Sorkhpoost

From the beginning, everything about the movie is in the best of its kind. An extraordinary crime line between which you can sense a love story. A subject that you can just find in the top movies of all time. Two completely opposite feelings attached into each other seamlessly. The director actually didn't wrote a hundred percent positive or negative personage so you can perfectly feel each and every character. But the last minutes of the movie are disappointing. When you follow a story like this and you used to the speed of the movie, you don't expect a rapid ending like that in which you loose every passed seconds of it.

Rhythm goes really well, the acts are unique, the cast is not crowded and despite other Persian movies, the music is a real masterpiece. Filmography and colors fits into every sequence. Actually it worths to watch for sure. Congrats to Navid Mohammadzadeh and Mani Haghighi for their remarkable acts.

Some aspects of the movie are fascinating, like the color arrangement or locations... But because of some points, the total result is not fine enough: The script is too imperfect to be attached with audiences deeply. The personages are too colorless and unidentified, the music is not accompanied with rhythm, as the rhythm is not so remarkable... The romantic atmosphere is so meaningless and spoiled without any background or strength. Acts are so generalized without any individualized with personages, like what we watched in Navid Mohammadzadeh: the way of his talking or looking or acting is as similar as his acting in other movies. The Warden is not good enough to be archived but it is worth to be watched just for once!

Good directing, good acting specially Navid Mohammadzadeh , good music, Hooman Behmanesh's cinematography is amazing, location is great. but, screenplay is not good and it's a big problem. at the end watching this movie worth it.

After The Past, by Farhadi, I havent seen a good iranian movie. The screens, musics, act, story was extremely fabulous, breifly its the cinema.

One of the best examples of late Iranian movies with impressive cinematography using a nice colour palette and lighting quite unusual for Iranian cinema. Coupled with good acting by major characters, the successfully studied screenplay has a touch of Hitchcock which keeps the mystery of how it will unfold until the end. Using animal metaphors of frog, dog and cat is engrossing...