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7.1/10
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The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.
- Awards
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Featured reviews
Gertie the Dinosaur (1914)
*** 1/2 (out of 4)
This Winsor McCay film starts off very much like his first as McCay and a friend are inside a dinosaur exhibit when the artist says he could make them walk. The friend and others at a local club laugh at him so he makes a bet that he can bring a dinosaur to life. A month later McCay displays Gertie, a lovable dinosaur who will do whatever he says. I will admit that the start of this film is a tad bit slow because we've already seen this same opening in an earlier film. With that said, there's no question that this is a very important film and one that is a must see. The most amazing thing to me about this film is how much life McCay is able to give Gertie. There's not a single frame where you feel as if you're watching a bit of animation because the director does such a nice job at bringing her to life and making her seem so real. The animation includes Gertie doing various tricks, a dance and a few other things but we also get a sea serpent that shows up. The animation looks incredibly strong and we're given some great humor throughout. I hate using the word cute but that's exactly what this film is and it's so impressive that even those who can't stand older movies should be drawn into it.
*** 1/2 (out of 4)
This Winsor McCay film starts off very much like his first as McCay and a friend are inside a dinosaur exhibit when the artist says he could make them walk. The friend and others at a local club laugh at him so he makes a bet that he can bring a dinosaur to life. A month later McCay displays Gertie, a lovable dinosaur who will do whatever he says. I will admit that the start of this film is a tad bit slow because we've already seen this same opening in an earlier film. With that said, there's no question that this is a very important film and one that is a must see. The most amazing thing to me about this film is how much life McCay is able to give Gertie. There's not a single frame where you feel as if you're watching a bit of animation because the director does such a nice job at bringing her to life and making her seem so real. The animation includes Gertie doing various tricks, a dance and a few other things but we also get a sea serpent that shows up. The animation looks incredibly strong and we're given some great humor throughout. I hate using the word cute but that's exactly what this film is and it's so impressive that even those who can't stand older movies should be drawn into it.
This is an odd little film featuring Winsor McCay--the creator of Gertie the Dinosaur and Little Nemo. And, just as in his first Little Nemo film, much of this film features Winsor McCay with his friends (all animators and lovers of animation) and only in the second half do you get to see Gertie. Ostensively, the film is about a bet Winsor made with his friends that he can make a dinosaur come to life--and he does in the form of a short cartoon featuring the lovable character "Gertie". While Gertie is very crude and simple compared to later color cartoons, there is still a lot of charm in the character and the film is a wonderful time capsule. Of great importance to Cinephiles and lovers of early animation.
Winsor McCay's skill, wit, and creativity are all quite apparent when watching his pioneering animation feature "Gertie the Dinosaur", which is also an enjoyable and sometimes enchanting little movie in its own right.
The format is similar to an earlier feature in which McCay introduced his animated versions of the Little Nemo characters. The footage featuring "Gertie" is prefaced by a mini-story suggesting how the idea for her arose, and then comes the highlight, the animation starring the engaging dinosaur herself. The combination of McCay's imaginative images, and the fascination of dinosaurs in themselves, makes it quite enjoyable.
The animation is extremely good for such an early effort. McCay already had the knack for drawing interesting figures, and in moving pictures such as this one he made sure to include little details that add extra interest. This feature also shows some good story-telling, as a number of times Gertie's antics effectively play off of audience expectations. Her interaction with McCay also works very well, and the whole feature is a very enjoyable piece of cinema and animation history.
The format is similar to an earlier feature in which McCay introduced his animated versions of the Little Nemo characters. The footage featuring "Gertie" is prefaced by a mini-story suggesting how the idea for her arose, and then comes the highlight, the animation starring the engaging dinosaur herself. The combination of McCay's imaginative images, and the fascination of dinosaurs in themselves, makes it quite enjoyable.
The animation is extremely good for such an early effort. McCay already had the knack for drawing interesting figures, and in moving pictures such as this one he made sure to include little details that add extra interest. This feature also shows some good story-telling, as a number of times Gertie's antics effectively play off of audience expectations. Her interaction with McCay also works very well, and the whole feature is a very enjoyable piece of cinema and animation history.
10llltdesq
Winsor McCay did a great many things of which he could be justifiably proud, but I think Gertie the Dinosaur ranks at the top of that lengthy list of accomplishments and I suspect McCay may have felt the same way, for it is still remarkable all these years later. Gertie is more life-like than some people I know! Funny, believable, touching and fascinating, sometimes all at once. This is one of the cornerstones of modern animation and also succeeds on its own terms and merits as both art and entertainment. Winsor McCay grew unhappy and somewhat disgruntled and disillusioned as animation became, in his eyes, more commercial and less artistically inclined. I've often wondered what McCay would have made of the independents, such as Will Vinton and Bill Plympton, among others, and the different forms, like Claymation and the stop-motion work of George Pal and others. I hope he would be pleased with at least some of the work done in the last 90 or so years. An absolute gem. If you haven't seen Gertie, I envy you for the treat you have in store. She's a delight. Well worth getting. Most highly recommended.
The cartoonist, Winsor McCay, brings the Dinosaurus back to life in the figure of his latest creation, Gertie the Dinosaur.
McCay first used the film before live audiences as an interactive part of his vaudeville act; the frisky, childlike Gertie did tricks at the command of her master. McCay's employer William Randolph Hearst later curtailed McCay's vaudeville activities, so McCay added a live-action introductory sequence to the film for its theatrical release.
Animation historian Donald Crafton called Gertie "the enduring masterpiece of pre-Disney animation". And that about sums it up. The film is relatively simple, and if used live is a pretty basic gimmick. But i bet it worked to impress audiences. If they had never seen a cartoon before 9and they probably had not), this would be quite the treat.
McCay first used the film before live audiences as an interactive part of his vaudeville act; the frisky, childlike Gertie did tricks at the command of her master. McCay's employer William Randolph Hearst later curtailed McCay's vaudeville activities, so McCay added a live-action introductory sequence to the film for its theatrical release.
Animation historian Donald Crafton called Gertie "the enduring masterpiece of pre-Disney animation". And that about sums it up. The film is relatively simple, and if used live is a pretty basic gimmick. But i bet it worked to impress audiences. If they had never seen a cartoon before 9and they probably had not), this would be quite the treat.
Did you know
- TriviaSome film histories erroneously cite this as the first animated cartoon, ignoring not only Humorous Phases of Funny Faces (1906) (probably the first true animated cartoon), but even Winsor McCay's own earlier work, Le dernier cri des dessins animés (1911) and How a Mosquito Operates (1912).
- Quotes
Winsor McCay: [Gertie swallows a large stump, later on, Gertie is thrilled to see a small mastodon] Gertie, don't hurt Jumbo.
- ConnectionsEdited into Los comienzos de la animación (1995)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Gertie
- Filming locations
- American Museum of Natural History - Central Park West at 79th Street, Manhattan, New York City, New York, USA(exterior and interior with dinosaur skeleton)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 12m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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