Saheb Biwi Aur Gangster 3

Governments of the people are governments of all people where governments of people localised to rule are governments of some people or all people as government government nowhere in defence of governments as for the people, by the people, and of the people to keep all people of the people, by the people, and for the people if not for governments that deem people so of the people, for the people, and by the people that governments of the people are distinct concentric circles of circularity to keep circular invasions of neighboring authorities circularity of peculiarities linked as governments only by overlapping corners calling trade tariffed over circularity retained only in the concetricity of overlaps over overlaps of yore, perhaps.

Total bhassam film. No acting, no script, Sanjay dutt is now a closed chapter for doing such roles, it had to be a vulnerable character like Irffan and Hooda earlier,

No storyline & chemistry between characters. Gangster interacted with Saheb when almost 3/4 movie was already finished, he & Saheb didn't had any major problem with each others. Sad to see a brilliant director like Tigmanshu Dhulia couldn't use big stars like Sanjay & Jimmy properly, when he had already made magic with Jimmy & Mahie in SBG1. Saheb Biwi aur Gangster 1 = 9/10 Saheb Biwi aur Gangster 2 = 7/10 Saheb Biwi aur Gangster 3 = 5/10

Never expected Tigmanshu Dhulia to make such a disastrous movie. Story was extremely rubbish. I am sure, Jimmy had some contractual obligations to do such a rubbish movie otherwise you don't get to see Jimmy in such bad movies.

Saheb, Biwi Aur Gangster 3. The title has a resonance thanks to the impact that the film's two predecessors had made. Frittering it away on a flimsy Russian roulette-style effort isn't a good idea. So when the team decides to come up with another follow-up - the final moments of this film suggest that the fourth may not be far away - it will have to go all guns blazing. Or not at all.

I missed the poignancy of a lost era, with its lost people, clinging desperately to their fading power, that Dhulia managed to create in the first two films. You can see it in Shergill's ramrod straight figure, and his awareness of the times gone by. You can see it in Gill's playing of the woman scorned, who is both drawn to and repelled by her Saheb: there's lushness in both her figure and feelings, a shared history of rancid love and hate.

The royals of Saheb Biwi Aur Gangster 3 patronise obscure traditions and look more ancient than a '70s film. It offers nothing other than a niggling ache. It's certainly a question mark on Tigmanshu's otherwise satisfactory filmography.