The Padre

Director Jonathan Sobol nailed this film with exceptional directing, as was the screenplay and cinematography. The scenic photography stills were great for showing the landscape, but I feel the images were too lengthy and some unnecessary that added to the somewhat slowly paced 98 min length of the film. Had the pace been slightly faster and the film edited down to about 80 or so mins, it would had been more suspenseful. The flashbacks where well placed, but should have been a little more detailed.

Tim Roth, Nick Nolte, Luis Guzmán and especially Colombian actress Valeria Henriquez nailed their roles, and I don't think this film could have been cast any better.

This is one of those films that was done so well, you really couldn't decide who to route for, and I found myself going back and forth quite a bit. A great fun film that is well deserving of my 8/10.

A little bit slow movie, but it can be seen as a movie with drama if you like a lot of music and history in a movie

Bad script, bad acting... Complete and utter waste of time...

The good: the actors starring in it are proven solid performers. The photography is decent. The story (in theory) is promising, BUT...

The bad: this movie desperately needs some spark and punch, which it is lacking of, big time. Not much action, no real thrill, no drama and it aint funny either.

Not bad, simply lacking some spices to heat this movie up.

In this solid road movie, we follow two mismatched pairs on the road in Colombia. Conman Tim Roth can't get loose from young Valeria Henriquez, who wants to get to the US to find her younger sister, adopted to Minnesota. Chasing Roth is hard man Nick Nolte, bent on revenge, who is reluctantly assisted by Luis Guzman. The acting is all excellent, and it is especially nice to see the funny side of Guzman, who is too often wasted in one-dimensional gangster roles.