Make-Up

Unlike most reviewers on here I thought this was a terrific movie. Low budget yes, but all the better for it in my opinion. Much more realistic than those glossy films that have had a load of money thrown at them. And to those complaining about its slow pace, it says more about your lack of concentration than anything else. It allows the characters room to develop and the atmosphere to build. There is a sense of foreboding and the thought that something awful is about to happen. Coming of age/coming out dramas are not my usual fare but this was really well done.

I'm not quite sure what I've just watched .

The trailer indicated that this was some sort of Psychological horror but far from it .

It starts off with a young woman who goes to stay with her long term boyfriend in a caravan park in Cornwall and starts to she suspect her boyfriend has cheated on her but when her suspicions ease it she who embarks on tasting the forbidden fruit.

I quite like the first half this film. The non trippy part , you might say , but the the longer the film went on the weirder it got and less likeable the film became.

The performances are ok but not enough to give the film any heft and in the end it pretty much just fizzles out despite the decisions Ruth makes .

Disappointing.

An 18 year old girl arrives at an out-of-season caravan park by the sea to stay with her boyfriend who works there. She quickly suspects he is involved with another girl and becomes somewhat paranoid. The setting is perfect for the mood and atmosphere the director wants to convey; bleak, lonely, downbeat, and often downright creepy and unsettling. The movie has a very slow pace which in my view works very well, but it will alienate some.

The story has a serious flaw however in that we never really get to know the main character before her certainties begin to unravel and so are not really invested in her plight as we should be. The movie is far more comfortable when tackling her burgeoning friendship with a female character from the campsite than it is when we are asked to believe in her relationship with her boyfriend, which is glossed over and shallow and never really convincing. I like how the director was married to visual storytelling but we needed some kind of conversation between the main character and her boyfriend to believe something was at stake. The ending also falls a little flat, if it can be called an ending. It feels more like we are being told this mysterious, ethereal film was really just a lot of fuss about nothing.

My rating is generous because I like this style of film-making and would definitely watch more by this director, but if she wants to use male characters they should be more than just props and plot conveniences. 6/10

Newb filmmaker Claire Oakley did a fine job at directing, but the writing was paced slower than a snail's pace. The 86 min runtime felt like an eternity, and there were far too many unnecessary random few-second shots. It made matters worse that lead Molly Windsor's role was drab and depressing. It's a good metaphorical story, but should've been a short film instead, which is up Oakley's alley. Cinematography and score were decent. It's a 6/10 from me.

A young women discovers more than she expected when she goes to live with her boyfriend on a bleak Cornwall caravan park as the season closes. Conjuring an array of potential outcomes from the off, it's left to the viewer to fill in the gaps and provide the explanations for their meaning as the haunting, occasionally claustrophobic and suffocating sequences play out - for real or imagined. Ultimately a voyage of discovery, that stays in the shallows, doesn't sail too far from the coastline, narrating a familiar tale but done so in an imaginative way.