Asako I & II

The main character doesn't seem like a real person. Towards the end of the movie, her actions are wrenching for everyone. Unfortunately, there doesn't seem to any particular reason for them.

Other than this, the movie can be boring. There's no reason it could not have been 90 minutes instead of two hours.

Earlier in the movie there was an awkward scene at a party that I could have done without.

I've seen hundreds of Japanese movies. Too often they are depressing and/or harrowing. Lately, opaque characters who are randomly destructive are cropping up.

WARNING: If you do see this movie at a theater, it looks like it might have no previews and starts right on time.

The opening scenes reflect the rest of the movie, simultaneously very down-to-earth and readily truculent, resulting in a mix of stark still shots (very well composed) allied to a mise-en-scène that's quite surprising at times. The resolution of the final twist continues after a stylized seascape that could have been the start of the end credits, and offers a sequel to the events in a way that is as concrete and plausible as it is tender. This dichotomy between slice-of-life narration and impromptu events is at the heart of the story, and many parallels can be drawn with this same dynamic:

• the two identical men in Asako's life,
• Tokyo and Osaka,
• water and its inopportune rain, the earth and its powerful quakes,
• Asako in contrast to her two much more outgoing and vivacious friends,
• insane freedom, liberating but destructive compared to stability and deep love built over the long term.

The actors are all very convincing, the friendships are powerful and the dialogue well-written. Although I'm not bothered by Asako's character, as she seems to me to stem more from the Japanese archetype of an irrepressibly shy, diaphanous woman who can nonetheless demonstrate unsuspected strength, it's undeniable that she's not entirely compelling enough to carry the story; her few unpredictable antics are interesting, but when she's in her more mute state, the actress struggles to convince that she's in the grip of Cornelian torments in her innermost being. Her characterization is too disjointed in general, and not by design.

The balance isn't perfect, the romantic relationships are rather conventional (Baku is almost non-existent for most of the film and is devoid of the slightest personality) and we're often far more interested in seeing the lives of the secondary characters. Perhaps a slight overindulgence in unexpected scenes takes precedence over the coherence of the narrative. A fine job with the atmosphere, though. Decent soundtrack, unconvincing out of context.

Very keen on seeing what else Hamaguchi has up his sleeve.

Sleeping or Waking was an odd movie.

The story was good and the romance was really intense. I liked how they presented the relationship and its course. The two had great chemistry and that helped a lot with the progress of the drama. However, the ending twist was really not good. It felt out of the blue and kind of unexpected. Also, it annoyed me how the character did what she did and they didn't explained it properly.

So, six and a half out of ten for sleeping or waking, because of the wierd ending and the not so great twist about the character who went missing.

Interesting premise, but flat characters making infuriating decisions made this one tough to fully appreciate. It's a film that had its moments in the interplay between the friends, but felt too simplistic at the core of its love triangle, and dragged on too long. I liked the idea of exploring the compromises usually necessary in a stable relationship vs. The wild ride our hearts might lead us on, but this didn't feel much like an exploration, perhaps because the central character (Erika Karata) is so weakly drawn.

Maybe if you've been left in the past by a partner you truly loved, someone who if they showed up out of the blue might cause you to throw everything that's good in your life away, it may resonate more for you, but for me I couldn't buy it. Solid performance from Masahiro Higashide in the dual role, and I liked the character of Maya (Rio Yamashita) here - if only her fate had been a little more intertwined with that of Ryohei's.

The story certaintly has an interesting premise in concept, but the execution is shallow. Theres nothing to this movie, read the description and you've pretty much got the movie, her first boyfriend disappears, she gets together with "Asako" 2-----thats it. Actually watching the movie will not take you much further than that. Its also painfully cringe with the dumb/childish women trope.

Nothing is ever explained, people in the movie just act weird for no reason, leading to "dramatic" moments.

'Undine' 2020 has similarities with the 1 girl/ 2 guys and is better than this, if you're going to give something a go, watch that instead.