IMDb RATING
6.2/10
3.2K
YOUR RATING
Nothing but silence. Nothing but a revolutionary song. A story in five chapters like the five fingers of a hand.Nothing but silence. Nothing but a revolutionary song. A story in five chapters like the five fingers of a hand.Nothing but silence. Nothing but a revolutionary song. A story in five chapters like the five fingers of a hand.
- Awards
- 4 wins & 6 nominations total
Jean-Luc Godard
- Narrator
- (voice)
Anne-Marie Miéville
- Narrator
- (voice)
Wallace Beery
- Un acteur
- (archive footage)
- (uncredited)
Jules Berry
- Un acteur
- (archive footage)
- (uncredited)
Gaby Bruyère
- Une actrice
- (archive footage)
- (uncredited)
Roberto Cobo
- Un acteur
- (archive footage)
- (uncredited)
Jean Cocteau
- Un acteur
- (archive footage)
- (uncredited)
Eddie Constantine
- Un acteur
- (archive footage)
- (uncredited)
Danielle Darrieux
- Une actrice
- (archive footage)
- (uncredited)
Josette Day
- Une actrice
- (archive footage)
- (uncredited)
Douglas Fairbanks
- Un acteur
- (archive footage)
- (uncredited)
Jean Gabin
- Un acteur
- (archive footage)
- (uncredited)
Jean Galland
- Un acteur
- (archive footage)
- (uncredited)
Buster Keaton
- Un acteur
- (archive footage)
- (uncredited)
Jean Marais
- Un acteur
- (archive footage)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
To be brief: With regard to Jean-Luc Godard's later work, what you get out of it depends entirely on what you bring to it and expect from it. "Goodbye to Language" nauseates me; I think it's unbearably pretentious, poorly constructed, and struggling for meaning. But I had some modicum of fun with "The Image Book." Granted, it's still montages layered on montages on montages, so it's dense, but it's still good, academic fun.
Nowhere else but in late-era Godard can you find a reference to the beautiful Golden Gate Bridge scene from "Vertigo" moments after a shocking ISIS execution video. Godard lost none of his edge as a filmmaker, for better and for worse, and "The Image Book" proves he's retained his ability to shock and inspire audiences.
The editing and voiceover are precise and hyperaware, with more wit and levity than "Goodbye to Language" brought, and the references are deeper-cut as well. I enjoyed the throwaway cut to "Kiss Me Deadly" as much as I loved his allusion to Buster Keaton. But at the end of the day, Godard's latest is simply too abstract, too formless, too high-brow to recommend to anybody. As much fun as I had, it went on for too long and had more non-endings than "Return of the King." There's a solid four or five minutes of film after the credits, as if Godard is begging us to leave the theater as he's laughing in our faces.
But if you approach "Goodbye to Language" not only prepared but enthusiastic about what the director has to offer next, as I know many people were, you may well walk out of "The Image Book" claiming it's a masterpiece.
Nowhere else but in late-era Godard can you find a reference to the beautiful Golden Gate Bridge scene from "Vertigo" moments after a shocking ISIS execution video. Godard lost none of his edge as a filmmaker, for better and for worse, and "The Image Book" proves he's retained his ability to shock and inspire audiences.
The editing and voiceover are precise and hyperaware, with more wit and levity than "Goodbye to Language" brought, and the references are deeper-cut as well. I enjoyed the throwaway cut to "Kiss Me Deadly" as much as I loved his allusion to Buster Keaton. But at the end of the day, Godard's latest is simply too abstract, too formless, too high-brow to recommend to anybody. As much fun as I had, it went on for too long and had more non-endings than "Return of the King." There's a solid four or five minutes of film after the credits, as if Godard is begging us to leave the theater as he's laughing in our faces.
But if you approach "Goodbye to Language" not only prepared but enthusiastic about what the director has to offer next, as I know many people were, you may well walk out of "The Image Book" claiming it's a masterpiece.
You can very well like Godard, and "Goodbye to Language" and still find this absolutely pretentious and meaningless. To me, in this "work" ( or "book" if you want to call it, it's definitely not a "movie") the substance does not justify the framework.
I looked at my watch trying to figure out how much longer I'd have to sit through, and realized we're 9 minutes into the movie! NINE!!! I left the theatre after 40 minutes realizing I can find better things to do in the next 45 minutes.
This is a video essay that feels like a window into the precious collection of a videophile. Living legend, french director Jean-Luc Godard stamps here his mastery with his recurring topics and concerns. Very violent images dance with an adventurous collage of fine visual material, a result of a long time journey. I think the outcome is unbeatable and enjoyable if you are looking for new structures, like a jazz freestyle solo but with images and poetry instead of notes. It's a story about tragedy, revolution, the Arabic world, east vs west types of understandings and life itself.
If you feel like watching it do it, but be prepare to face an unorthodox editing, sound level surprises, non causal argument and beautiful images of a tragic reality, the reality of humans and its imaginary.
If you feel like watching it do it, but be prepare to face an unorthodox editing, sound level surprises, non causal argument and beautiful images of a tragic reality, the reality of humans and its imaginary.
In this movie Godard made a Video collage, images are exhausting for audience you will watch a cycle of images. The subject is; is this a movie or an audiobook? If you have chance to watch it twice you should only watch and in other watching you should listen what he is saying. Ideas, speeches are in every second of movie and you haven't got any time for thinking what Godard said. It's unregular for Godard the way he made this video. If you are really interested in his works you should watch but if you aren't you will probably bored while watching movie.
Complex, very complex, different, very different, many images, few sounds, a lot to say in few words, film clippings, reports, animations, war, pain, suffering, sometimes disconnected, but always very intense...
First work by Jean-Luc Godard that I watch, and I started with the most subjective, profound and strange... "The world is not interested in Arabs and Muslims, while Islam has political attention." Is about. That, about generalization, about Islamophobia, generalization, xenophobia, wanting to silence a nation...
The director suggested that not all scenes were translated, so that the image and sound would speak for themselves... Amazing...
Did you know
- TriviaThe 45th and last feature film of French director Jean-Luc Godard.
- ConnectionsFeatures L'arrivée d'un train à La Ciotat (1896)
- SoundtracksQuintet with Piano, Op. 18
Composed by Moisey Vaynberg
- How long is The Image Book?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- The Image Book
- Filming locations
- Tunisia(Some scenes according to Vincent Maraval)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $94,153
- Opening weekend US & Canada
- $13,854
- Jan 27, 2019
- Gross worldwide
- $132,015
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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