production flowing along especially when Hyde is on the screen. The first transformation is a classic, and pretty well known by historians & silent movie buffs. For those who haven't seen the movie I wont disclose no spoilers about the first transformation. Later transformations are accomplished by cameraman Overbaugh with stop-motion-photography and some very smooth double exposures such as in the spider-on-bed sequence. And also some good acting from JB.
Lastly if the original music score could be resurrected and performed with the film today, then a close approximation as to what 1920 audiences saw & heard could be experienced by today's audiences. Most home video copies put accompanied music or awfully scored music that is wrong for the film. Some video releases, wisely don't put any music score on the video which oddly forces your attention to the movie.
DR. JEKYLL AND MR. HYDE works as well as it does thanks in no small part to Barrymore, the early screen legend. His amazing performance transcends the lack of sound, scratchy picture and obvious limitations. He is the definitive Dr. Jekyll and a suitably creepy Mr. Hyde. Barrymore's co-stars more than hold their own, proving that acting is an inherited talent, not something that is necessarily developed through years of schooling. Brandon Hurst in particular stands out as the upperclassman Sir George Carew.
The film also benefits from its strong script and dialog, though much of the credit there must go to Robert Louis Stevenson, who authored the book on which it is based. What could have easily been a mediocre man-turned-monster outing is instead smart, thought-provoking and imaginative. Director John S. Robertson is to be highly praised.
I went into DR. JEKYLL AND MR. HYDE prepared to cut it heaps of slack given its 1920 production date. But not once did I have to award it brownie points for trying. This is a screen gem from which the Hollywood of today could learn some valuable lessons.
Set in 19th century England, Henry Jekyll (John Barrymore), "an idealist and philanthropist, by profession a doctor of medicine," spending his time not only conducting experiments in his laboratory attached to his home, but treatinghis patients at a free clinic for the poor at his own expense. He's engaged to Millicent Carewe (Martha Mansfield), but their relationship appears to be mainly platonic. Arriving late at a dinner gathering at the Carewe home, Sir George Carewe, (Brandon Hurst), Millicent's father and Jekyll's mentor, soon becomes Jekyll's evil influence when he suggests the possibilities of man living by his instincts, yet having another side to his nature. Carewe later accompanies Jekyll to a London music hall where they are not only surrounded by a class of patrons beneath their status, but watch a flirtatious young dancer named Gina (Nita Naldi) perform. "For the first time in his life, Jekyll had awakened to the sense of his baser nature." Spending days and nights in his lab with his experiments, Jekyll, after drinking down his invented formula, soon transforms into his evil self. Becoming the uncontrollable person he names Edward Hyde, Jekyll's evil self begins a relationship with the sultry Gina, eventually making her life miserable. Hyde goes on a murderous rampage, taking control over Jekyll's immortal soul. Jekyll's experiment gets the better of him when he keeps changing into the evil Hyde against his will, returning to his gentler self through an antidote, becoming a recluse and spending more time away from Millicent. When Jekyll's antidote supply runs dry, he tries to fight the urge of evil. After murdering a child of the streets in the poor district of town, and later Sir George who witnessed the evil change in his future son-in-law, Jekyll realizes that he's unable to undo his evil deeds, and suffers more as he tries to prevent himself from making Millicent his next victim.
Supporting Barrymore in the cast are Charles Lane as Doctor Richard Lanyon; Cecil Clovelly as Edward Enfield; Louis Wolheim as the music hall proprietor; and George Stevens as Poole, Jekyll's butler.
Produced shortly before what future star Lon Chaney would have achieved in a role such as this, Barrymore's performs his most memorable moments during his transformation scenes. Every transformation captured on film shows the viewer a more hideous manifestation of Jekyll's other self. Quite theatrical to say the least, but what's amazing is Barrymore's constant jerking of his body with his hair flopping about before the closeup of that hideous facial expression, which must have been quite intense for 1920 audiences. It's been reported that Barrymore changed into the evil Mr. Hyde without the use of makeup, unlike Chaney, who would have done his transformation similar to Fredric March's 1931 sound version, looking more like a hideous animal than a grotesque human creature. For Spencer Tracy's 1941 performance, like Barrymore, he's still in human form but his facial gestures appear inhuman. More added touches of evil include Jekyll's somewhat pointed head as well as close up of Jekyll's hand becoming a withered claw. Something worth noting is one where Jekyll sleeps in his bed and imagines a ghostly giant spider crawling upon him. Because of Barrymore's "great profile" image and matinée idol reputation, the camera takes full advantage in his numerous profiled closeups, yet this was the film that firmly establish Barrymore's movie career.
DR. JEKYLL AND MR. HYDE became one of the final thirteen movies aired on public television's THE SILENT YEARS (1971) as hosted by Orson Welles. Accompanied by an organ score by Gaylord Carter, the film runs at length to about 62 minutes. In later years, the silent version to DR. JEKYLL AND MR. HYDE was distributed on video cassette, with the print shown on THE SILENT YEARS released through Blackhawk Video in the 1980s. At present, the length of the movie varies. It could be as long as 75 minutes or more, depending on the projection speed. Shorter prints could be the possibility of a deleted sequence or two taken from reissue copies. For the Blackhawk edition, a sudden cut is noticeable as Millicent (Martha Mansfield) is seen sitting sadly alone, longing for her fiancé, followed by an immediate cut showing Millicent, surrounded by some people, running happily up the stairs with a letter clasped in her hand. Besides JEKYLL AND HYDE's availability on video, it's also been recently distributed on DVD.
DR. JEKYLL AND MR. HYDE consisted of several earlier American-made versions (1912, 1913, and another in 1920 to compete with the Barrymore film), but for whatever copy is available for viewing, this 1920 production featuring Barrymore is the only easy access for viewing. Out of circulation on the TV markets since the 1970s, it finally resurfaced on Turner Classic Movies October 24, 2004, as part of its annual Halloween fright feast. The print with the Gaylord Carter organ score has circulated on TCM until its March 6, 2011 presentation consisting a new orchestral score composed by Al Kryszak that's one I would not recommend after listening better scores in the past. (***)
Did you know
- TriviaAccording to John Barrymore's biographer, Gene Fowler, a few years after making this film, Barrymore bought a house in Hollywood for $6,000. He got the seller to lower the price to $5,000 by appearing for the closing in his Mr. Hyde makeup.
- GoofsAfter the first transformation when Hyde attempts to change back into Jekyll, as he throws himself onto the floor, one of his prosthetic fingers can be seen to fly off.
- Quotes
Sir George Carew: In devoting yourself to others, Jekyll, aren't you neglecting the development of your own life?
Dr. Henry Jekyll: Isn't it by serving others that one develops oneself, Sir George?
Sir George Carew: Which self? A man has two two - as he has two hands. Because I use my right hand, Should I never use my left?
[Carew pointedly moves both hands indepemdently, making his point known to the whole table]
Sir George Carew: Your really strong man fears nothing. It is the weak one that is afraid of - - experience.
- Crazy creditsExcept for John Barrymore whose name appears above the title, actors were not originally credited in this movie at the start or at the end. Instead, four additional actors and their character names are credited in the inter-titles right before they appear on-screen.
- Alternate versionsIn 1971, Killiam Films, Inc. copyrighted a restored and tinted edition with an original theatrical organ score by Lee Erwin and a running time of 67 minutes plus a minute for new additional credits.
- ConnectionsEdited into Jekyll & Canada (2009)
- How long is Dr. Jekyll and Mr. Hyde?Powered by Alexa
Details
- Runtime1 hour 9 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1