Marine d'abord!

TELL IT TO THE MARINES (Metro-Goldwyn-Mayer, 1926) directed by George Hill, stars Lon Chaney, best known as 'The Man of a Thousand Faces' in one of his rare on screen performances where one of his thousand faces happens to be his own. With such classic film roles as "The Hunchback of Notre Dame" or "The Phantom of the Opera" over at Universal, Chaney remains the master of many disguises. For this military theme, Chaney assumes star billing while William Haines takes control of the story from start to finish.

The plot unfolds through title card introduction: "Almost every train bound for the Marine base at San Diego, California, carries a prospective Marine ... some fellow fresh from the country or fresher from some city." The fresh fellow in question is George Burns, better known as "Skeet" (William Haines), first seen sleeping in his berth on a train bound for San Diego. On a pretext of joining the Marines so to get free travel connection to Tijuana, Skeet encounters Sergeant O'Hara (Lon Chaney) at the train station, but manages to break away from being recruited by being chased to the next train out. Returning from Tijuana to San Diego without any money, Skeet, in need of food and shelter, heads over to the base where he enlists, thus, marking the start of his four year stretch with the Leathernecks. Failing to take the Marines seriously, Skeet, the nervy misfit, eventually makes a play for Norma Dale (Eleanor Boardman), a nurse who's "one of the few people who had seen Sergeant O'Hara smile." In spite of his devotion to Norma, it is up to O'Hara to discipline this new recruit every which way he can.

Being the first motion picture made with full cooperation of the United States Marine Corps, TELL IT TO THE MARINES ranks one of the finer motion pictures of this nature. A fine mix of comedy, romance and military action, the film set the pattern for William Haines' character. Becoming an overnight star as the wisecracking recruit, his latter roles would become similar portrayals to what was performed here, especially that as a cadet in WEST POINT (MGM, 1927) opposite Joan Crawford, or as a sailor in NAVY BLUES (MGM, 1929). Haines would conclude his movie career in an independent production of THE MARINES ARE COMING (Mascot, 1935). Regardless of brash recruit vs. tough sergeant (Conrad Nagel), the latter film was neither a remake nor a sequel to TELL IT TO THE MARINES, though it could had been one or the other. Not all Haines movies have military setting, but many of his characters portrayed could very well be Skeet Burns recycled. As for Lon Chaney, he always managed to make his characters likable and believable. TELL IT TO THE MARINES is further indication to what Chaney can do, being an actor of many roles. His facial expressions says everything about the character he plays, especially that one scene where he wipes away his tear, looks around, then resumes his rough and tough exterior. He and Haines work well together for their last time on screen. They initially appeared in the now lost movie, THE TOWER OF LIES (1925) starring the up-and-coming Norma Shearer.

Other members of the cast include Carmel Myers as Zaya, a native girl with flirtatious intentions during the Singapore sequence; Warner Oland (best known as 'Charlie Chan' in the popular film series of the 1930s) as the Chinese bandit leader; Frank Currier as General Wilcox; and Eddie Gribbon as Corporal Madden.

Long unseen for several decades, TELL IT TO THE MARINES finally sufficed on cable TV's Turner Classic Movies where it premiered October 24, 2000. Its newly composed and excellent orchestral score by Robert Israel makes this 105 minute silent movie presentation worth watching. Highly recommended. Tell it to the Marines. (***)

... that odd couple being Lon Chaney and William Haines.

Haines plays "Skeet" Burns, a young guy whose plan was just to hitch a free train ride to San Diego with a voucher from the Marines since they think he is going to join up there, when he really plans to just go to Tijuana for the races. He has no intention of becoming a marine. But he does come back from Tijuana, looks a bit envious of the comradery he sees on the Marine base, and does indeed join up.

From that point he's at odds with marine lifer sergeant O'Hara (Lon Chaney), in one of his few MGM roles where he is not monster or blackguard of the week. Burns has a problem with rules, as do all William Haines characters, and worse, he falls for Navy nurse Norma Dale (Eleanor Boardman) who happens to be the woman of O'Hara's dreams. Worse, O'Hara is the kind of guy Norma thinks she should love, but Burns gets under her skin in spite of his abrasive foolhardy ways.

This film is charming and entertaining with a rousing battle for a finale, but it does have its faults and plot holes. It does realistically portray the rivalry between the navy and the marines, right down to nurse Dale being insulted when Burns innocently asks her if she is a Marine nurse. She harshly barks back that she is a navy nurse! The film avoids getting claustrophobic by having the marines deploy overseas for an extended period, where Burns both gets in hot water and proves himself.

Chaney's commanding presence and ability to convey deep emotions shine through his portrayal of the hardened but compassionate Sergeant O'Hara. His performance is a testament to his status as one of the greatest actors of the silent film era. Lon Chaney was named an honorary marine for his performance, and his funeral was officiated by a marine chaplain. I'd definitely recommend this one. It doesn't make the mistake of so many MGM films and abruptly make an out of character right turn at the end just so there can be a happy ending.

In the only film that Lon Chaney ever made without makeup of any sort, he and William Haines laid the ground work for many a service comedy in the sound era. Had this been done at Warner Brothers a few years later, the parts that Chaney and Haines have would have been played by Pat O'Brien and James Cagney.

Tell It To The Marines finds William Haines as a fresh young recruit enlisting in the Marines on almost a whim in San Diego. Once they've got his signature on the dotted line, Haines comes under the tender charge of sergeant Lon Chaney. The two go through training, sea duty, and rescuing some missionaries while posted in Shanghai.

They've also interest in the same girl, Navy nurse Eleanor Boardman and if you've seen any of the Cagney-O'Brien films you know who she's going to wind up with. Haines also dallies a bit with South Sea native girl Carmel Myers and his attentions start a small war on that said island.

A few years away from being cast as Chinese detective Charlie Chan, Warner Oland plays a lean and mean Chinese bandit chief, threatening the lives of all and virtue of the females at a Chinese mission. Americans were very sensitive on that subject, giving money at collection time at church services for Chinese missions. Back then it seemed like every church in America was sponsoring a missionary in China.

Though it's not a genre that the silent screen was especially known for, Tell It To The Marines is a rollicking good service comedy and a nice change of pace for the Man of a Thousand Faces to be seen as his own true self.

I found this film enjoyable for many reasons. One, I'm finding that silent films were much, much more than Charlie Chaplin and the Keystone Kops, that dramas and low-key comedy were much better than I had thought. Growing up in Culver City, I am always fascinated with location shooting as well, seeing my home town and surrounding cities decades before I was born in the background gives me a kick. In this film, however, there's the added bonus of MCRD San Diego in all it's glory, 48 years before I myself attended boot camp and became a U.S. Marine there. I knew the camp was old, but to see it then when it had to be fairly new was great. I do hope they release this film on DVD, and ten stars to the people at TCM for continuing to share these wonderful rarities without chopping them to pieces. Semper Fi

Lon Chaney is simply fantastic as a Marine Sergeant who puts a screw-off new recruit (William Haines) through boot camp, and then guides him through some action overseas in China afterwards. The two men are also involved in a little love triangle with a young nurse (Eleanor Boardman). It's a great cast, with the exception of Carmel Myers as an island girl, and the film has a reasonable amount of authenticity running through it. It was shot in part at the Marine Corps Recruit Depot in San Diego with consultation from a General, and there are also nice scenes on the USS California, whose big guns surprised me a little for 1926. I was entertained by the mix of humor, romance, and drama which is all somewhat quirky and fitting to the period, though unfortunately the scenes in China reek of cultural condescension. It's probably unfair to the film, but in part it was less interesting to me just because I've seen the boot camp part of the story done so many times over the years, though apparently this was the prototype. The template is complete to the point of ushering in the new class of recruits in the same way at the end. Watch it for Lon Chaney though. Man, I'd probably watch him in just about anything.