Oddity

Even though I'm not usually a fan of horror movies, I went to a movie festival and watched Oddity. I was impressed by the quality of the scenes, the location and the chosen frames were good (and effective, because it was scary). I also liked how the actors played their role. The connection between the sisters was well presented and the husband played quite well the role of a very rational man.

The story, however, was a little bit predictable. By the end of the first half of the movie I already assumed who the murderer was and what was going to happen next.

It is a pretty good movie to watch. :)

I love seeing a horror film without knowing too much about it beforehand. I saw the trailer a couple of times, which didn't give away too much plot. But still made we want it see it.

The setting is simple... a cabin in a rural part of Ireland, which allows the filmmakers to create an eerie atmosphere for the audience, and they did a great job making me feel like I was there.

The small cast allows the characters have depth, especially Carolyn Bracken, who gives the film much of its creepy flavor.

As the plot unfolds, it starts to feel somewhat familiar... in a good way. But even though it doesn't break the mold with other films of this genre, the filmmakers and cast make it feel fresh.

If you like atmospheric slow burns, you'll appreciate this film. You'll still get a few well done jump scares... and maybe even a few laughs (in a good way).

For anyone that watches a lot of horror, you'll know how difficult it is to scare audiences today. This film got me. It's definitely without a doubt one of the scariest and most original indie horror films to come out in 2024. Oddity managed to tell what feels like a big story in really just a few locations. I can't imagine the budget was too big, and sometimes it felt low budget, but in my opinion, this only made it scarier. For some reason I always feel like big budget horror movies don't serve the scares as successfully because there's something comforting about the studio polish. This film had an indie grit and the jump scares were SO EFFECTIVE. I don't jump easily but this got me several times. And the story is also captivating. Highly recommend, especially for horror lovers!

Ted and Dani Timmins have recently purchased a new house. One night, whilst Ted is at work, Dani receives a visitor at the front door, Olin Boole, who claims someone's in her house, that night Dani is killed. Darcy, Dani's twin aims to learn the truth.

If ever a film was given the perfect title, it's this one, it verges on art house, it's very much an avant garde, slightly quirky horror, but trust me it works.

I wasn't sure which way it was going to go, but it opens up well, and offers a few surprises along the way, delivering some unsettling moments, that scene with the wooden man is especially good.

If I had one little criticism, I think they underdid the lighting a little, a few scenes are somewhat challenging to make out.

It does feel a little rough around the edges at times, but I think that is part of the charm, maybe some of the acting isn't great at all times, but again that fits the film.

Overall, I'd definitely recommend.

7/10.

Greetings again from the darkness. For me, the best horror movies aren't a factor of jump-scare after jump-scare, but rather of the level of lingering unease and ominous atmospheric dread they generate. Writer-director Damian McCarthy has accomplished just such a movie with his second feature film. Oddly enough, ODDITY could be described as a murder mystery cloaked in supernatural horror, yet I believe most horror fans will welcome this one from the edge of their seat.

Dr. Ted Timmis (Gwilym Lee, BOHEMIAN RHAPSODY, 2018) works at a psychiatric asylum, and a late-night call with his wife Dani, finds her informing him that she'll stay the night alone at the house they are renovating. A knock on the door, followed by the stranger's warning, sets things up for us. Debating whether to open the door, Dani is told that she's not alone in the house and the stranger identifies himself as Olin Boole (Tading Murphy, THE NORTHMAN, 2022), a former patient of her husband's. He says he just wants to help. For reasons never explained, Dani sleeps in a tent in the unfurnished great room - although a tent is typically used as protection from the elements, and she's inside the house. She's not affected by weather, yet other elements are afoot, and the vinyl tent offers no defense.

The story then skips ahead over a period of time, and finds widower Ted in a new relationship with Yana (Caroline Menton), who prefers not to sleep alone in the now renovated house where the wife of her boyfriend was previously murdered. Meanwhile, Ted wanders into the creepy mystical trinket store where Darcy (Carolyn Bracken, THE QUIET GIRL, 2022) works, and makes an innocent remark about having her visit sometime. Darcy is the blind twin of Dani, and her short blonde hair stands in stark contrast to sister Dani's previous long, auburn tresses. Darcy claims to have certain powers as a medium, and we can't help but wonder if she has thoughts of avenging her sister's death.

The elements of Irish folk horror work well here. These include a rundown asylum with a creepy orderly, a frantic one-eyed stranger pounding on the door, a remote house with a woman staying alone, and a trap door in an expansive house replete with staircases and corridors. The only thing missing is a skittish dog. However, the piece de resistance is the "gift" Darcy brings Ted and Yana ... a trunk containing a large wooden mannequin. This terrifying work is not a gift anyone would welcome from the psychic twin sister of one's murdered wife.

Some of the best scenes are exchanges between Yana and Darcy (Ms. Bracken is exceptional here). Their verbal jousting is filled with intrigue, all while we are left to ponder the history and meaning of the bizarre mannequin, a family heirloom. That terrific opening sequence sets the stage, and the film gets even better from there. Director McCarthy, editor Brian Philip Davis, cinematographer Colm Hogan, and Production Designer Lauren Kelly work together to create an eerie tone filled with tension ... and yes, there is even a well-placed jump-scare for those in need. This is one of those low-key horror films that we can hope finds an appreciative audience.

In theaters beginning July 19, 2024.