When Mandarin Wu's unmarried daughter becomes pregnant by a young Englishman, he seeks vengeance.When Mandarin Wu's unmarried daughter becomes pregnant by a young Englishman, he seeks vengeance.When Mandarin Wu's unmarried daughter becomes pregnant by a young Englishman, he seeks vengeance.
- Awards
- 1 win total
Gertrude Olmstead
- Hilda Gregory
- (as Gertrude Olmsted)
Tetsu Komai
- Executioner
- (uncredited)
Soo Hoo Sun
- Man at Nang Pings Birth
- (uncredited)
Featured reviews
Ancient Chinese custom gets the best of star Lon Chaney in this re-make of 1919's melodramatic "Mr. Wu". Mr. Chaney portrays both Mr. Wu; and, in an extended prologue, he's Mr. Wu's grandfather. Chaney is, as ever, wildly entertaining. The film is well-produced, with beautiful photography and sets; with, for its time, a starry supporting cast. The main story doesn't get started until Chaney struts his oriental stuff; it involves daughter Renée Adorée (as Nang Ping) having an out-of-her-race affair with Englishman Ralph Forbes (as Basil Gregory).
Mr. Forbes plays the Englishman enchanted by a lovely "China doll" well. Ms. Adorée is not as convincing in her Asian role; certainly, supporting player Anna May Wong would have been better cast as Wu's daughter. Louise Dresser (as Mrs. Gregory) is quite excellent as Forbes' mother; at first, her role seems small - but, keep your eyes on Ms. Dresser, who turns in a great performance without extraordinary make-up! Chinese culture is not presented very flatteringly, to Western filmgoers, in the end. Chaney (as Wu)'s declaration, "My poor little blossom - broken by an ill West Wind," evokes D.W. Griffith's superior "Broken Blossoms" (1919), which more artfully covered some of the same ground.
******* Mr. Wu (3/26/27) William Nigh ~ Lon Chaney, Louise Dresser, Renée Adorée
Mr. Forbes plays the Englishman enchanted by a lovely "China doll" well. Ms. Adorée is not as convincing in her Asian role; certainly, supporting player Anna May Wong would have been better cast as Wu's daughter. Louise Dresser (as Mrs. Gregory) is quite excellent as Forbes' mother; at first, her role seems small - but, keep your eyes on Ms. Dresser, who turns in a great performance without extraordinary make-up! Chinese culture is not presented very flatteringly, to Western filmgoers, in the end. Chaney (as Wu)'s declaration, "My poor little blossom - broken by an ill West Wind," evokes D.W. Griffith's superior "Broken Blossoms" (1919), which more artfully covered some of the same ground.
******* Mr. Wu (3/26/27) William Nigh ~ Lon Chaney, Louise Dresser, Renée Adorée
By 1927, Lon Chaney had clearly established that he could play practically any role--ranging from Quasimodo to the Phantom of the Opera to sideshow freaks to maniacs. However, one type of role that Chaney did that just looks pretty shabby today is his Asian characters. In MR. WU, Chaney plays two characters--a very, very old Chinese man and his grandson. As the grandfather, Wu looks really weird--not all that Chinese. As the grandson, with his shaved head and painted eyebrows he looks a little more like Joan Crawford circa 1970 than a Chinese guy! Interesting performances, yes--but not at all believable to anyone but the rather unsophisticated audiences of 1927 (who were used to seeing White guys dressed as Asians).
As for the story, it's odd because from the point of view of the Western characters, they didn't seem racist but were very open towards Asians. In contrast, Wu was a bigoted old guy who, according to some ancient teachings, could NEVER allow a child of his to marry anyone who wasn't 100% Chinese.
In light of this, it certainly isn't surprising that the grandson (I guess that would be Wu III) freaked out when his daughter fell for an American man. This of course leads to a sad and rather crazy conclusion that certainly is interesting--though it also seemed rather silly and tough to believe.
So it it worth seeing? Well for silent film fans (particularly lovers of Chaney), of course. For others NOT familiar with silents or who mistakenly think they are bad, then they should try some other films first. This film is like a strong cigar--it can be appreciated by someone used to them but for novices it's best to just stay away for now.
As for the story, it's odd because from the point of view of the Western characters, they didn't seem racist but were very open towards Asians. In contrast, Wu was a bigoted old guy who, according to some ancient teachings, could NEVER allow a child of his to marry anyone who wasn't 100% Chinese.
In light of this, it certainly isn't surprising that the grandson (I guess that would be Wu III) freaked out when his daughter fell for an American man. This of course leads to a sad and rather crazy conclusion that certainly is interesting--though it also seemed rather silly and tough to believe.
So it it worth seeing? Well for silent film fans (particularly lovers of Chaney), of course. For others NOT familiar with silents or who mistakenly think they are bad, then they should try some other films first. This film is like a strong cigar--it can be appreciated by someone used to them but for novices it's best to just stay away for now.
No, not a great silent film, but nearly so and still an absorbing and entertaining 90 minutes in which to wallow in yet another great Lon Chaney performance. And with some high MGM production values, I almost wished some of Cedric Gibbons' garden scenes could have been shot in Technicolor, although the b&w nitrate print is pristine and atmospheric.
Simple tale expertly unfolded: Honourable Mandarin Mr. Wu's beautiful daughter Nang Ping falls in love with heavily made up Englishman Ralph Forbes with the usual tragic biological consequences. Worthy of University dissertations is the portrayal of both East and West as hamstrung by racist social customs and conventions, real and fictional. It persists today: some people are simultaneously hamstrung by the fact that miscegenation can be frowned upon in certain backward quarters but paradoxically also that a member of one race can act the part of another on film and stage. Mr. Wu is shown to be the then usual Chinese stereotype with inscrutable savagery masked with a veneer of (Western) inculcated civilisation, but a real Chinese would have had to have played it the same as Chaney: it was merely the custom after all. And the whites were also shown to be usual Western stereotypes in a foreign country with condescension and arrogance mixed with ingenuousness. Anna May Wong is here in another good role as sidekick to the unfortunate heroine, whilst Holmes Herbert had a few patronising scenes and never looked older. The climax to the affair is striking - if remade today I'd expect a somewhat different conclusion to mull over!
All in all well worth watching for enlightened silent melodrama fans.
Simple tale expertly unfolded: Honourable Mandarin Mr. Wu's beautiful daughter Nang Ping falls in love with heavily made up Englishman Ralph Forbes with the usual tragic biological consequences. Worthy of University dissertations is the portrayal of both East and West as hamstrung by racist social customs and conventions, real and fictional. It persists today: some people are simultaneously hamstrung by the fact that miscegenation can be frowned upon in certain backward quarters but paradoxically also that a member of one race can act the part of another on film and stage. Mr. Wu is shown to be the then usual Chinese stereotype with inscrutable savagery masked with a veneer of (Western) inculcated civilisation, but a real Chinese would have had to have played it the same as Chaney: it was merely the custom after all. And the whites were also shown to be usual Western stereotypes in a foreign country with condescension and arrogance mixed with ingenuousness. Anna May Wong is here in another good role as sidekick to the unfortunate heroine, whilst Holmes Herbert had a few patronising scenes and never looked older. The climax to the affair is striking - if remade today I'd expect a somewhat different conclusion to mull over!
All in all well worth watching for enlightened silent melodrama fans.
Mr. Wu (1927)
** 1/2 (out of 4)
Lon Chaney plays a duel role as Mr. Wu and his grandfather. In the film, Mr. Wu (Chaney) believes in an old Chinese custom of marrying his daughter (Renee Adoree) into another Chinese family but the girl has fallen in love with an Englishman (Ralph Forbes). When the Englishman leaves the girl, Wu must seek revenge by killing the man, his family and his own daughter. For the first seventy-minutes this is a love story between the two kids with the vengeance aspect just showing up for the final twenty. Overall I was pretty disappointed with the film, although there's some good stuff in it. I think this is one of the weakest performances from Chaney that I've seen because he seems to forget the performance in exchange for the brilliant make up. Chaney's make up effects as the grandfather are simply marvelous and you can't even tell that it's Chaney under all that make up. Adoree comes off very well bringing an innocence that's easy to connect with. Forbes is also very good in his role and the supporting players are nice as well. I think the film would have benefited with a tighter script that kept the action moving better because the middle of the film is rather dull with not too much going on. Had this middle section been as entertaining as the first and third acts then the movie would be much more memorable. As it is, this movie is mainly watchable due to the great make up work from Chaney.
** 1/2 (out of 4)
Lon Chaney plays a duel role as Mr. Wu and his grandfather. In the film, Mr. Wu (Chaney) believes in an old Chinese custom of marrying his daughter (Renee Adoree) into another Chinese family but the girl has fallen in love with an Englishman (Ralph Forbes). When the Englishman leaves the girl, Wu must seek revenge by killing the man, his family and his own daughter. For the first seventy-minutes this is a love story between the two kids with the vengeance aspect just showing up for the final twenty. Overall I was pretty disappointed with the film, although there's some good stuff in it. I think this is one of the weakest performances from Chaney that I've seen because he seems to forget the performance in exchange for the brilliant make up. Chaney's make up effects as the grandfather are simply marvelous and you can't even tell that it's Chaney under all that make up. Adoree comes off very well bringing an innocence that's easy to connect with. Forbes is also very good in his role and the supporting players are nice as well. I think the film would have benefited with a tighter script that kept the action moving better because the middle of the film is rather dull with not too much going on. Had this middle section been as entertaining as the first and third acts then the movie would be much more memorable. As it is, this movie is mainly watchable due to the great make up work from Chaney.
Turner Classic Movies aired this movie with a new music score for the first time on Oct 31, 2000. It was GREAT! It was the first time it has been shown on TV. Mr. WU is about a Chinese man who's daughter has fallen in love with a man from the west. The man already has plans to marry his daughter into another Chinese family of great society. When Wu finds out the man from the west decided to leave his daughter he realizes he must carry out an old Chinese law stating if a daughter is defiled the father must kill her. Will WU kill his daughter? TCM should be showing this movie often now that it has a music score. Look for Lon Chaney's make up as both Mr. Wu and Wu's grandfather. A must see for Lon Chaney fans.
Did you know
- TriviaFor the hundred-year-old look, Lon Chaney built up his cheekbones and lips with cotton and collodion. The ends of cigar holders were inserted into his nostrils, and his long fingernails were constructed from strips of painted film stock. He used fish skin to fashion an Oriental cast to his eyes and gray crepe hair was used for the mustache and goatee. The makeup procedures took from four to six hours to apply.
- Alternate versionsIn 2000, Turner Classic Movies presented the television premiere with a music soundtrack composed, produced, edited and mixed by Maria Newman, who also conducted the Viklarbo Chamber Symphony. Its running time is 91 minutes.
- ConnectionsFeatured in Lon Chaney: A Thousand Faces (2000)
- How long is Mr. Wu?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Mr. Wu
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $267,000 (estimated)
- Runtime
- 1h 30m(90 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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