A young governess is hired to look after an orphaned girl, but the return of the girl's problematic brother uncovers secrets from their past. A modern take on Henry James' novella "The Turn ... Read allA young governess is hired to look after an orphaned girl, but the return of the girl's problematic brother uncovers secrets from their past. A modern take on Henry James' novella "The Turn of the Screw."A young governess is hired to look after an orphaned girl, but the return of the girl's problematic brother uncovers secrets from their past. A modern take on Henry James' novella "The Turn of the Screw."
- Director
- Writers
- Stars
- Awards
- 1 nomination total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I really wanted to give it three stars, but going over my notes plus how the movie felt - not justified.
Positives: Unfortunately, there are none. Except they mentioned Kurt Cobain which had nothing to do w/anything, and not mentioned again.
Negatives: Always a sign of cheapness is an opening (twice in this case) overhead view of a car on road.
Heavily dependent on the overused, stereotypical, music & sound effects to startle you. Yawn.
The usual ghostly apparitions in mirrors, windows, and in background. Very uncreative, and cheap looking.
The usual isolated mansion/house w/lots of rooms w/stuff, and usual dark basement. And, a maze garden. A brief scene of a creepy tree which had no bearing on anything.
Supposedly scary scenes in which our future victim has portending nightmares, and of course we don't know they're just dreams.
Future victim, unfortunately in this genre is female, does not respond intelligently to what's going on.
Ending, and alternative ending which was worse, was one of those "viewer decides" could be anything.
Kate Mandell (Mackenzie Davis) takes on the job of tutoring Flora Fairchild (Brooklynn Prince) at an English estate. She is constantly harassed by Flora's older brother Miles (Finn Wolfhard). Caretaker Mrs. Grose (Barbara Marten) tells her that Flora is haunted by the death of her parents.
This sets up a good moody horror and it has some good actors. After setting everything up, the plot basically stops moving and developing. It feels stuck in place and the story becomes a muddle. Then the movie truly stops in a confused abrupt ending. The style is like an old horror ghost story which is intriguing. If only, the story would flow better than this.
This sets up a good moody horror and it has some good actors. After setting everything up, the plot basically stops moving and developing. It feels stuck in place and the story becomes a muddle. Then the movie truly stops in a confused abrupt ending. The style is like an old horror ghost story which is intriguing. If only, the story would flow better than this.
I like horror movies and thrillers, I like modern takes on period pieces and classics, and I like the cast and am a fan of the director's music videos and earlier film work (i.e. The Runaways). So I expected to enjoy this update on The Turn of the Screw. I did not enjoy it, I'm sad to report. There was too little story or suspense to hold one's attention throughout, and that's a shame.
The cast certainly did their jobs -- Finn Wolfhard is no longer the nerdy little kid, and Mackenzie Davis was convincing in her role as a driven-to-the-edge tutor -- and it was visually beautiful throughout a lot of the film. But early jump scares suck a lot of the suspense out of it all. And a distinct lack of backstory/characterization leaves way too many questions about what, exactly, there is to be afraid of in the giant, creaky house. The little girl's fears are left unexplained, at least in terms of being satisfactory; the huge personality shift in the boy is sort of waved away; and the many unexplained deaths in the history of the estate are just confusing. I kept wondering if cuts had been made to the script or in the editing room, because things didn't flow at all and it really affected the atmosphere.
The ending will drive a lot of viewers to yell at the screen. Our half-full opening night theatre did a lot of groaning and saying, "You've got to be kidding me!" as the credits suddenly began to roll. Maybe that finale would've worked better had everything leading up to it actually added up to more...but unless we get a Director's Cut we'll never know. I wish I could recommend this movie. I can't. Not scary, nonsensical, and not enough to be worth the price of admission. -HV
The cast certainly did their jobs -- Finn Wolfhard is no longer the nerdy little kid, and Mackenzie Davis was convincing in her role as a driven-to-the-edge tutor -- and it was visually beautiful throughout a lot of the film. But early jump scares suck a lot of the suspense out of it all. And a distinct lack of backstory/characterization leaves way too many questions about what, exactly, there is to be afraid of in the giant, creaky house. The little girl's fears are left unexplained, at least in terms of being satisfactory; the huge personality shift in the boy is sort of waved away; and the many unexplained deaths in the history of the estate are just confusing. I kept wondering if cuts had been made to the script or in the editing room, because things didn't flow at all and it really affected the atmosphere.
The ending will drive a lot of viewers to yell at the screen. Our half-full opening night theatre did a lot of groaning and saying, "You've got to be kidding me!" as the credits suddenly began to roll. Maybe that finale would've worked better had everything leading up to it actually added up to more...but unless we get a Director's Cut we'll never know. I wish I could recommend this movie. I can't. Not scary, nonsensical, and not enough to be worth the price of admission. -HV
2LSUK
Very annoyed by this movie. It had potential but every good plot idea fizzled out into nothing. There were too many cheap jump scares and way too many unanswered questions. The ending left not only me but the entire cinema audience questioning what actually happened...
Such a good location and atmosphere but I feel like there was too much going on. The acting was good but was ruined by the dull and in my opinion, non-existent story line.
Such a good location and atmosphere but I feel like there was too much going on. The acting was good but was ruined by the dull and in my opinion, non-existent story line.
Complete waste of time. I was close to walking out but I was hoping it got better. The ending confirmed that I should have walked out.
I'm irritated I lost precious time to go see this train wreck.
I'm irritated I lost precious time to go see this train wreck.
Did you know
- TriviaThis is one of two adaptations of Henry James' novella "The Turn of the Screw" released in 2020. The other is the Netflix mini series The Haunting of Bly Manor (2020) by Mike Flanagan. Both adaptations are produced by Amblin Entertainment.
- GoofsThe 1994 lesson book for Flora identifies February 28th as a Tuesday and March 1st as a Wednesday. In 1994, those dates were a Monday and Tuesday, respectively.
- Crazy creditsThe end credits sequence shows Kate's hand dragging across the walls as the credits roll. Halfway through, it cuts to blue figures dancing.
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: The Turning (2020)
- SoundtracksThe Brakes
Written by Theresa Wayman (as Theresa Baker-Wayman), Emily Kokal, Jenny Lee Lindberg (as Jennifer Lindberg), Stella Mozgawa
Performed by Warpaint
Courtesy of Warpaint and KRO Records
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Presencias del mal
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $15,472,775
- Opening weekend US & Canada
- $6,950,045
- Jan 26, 2020
- Gross worldwide
- $19,428,166
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content