Falling
- 2020
- Tous publics
- 1h 52m
IMDb RATING
6.5/10
7.6K
YOUR RATING
John Peterson lives with his partner Eric and their adopted daughter in Southern California. When he is visited by his aging father who is searching for a place to retire, their two very dif... Read allJohn Peterson lives with his partner Eric and their adopted daughter in Southern California. When he is visited by his aging father who is searching for a place to retire, their two very different worlds collide.John Peterson lives with his partner Eric and their adopted daughter in Southern California. When he is visited by his aging father who is searching for a place to retire, their two very different worlds collide.
- Awards
- 4 wins & 19 nominations total
Liam Crescitelli
- John (Baby)
- (as Liam Cresctielli)
Luca Crescitelli
- John (Baby)
- (as Luca Cresctielli)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There's a lot to commend here. The film is carefully structured, full of interesting detail while never losing sight of the story it wants to tell. On the surface it is a family tale, but underneath it is a drama of conflicting values, of care versus cruelty.
Viggo Mortensen the writer has a less steady hand than Viggo Mortensen the director. He has created an austere father figure who lacks the three-dimensionality of the carers he comes into conflict with. In spite of a towering, theatrical performance by Lance Henriksen, there is a feeling of something missing. It may be we just don't have enough back-story: how did this guy get this way? There's only a single line that might give a clue. It's not enough. However, the character's younger self is given a wider range of emotion to play, which Sverrir Gudnason siezes, runs with and scores triumphantly.
The female roles, though in a couple of cases rather sketchy in terms of what they say, are all superbly played, directed lovingly so that the camera fills in the gaps left by the absence of spoken words. This is particularly true of Hannah Gross's sensitive turn as Gwen.
Mortensen turns out to be a very good director of children. The young actors in the cast all give excellent performances.
Of Mortensen the actor there's only praise to give. It's been a joy watching him develop over these many years since his film debut in WITNESS. He's as compelling and believable as ever, never more so than in his tender relationship here with Terry Chen.
Well done, Viggo. Here's to the next one.
Viggo Mortensen the writer has a less steady hand than Viggo Mortensen the director. He has created an austere father figure who lacks the three-dimensionality of the carers he comes into conflict with. In spite of a towering, theatrical performance by Lance Henriksen, there is a feeling of something missing. It may be we just don't have enough back-story: how did this guy get this way? There's only a single line that might give a clue. It's not enough. However, the character's younger self is given a wider range of emotion to play, which Sverrir Gudnason siezes, runs with and scores triumphantly.
The female roles, though in a couple of cases rather sketchy in terms of what they say, are all superbly played, directed lovingly so that the camera fills in the gaps left by the absence of spoken words. This is particularly true of Hannah Gross's sensitive turn as Gwen.
Mortensen turns out to be a very good director of children. The young actors in the cast all give excellent performances.
Of Mortensen the actor there's only praise to give. It's been a joy watching him develop over these many years since his film debut in WITNESS. He's as compelling and believable as ever, never more so than in his tender relationship here with Terry Chen.
Well done, Viggo. Here's to the next one.
Lance Hendrickson is great if you want someone who is pissed off, depressed and has almost full blown Alzheimer's. Very sad and true to life character study. He also hates his son is gay.
This film which should (I hate that word) be smooth and quiet, is exhausting. It's a train wreck with bodies being tossed aside one and two at a time by a vile old man who was even worse young one - and you cannot stop watching. Until he isn't. Or is he? If anyone has had a destructive personality (or two) in their life knows how true to life this film is. And how exhausting these people are. You want to love them, but ... While this film is difficult to watch, it is well worth it. Think what the actors had to go through to make this for us.
I was a bit skeptic to the film due to the "bad" score, but I liked the cast and was willing to give it a try. I am glad I did. This is one of those good films, with depth and very good acting. The scandinavian actors struggle some with sounding canadian/american, but it's not hurting the film. I guess the negative reviews are from folks wanting something else, this is just a good movie.
I love Viggo Mortensen as an actor, and now as a director as well. The film is nuanced but not always an easy watch (slurs all around). The cast is truly excellent and Mortensen's poetic, meandering but still accessible directing style and score is exactly my cup of tea. and Lance Henriksen... amazing actor.
Did you know
- TriviaBoth of Viggo Mortensen's parents suffered from dementia.
- Crazy creditsDedication before end credits: For Charles and Walter Mortensen.
- ConnectionsFeatures La Rivière rouge (1948)
- How long is Falling?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Düşüş
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $980,690
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content