When the network announces that her television therapy show is changing to a tabloid shock-fest, a strait-laced and caring psychologist returns to her hometown and reunites with her high sch... Read allWhen the network announces that her television therapy show is changing to a tabloid shock-fest, a strait-laced and caring psychologist returns to her hometown and reunites with her high school sweetheart. Eventually, she realizes that having someone to share a life with is more ... Read allWhen the network announces that her television therapy show is changing to a tabloid shock-fest, a strait-laced and caring psychologist returns to her hometown and reunites with her high school sweetheart. Eventually, she realizes that having someone to share a life with is more important than fame or the excitement of the city.
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She goes home for a week's vacation to Midway to visit her dad and figure out a way to get out of her five year obligatory contract. In Midway she meets her childhood sweetheart who is back in town and working as a fourth grade teacher...and who has a ten year old foster daughter. Her father who is also a psychiatrist and a widower, gives her some really good life advice about how your career isn't everything and how life and family are important.
This was a sweet, quirky second chance romance in an adorable town. The two leads have wonderful chemistry and a believe-able romance.
That's it though. The story was unremarkable and, Of course, predictable. The career crisis was interesting and although Dr. Rachel put up with the indignities meted out by the villains way too long, when she did leave, it was a pretty satisfactory scene.
Midway To Love is such a film, with unknown leads and a micro sized cast to carry it along. The result though is an unexpected triumph mainly due to the gigantic sized heart at its centre.
Rachel Hendrix (as Rachel) and Daniel Stine (as Mitchell) are both small town characters who escaped to the big time with differing results. Rachel made it big in New York and never returned, Mitchell didn't and returned home empty handed to teach instead. Their subsequent reuniting is handled very sensitively and you are drawn into their world as they try to reclaim some of the magic that carried their friendship through school. In particular, Stine does a great job portraying the pain of someone who has gone from being the high school hero to a real life zero but has then re-built his life as a popular teacher in town.
The interplay between Hendrix and Stine is authentically performed and you actually feel these are real people with real lives who once loved each other. There is also some solid support from Joe Gatton as Rachel's doctor Dad who as the town doctor somehow manages to live in a palatial mansion with a sweeping driveway.
The film has standout moments - the restaurant scene with the two leads lost in a dance to a lovely tune from Beth Dean called, aptly enough, The One That Got Away. The dialogue scenes next to the river bed are filled with reminiscences and an underlying sadness for something long gone
Overall the micro cast and limited locations give it a feeling of being a play rather than a film. Even the obligatory cute kid adds depth to the plot.
The ending of course is pure Hallmark but it doesn't matter since the proceeding 90 minutes contain the important bits about finding and losing love and then finding it again.
UPDATE: I've watched this movie numerous times. It's still enjoyable. The leads are now married in real life (and now have a little boy). It's still my go-to feel good movie. No - it's not perfect ... but it's very watchable and still feel-good.
Did you know
- TriviaAlthough this film has been televised on the Hallmark Movies & Mysteries channel, it was not produced by Hallmark, as it contains none of the traditional Hallmark trappings, i.e. no star players, minimal locations, only a small handful of supporting characters and lower density color photography.
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- Midway to Love
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- Runtime1 hour 27 minutes
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