A gang of blackmailers sends a cripple to San Francisco to expose a banker they have been blackmailing. However, the cripple meets and falls in love with the banker's daughter.A gang of blackmailers sends a cripple to San Francisco to expose a banker they have been blackmailing. However, the cripple meets and falls in love with the banker's daughter.A gang of blackmailers sends a cripple to San Francisco to expose a banker they have been blackmailing. However, the cripple meets and falls in love with the banker's daughter.
- Director
- Writers
- Stars
Henry A. Barrows
- John Cooper Sr.
- (as Henry Barrows)
Harry De Vere
- Olaf Wismer
- (as Harry Devere)
Pat Harmon
- Horse Cabdriver
- (uncredited)
Bob Kortman
- Henchman
- (uncredited)
William Lloyd
- Doctor
- (uncredited)
George Marion
- Townsman
- (uncredited)
Steve Murphy
- Man Eating at Mandarin Cafe
- (uncredited)
Tôgô Yamamoto
- Messenger at Restaurant
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Lon Chaney is brilliant (as always) in this very moving and uplifting drama about a crippled thug with a heart of gold. As Wilse Dilling, Chaney is immensely likeable and we root for him all the way. He is sent to San Francisco by the evil crime boss Queen Ann as part of a scheme to expose a banker who has been blackmailed into robbing his own bank. However, he falls in love with the daughter of the person he's supposed to expose. I think a title card says it best; he is 'torn between to woman he loved and the woman he feared.' What will he do? See this movie to find out; it is highly recommended.
Lon Chaney plays Wilse Dilling, a cripple who gave into the enticements of crime long ago. Chaney is working for a ruthless woman in Chinatown in San Francisco and is sent to a small town to "keep his eyes open" and "make friends." There he is befriended by a kind young woman who tells him repeatedly that if the cause/dream is right than the will is enough to achieve it. Circumstances such as the young woman having a fiancée and her father the object of the ruthless woman in Chinatown make this one heck of an old-fashioned melodrama with Chaney giving a tour-de-force performance as a crippled criminal blind-sided by love and acts of kindness making him change. Chaney's features, particularly his face, give off such emotion and pathos that he can do so much with so little. The films has many exciting twists and turns culminating an a rather impressively staged earthquake. The Shock, while perhaps a bit hokey in plot, is yet again another example of just how good films were in the silent era and how performers such as Chey were not just the best of his generation but in the pantheon of all-time greats.
This film has a strong story and the 1906 San Francisco quake is well re created, mainly in miniature. The difficulty for me, as with several other Chaney films is that deformity and disability seem to be associated with criminality, though,of course, for many years this was deemed to be the case, just as disfigurement was assumed to lead to mental instability. Even though the story tells us that Wilse Dilling is capable of doing good, it makes it clear that this is against the normal run of his character. When the heroine is temporarily disabled by an accident, the other characters react as if this is a fate worse than death. Finally, Dilling's reward for his good deeds is to regain the use of his own crippled legs, thus making him worthy of the heroine and letting the audience know that all their physical shortcomings can be overcome, if only they really want it! It is interesting to note how film-makers of this period went for historical accuracy in terms of costume and scenery whereas in later years, glamour was seen as more important-compare the seedy shabbiness of "The Shock" with the elegance and brightness of "San Francisco"
Shock, The (1923)
*** 1/2 (out of 4)
Lon Chaney plays a cripple who has been used by a Chinatown gang to commit various crimes. He's sent away on his newest job where he falls in love with a girl but it turns out his job is to kill her father. As usual, Chaney gives a remarkable performance and I have no problem calling him one of the greatest actors ever. He perfectly captures all the right emotions for the role and his physical appearance of a cripple is remarkable. Two other highlights include a bank being blown up and an earthquake that happens in the film. The special effects are very good and the suspense and drama are very high.
*** 1/2 (out of 4)
Lon Chaney plays a cripple who has been used by a Chinatown gang to commit various crimes. He's sent away on his newest job where he falls in love with a girl but it turns out his job is to kill her father. As usual, Chaney gives a remarkable performance and I have no problem calling him one of the greatest actors ever. He perfectly captures all the right emotions for the role and his physical appearance of a cripple is remarkable. Two other highlights include a bank being blown up and an earthquake that happens in the film. The special effects are very good and the suspense and drama are very high.
In THE SHOCK, Lon Chaney Sr. Plays Wilse Dilling, who goes up against the criminal underworld and its powerful, sadistic boss, Queen Ann Cardington (Christine Mayo).
This silent film is well worth viewing. It contains plenty of the requisite action and pathos in keeping with its era. Chaney Sr. Is again a marvel to behold. Dilling is another memorable character for him with his signature makeup and facial expressions.
In addition, the earthquake sequence is breathtaking!...
This silent film is well worth viewing. It contains plenty of the requisite action and pathos in keeping with its era. Chaney Sr. Is again a marvel to behold. Dilling is another memorable character for him with his signature makeup and facial expressions.
In addition, the earthquake sequence is breathtaking!...
Did you know
- TriviaA Jewel Production. Universal, lacking a proprietary theater chain, devised a three-tiered branding system to enable it to market its feature product to independent theater owners: Red Feather (low-budget programmers), Bluebird (mainstream releases) and Jewel (prestige productions capable of drawing higher roadshow ticket prices). This branding system ended in late 1929.
- GoofsAt about 43:05, Wilse is crossing a room in Anne's house. He moves his bad right foot which is paralyzed throughout the film.
- Quotes
Jack Cooper: Let's be practical--we can't live on love--can we?
- ConnectionsFeatured in Lon Chaney: A Thousand Faces (2000)
Details
Box office
- Budget
- $90,220 (estimated)
- Runtime1 hour 36 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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