Destination finale: Bloodlines
Plagued by a recurring violent nightmare, a college student returns home to find the one person who can break the cycle and save her family from the horrific fate that inevitably awaits them... Read allPlagued by a recurring violent nightmare, a college student returns home to find the one person who can break the cycle and save her family from the horrific fate that inevitably awaits them.Plagued by a recurring violent nightmare, a college student returns home to find the one person who can break the cycle and save her family from the horrific fate that inevitably awaits them.
- Awards
- 3 nominations total
- Aunt Brenda
- (as April Amber Telek)
Featured reviews
What it does do is breathe new life into a franchise that felt like it had run out of steam. Bloodlines is a solid sixth installment, packing the same patented "inevitable death" mechanics we know and (occasionally) love, but with enough fresh twists to keep die-hard fans from checking out.
If you never warmed to the idea of "death's design" calling the shots, this won't convert you. For everyone else, the film delivers brilliantly choreographed set pieces of grisly demise-think elaborate Rube Goldberg traps drenched in splatter FX-that hit the sweet spot between macabre creativity and good old-fashioned gore.
The biggest upgrade this time around is emotional buy-in: the victims aren't a bunch of arbitrary strangers thrown together by fate. Instead, Bloodlines builds sincere rapport with its core ensemble, giving each death a bit more narrative weight (and, yes, a smidge of pathos) before the inevitable payoff.
Unfortunately, the dialogue remains as thin as ever-flat exposition one moment, telenovela melodrama the next-reminding you that subtlety wasn't high on the call sheet.
On the plus side, the movie leavens the carnage with genuinely funny, ironically staged moments-many courtesy of Erik, whose over-the-top flair steals scenes from our so-called protagonist-and the delightfully absurd chain reactions (who knew the garbage truck could be such a menace?).
Even though the film trudges into its predictable finale with all the subtlety of a wrecking ball, Bloodlines is pure adrenaline: brutal, energetic, and darkly comedic. In other words, exactly what you paid for when you bought that Final Destination ticket.
Cons:
- The CGI blood and kills. Nothing takes me out of a scene more than dark red cartoon blood. With a film that is built PRIMARILY on deaths it should be quite limited on the usage of CGI. We've seen great use of practical effects which is why this feels like such wasted potential. The biggest reason these movies work is because no matter how ridiculous the set up is the death still feels real (4th sequel excluded). It doesn't have the same effect if the person dying sudden looks like an animated character.
- This might be the most useless protagonist since the 4th installment. The main character might be the blandest character in the whole movie, and she has some tough competition because only 3 people stand out in this movie. I can forgive throw away characters if the deaths are memorable but both are lacking here.
- There have been rumors that there were reshoots and I believe them because the final act has some pacing issues and ends somewhat abruptly.
Pros:
- I will say that this film had the 2nd best opening scene/disaster behind the pile up.
- Tony Todd's goodbye was moving and possibly the best dialogue he has given in the franchise.
- The hospital death scene involving an MRI machine has a great build up of suspense and emotion and is up there with other iconic final destination death scenes.
- While there is more cons then pros for me I still had a good time and still fun to see in theaters. While some FD sequels miss the mark there is always another sequel that can surpass it. Can't wait for the next sequels!!
One of the things that bothered me the most was the way they handled Bludworth. In the previous films, he was a mysterious character who seemed to have a supernatural connection to death. In Bloodlines, he's reduced to just an ordinary guy. I'm pretty sure this wasn't the original vision for the character. It felt like they rushed to close his arc because the actor is reportedly sick and may not return in future installments. The Bludworth we see in this film doesn't align with the enigmatic presence we knew. The man who used to deliver eerie, metaphorical warnings now feels completely humanized and bland.
The Final Destination series has never been fully consistent in its lore, but it's 2025. If you're bringing a franchise like this back, you need to be more coherent and deliberate. The final train crash should have been Stefani's premonition. All the other films start with something like a finger cut cut. Or maybe Charlie should have had the vision at the prom. The CGI in the final scene was awful. It looked like something out of Spy Kids.
On the bright side, I did appreciate the emotional approach of focusing on a family rather than a group of classmates or coworkers for once. It helped the audience connect more deeply with the characters. I really liked Iris and thought Brec Bassinger did a great job. The Skyview Tower collapse, while not visually perfect, ranks among my top three openings in the franchise.
The hospital sequence was by far the best part of the movie. The MRI death easily enters my top five deaths across all the films. I also liked how complex the death order was this time. The butterfly effect was depicted pretty well.
Overall, the movie was watchable but fell short of my expectations. A more serious and darker tone would have been a better fit. Honestly, if the whole film had taken place in the 1960s and followed Iris and the diner characters, it might have turned out better. But the most important thing is this franchise needs to be taken out of Zach and Adam's hands. They are turning it into a kids movie with gore.
The deaths are far more creative, and while the accidents themselves aren't typical for a horror movie, they're events you could imagine happening in everyday life. Still, these occurrences are something we haven't seen in the series before, making the film all the more unpredictable.
It's been 14 years since the last installment, and I'm glad the creators decided to bring Final Destination back. I think they nailed the essence of the story, and the film is just as good as the previous ones, if not better than some. The effects are incredible, the CGI is top-notch, and we've been lacking a high-quality horror film like this, especially in the last few years.
I have to mention that the film disgusted and shocked me more than the previous ones, which means they nailed the effects. This film not only satisfies fans of the franchise but also brings something new and revitalizes the series.
Did you know
- TriviaTony Todd was allowed total creative control over his final scene, since he clearly didn't have much time left and the crew wanted him to have the final word of his career. His final monologue was one that the crew encouraged him to use to impart some last advice to fans.
- GoofsDuring the "MRI" scene the magnetic force is so strong that it begins to affect objects outside of the room such as TV's, monitors and lanyards. However, inside of the actual MRI room, none of the monitors or other metal objects are affected outside of what has to "interact" with the characters.
- Quotes
[his last words]
William Bludworth: I intend to enjoy the time I have left, and I suggest you do the same. Life is precious. Enjoy every single second. You never know when... Good luck.
[walks off]
- Crazy creditsTony Todd's credit in the closing titles is accompanied by a part of the "Final Destination" theme music.
- ConnectionsFeatured in Geeks + Gamers: Final Destination Bloodlines Trailer: Reaction (2025)
- SoundtracksBad Moon Rising
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Craft Recordings, a Division of Concord
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Destino Final: Lazos De Sangre
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $138,130,814
- Opening weekend US & Canada
- $51,600,106
- May 18, 2025
- Gross worldwide
- $285,330,814
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1