IMDb RATING
5.4/10
7.7K
YOUR RATING
In the Old Stone Age, a disparate gang of early humans band together in search of a new land. But when they suspect a malevolent, mystical being is hunting them down, the clan are forced to ... Read allIn the Old Stone Age, a disparate gang of early humans band together in search of a new land. But when they suspect a malevolent, mystical being is hunting them down, the clan are forced to confront a danger they never envisioned.In the Old Stone Age, a disparate gang of early humans band together in search of a new land. But when they suspect a malevolent, mystical being is hunting them down, the clan are forced to confront a danger they never envisioned.
- Awards
- 4 wins & 5 nominations total
Featured reviews
A small, hungry, group of Stone Age hipsters are hunted through a harsh landscape (the wilds of Scotland) by an unseen, seemingly supernatural, presence. More of a low-key indie survival thriller than an actual horror film, which I think it is being marketed as. In fact, if you go in expecting a horror film, you may be quite disappointed (or even want your money back). Despite the occasional bloody scene, it's a little like a horror film that's been made by and for people who don't really like horror films, but want a bit of that 'Saint Maud' action.
Grumbling about lack of 'horror' aside, the performances are fine, the cinematography, sound and costumes are excellent, and it's impressive that it was made for a low budget, out in the cold and rain, under covid restrictions. It's a good-looking, atmospheric film. If someone you knew had made it, you'd be very impressed. But compared to films that share a similar plot, like Predator, The Ritual, Valhalla Rising, Deliverance...well, it just can't compete. It lacks the tension, suspense, thrills, catharsis, tight script, and great characterisation. It's just not that engaging. That said, if you enjoy slightly arty low-budget UK indie films, you might find something to enjoy here.
Grumbling about lack of 'horror' aside, the performances are fine, the cinematography, sound and costumes are excellent, and it's impressive that it was made for a low budget, out in the cold and rain, under covid restrictions. It's a good-looking, atmospheric film. If someone you knew had made it, you'd be very impressed. But compared to films that share a similar plot, like Predator, The Ritual, Valhalla Rising, Deliverance...well, it just can't compete. It lacks the tension, suspense, thrills, catharsis, tight script, and great characterisation. It's just not that engaging. That said, if you enjoy slightly arty low-budget UK indie films, you might find something to enjoy here.
There hasn't been many films about prehistoric people, especially the meeting of the Cro-Magnon man and Neanderthals. This film had so much potential in exploring this, but instead it was executed poorly as a "horror" film without any real horror. As others have said, most of the film is too dark to see, a lot of running and hiding, jump scares.
What really disappointed me is the lack of simple research in the topic for such a film. The depiction of the Neanderthals and the first Cro-Magnon into Europe after the ice age were completely scientifically off. This makes people who actually know enough of the subject unable to suspend their disbelief.
I'll give this a 4 for the creativity and concept. However, if you really want to watch a good film on this topic, I suggest the NOVA special from 20 years ago which covers it in detail and filmed it with high quality aesthetics.
4/10.
What really disappointed me is the lack of simple research in the topic for such a film. The depiction of the Neanderthals and the first Cro-Magnon into Europe after the ice age were completely scientifically off. This makes people who actually know enough of the subject unable to suspend their disbelief.
I'll give this a 4 for the creativity and concept. However, if you really want to watch a good film on this topic, I suggest the NOVA special from 20 years ago which covers it in detail and filmed it with high quality aesthetics.
4/10.
So a group of Stone Age wanderers are searching the bleak wilderness for a new home when they begin to suspect that they are being stalked. Noises in the woods unsettle them, but they see nothing. Suddenly, though, one of their number is taken and the leader "Adem" (Chuku Modu) must make some difficult choices to ensure the survival of both his son and of his pregnant wife. The denseness of the Scottish forestry along with some creative use of light, shadow and audio goes some way to keep the film interesting but the plot itself is really weak and the actors - perfect teeth, skin, leather clothing that wouldn't look out of place at a gay pride gathering - all deprive the thing of any sense of menace or grittiness. It's difficult to watch without thinking the production caravan is just three feet out of shot! The redeeming feature may be an impressibly natural performance from Safia Oakley-Green ("Beyah") but I'm afraid for the most part, I struggled to remain engaged and the ending, well that was just rushed and a little disappointing too. I would still suggest you watch it, if you get the opportunity - but on the television is fine and don't expect to be scared.
This movie depends on almost endless scenes of its six stone age characters running through scrubby open terrain and dark forests, with whip pans and intercut close-ups of terrified faces, to create a sense of danger and unseen horror. Trouble is, this obvious packing of the narrative with ginned-up suspense achieves nothing in terms of drama or horror. Added to that are a lot of unanswered questions about character motivation and the plausibility of the so-called demons tracking our hapless sextet. The inevitable "reveal" is both laughable and inexplicable. I truly appreciate the attempt by the filmmakers to create a low-budget feature out of spare elements and a minimalist sensibility, but at times I felt insulted that this movie expected to get away with what was clearly a woefully under-imagined scenario.
My wife and I attended a screening of the UK film 🇬🇧 Out of Darkness (2022) in theaters last night. The storyline follows a group of individuals working together during prehistoric times, seeking a new home and means of survival. Arriving in a new land with limited resources, they hunt for survival only to discover they are not the sole hunters.
Directed by Andrew Cumming in his major motion picture debut, the film stars Chuku Modu (Captain Marvel), Safia Oakley-Green (She Said), Kit Young (Shadow and Bone), Arno Lüning (Bad Girls), and Luna Mwezi (Needle Park Baby).
A well-crafted picture with a premise reminiscent of 13th Warrior, the cinematography, attire, and props authentically transport you to the era, conveying the desperation for survival and lack of hope. The characters' unity in the face of madness is palpable. While the big reveal didn't resonate with me as expected, it's a smart twist depicting evolution. The film captures a time that could well be a forgotten true story. Solid horror elements, noteworthy kills, and impressive gore contribute to the experience.
In conclusion, Out of Darkness possesses worthwhile elements but falls slightly short of its potential. I would give it a 5.5-6/10 and recommend watching it at least once.
Directed by Andrew Cumming in his major motion picture debut, the film stars Chuku Modu (Captain Marvel), Safia Oakley-Green (She Said), Kit Young (Shadow and Bone), Arno Lüning (Bad Girls), and Luna Mwezi (Needle Park Baby).
A well-crafted picture with a premise reminiscent of 13th Warrior, the cinematography, attire, and props authentically transport you to the era, conveying the desperation for survival and lack of hope. The characters' unity in the face of madness is palpable. While the big reveal didn't resonate with me as expected, it's a smart twist depicting evolution. The film captures a time that could well be a forgotten true story. Solid horror elements, noteworthy kills, and impressive gore contribute to the experience.
In conclusion, Out of Darkness possesses worthwhile elements but falls slightly short of its potential. I would give it a 5.5-6/10 and recommend watching it at least once.
Did you know
- TriviaThe 'Tola' language spoken in The Origin was created for the film. It is loosely based on Basque.
- How long is Out of Darkness?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- The Origin
- Filming locations
- Gairloch, Wester Ross, Scotland, UK(general area)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,951,547
- Opening weekend US & Canada
- $979,822
- Feb 11, 2024
- Gross worldwide
- $1,987,281
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 2.39:1
Contribute to this page
Suggest an edit or add missing content