Everything Everywhere All at Once
- 2022
- Tous publics
- 2h 19m
A middle-aged Chinese immigrant is swept up into an insane adventure in which she alone can save existence by exploring other universes and connecting with the lives she could have led.A middle-aged Chinese immigrant is swept up into an insane adventure in which she alone can save existence by exploring other universes and connecting with the lives she could have led.A middle-aged Chinese immigrant is swept up into an insane adventure in which she alone can save existence by exploring other universes and connecting with the lives she could have led.
- Directors
- Writers
- Stars
- Won 7 Oscars
- 409 wins & 396 nominations total
Narayana Cabral
- Security Guard
- (as a different name)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Everything Everywhere All at Once' is a divisive film, lauded for its imaginative storytelling and strong performances, especially from Michelle Yeoh and Jamie Lee Curtis. Many appreciate its deep themes and exploration of family and identity. However, some find it overly complex, confusing, and reliant on absurd humor. Pacing, length, and narrative coherence are frequent criticisms, though its bold creativity is widely acknowledged.
Featured reviews
I have trouble turning off my brain. Anxieties, worries, mundane to-dos, even positive things, sometimes feel like they're swirling around in a chaotic funnel cloud and I would like nothing more than to sit in physical and mental silence.
"Everything Everywhere All At Once" felt like the inside of my head. In a world of non-stop, 24/7 news, most of it bad, how is a person like me, who has trouble filtering out things that affect me directly from all of the other things that are just out there happening in general and over which I have no control, supposed to cope?
One answer is to decide that nothing matters anyway and give up caring. But that means deciding that my wife doesn't matter. And that my kids don't matter. And that art, and nature, and things that bring joy to my life, don't matter.
Another way is to decide that some things, ok maybe most things, don't matter, but that there are things that do, and those are the things that make it all worth it. I get to decide what those things are.
The first approach is nihilistic. The second approach is empowering. This film explores both approaches, and I was a sobbing mess at the end.
I will say there were times that I was a bit exhausted by this movie. It throws a lot on the screen and at the viewer, and occasionally it can't keep up with its ambitions. But this was mostly a home run.
Michell Yeoh does terrific work in this, but the MVP is Ke Huy Quan (Short Round from the "Indiana Jones" movies).
Grade: A.
"Everything Everywhere All At Once" felt like the inside of my head. In a world of non-stop, 24/7 news, most of it bad, how is a person like me, who has trouble filtering out things that affect me directly from all of the other things that are just out there happening in general and over which I have no control, supposed to cope?
One answer is to decide that nothing matters anyway and give up caring. But that means deciding that my wife doesn't matter. And that my kids don't matter. And that art, and nature, and things that bring joy to my life, don't matter.
Another way is to decide that some things, ok maybe most things, don't matter, but that there are things that do, and those are the things that make it all worth it. I get to decide what those things are.
The first approach is nihilistic. The second approach is empowering. This film explores both approaches, and I was a sobbing mess at the end.
I will say there were times that I was a bit exhausted by this movie. It throws a lot on the screen and at the viewer, and occasionally it can't keep up with its ambitions. But this was mostly a home run.
Michell Yeoh does terrific work in this, but the MVP is Ke Huy Quan (Short Round from the "Indiana Jones" movies).
Grade: A.
Ok, the movie contains a lot, a lot. It contains impressive action, drama, SF, humor as well as numerous incredible scenes and shots. I give him a big plus for his incredible originality and idea. However, for me personally, the film was a little too much, to put it that way. In the context of the Oscars, it's also incredible to me that the film picked up so many important awards. Is this the best movie of the year?! Reading numerous reviews and comments, it's clear to me that I'm in the minority and that's why I'm surprised by all the hype surrounding the film. For some, this is even one of the best films ever made. Due to these expectations, I have to admit that the film did not impress me at all. It's not a problem for me to admit that it's up to me and that I can't understand the magnitude of the film, which will obviously be a cult classic tomorrow. But I am surprised that such a strange film won over so many people.
Firstly I should say I thought the actors did put in some very good performances and I can see why they were nominated although as to whether they deserved to beat some of their competitors is another matter.
I have to say I found this film to be tedious and almost unenjoyable to watch. It feels like a film made for the TikTok generation - no overall coherence with nuggets of scenes rammed together. Is this a film I would ever bother watching again - absolutely not.
Yes it is different - in much the same way The Artist was (and who talks about that film anymore?) but that doesn't make it good. It aims for a profound message whilst its style is overwhelmingly superficial. It's a film with little artistic merit or dare I say beauty (I am talking about the scenes and cinematography here not the actors) and it definitely did not move me except to pray it was going to finish.
In short it barely ticks the boxes of what I'd consider to be essential criteria for a great movie. Maybe this is the first of a new wave of this type of film and I am not getting it but when it had finished I felt pretty much nothing.
I have to say I found this film to be tedious and almost unenjoyable to watch. It feels like a film made for the TikTok generation - no overall coherence with nuggets of scenes rammed together. Is this a film I would ever bother watching again - absolutely not.
Yes it is different - in much the same way The Artist was (and who talks about that film anymore?) but that doesn't make it good. It aims for a profound message whilst its style is overwhelmingly superficial. It's a film with little artistic merit or dare I say beauty (I am talking about the scenes and cinematography here not the actors) and it definitely did not move me except to pray it was going to finish.
In short it barely ticks the boxes of what I'd consider to be essential criteria for a great movie. Maybe this is the first of a new wave of this type of film and I am not getting it but when it had finished I felt pretty much nothing.
I FINALLY sat down to finish watching this movie. I had started it when it first came out to stream and turned it off about 20 minutes in, I found it so boring.
But, last night I decided to sit down and finish watching it to see if it lived up to all of the hype and Oscar accolades...to me, it didn't.
Don't get me wrong, I do feel Mechelle Yeoh did a great job with this very complicated role, so perhaps she deserved it...but the rest of them, ehhhhhh maybe, maybe not so much.
This movie TOTALLY lost my husband, he just couldn't keep up with the different story-lines in different dimensions, and the fast-pace of jumping around from dimension to dimension often game me the "what in the world is going on" feeling. I get it....everything all at once, but sometimes way too much.
This movie, for me, didn't make sense at all until the last 20 minutes or so when, at that point finally, the writers basically spoon-fed the viewer the meaning of the movie, because (in my own personal opinion) even they knew people wouldn't get it on their own.
As for Jamie Lee Curtis, I also think she deserved her Oscar for this one. Hers was also a pretty complicated character in oh so many ways and a huge departure from many roles she has played.
So was this an Oscar worthy movie....eeeehhhh, not so much. Were there good performances? Yes. Was this an original movie? Yes, I can appreciate that too.
Was it over-hyped? Most definitely.
But, last night I decided to sit down and finish watching it to see if it lived up to all of the hype and Oscar accolades...to me, it didn't.
Don't get me wrong, I do feel Mechelle Yeoh did a great job with this very complicated role, so perhaps she deserved it...but the rest of them, ehhhhhh maybe, maybe not so much.
This movie TOTALLY lost my husband, he just couldn't keep up with the different story-lines in different dimensions, and the fast-pace of jumping around from dimension to dimension often game me the "what in the world is going on" feeling. I get it....everything all at once, but sometimes way too much.
This movie, for me, didn't make sense at all until the last 20 minutes or so when, at that point finally, the writers basically spoon-fed the viewer the meaning of the movie, because (in my own personal opinion) even they knew people wouldn't get it on their own.
As for Jamie Lee Curtis, I also think she deserved her Oscar for this one. Hers was also a pretty complicated character in oh so many ways and a huge departure from many roles she has played.
So was this an Oscar worthy movie....eeeehhhh, not so much. Were there good performances? Yes. Was this an original movie? Yes, I can appreciate that too.
Was it over-hyped? Most definitely.
This film almost unanimously received praise from both critics and audience alike. People even exaggeratedly rank it as one of the greatest films ever or the best they've ever seen. Going into this movie, my expectations were really high And I really wanted to be part of the majority who loves this movie. But unfortunately the opposite happened and I didnt like it. While I appreciate that this movie was made on a relatively small budget and managed to get some things right as it had so much potential with its strong female lead, philosophical component and some good action to move it along. But it fell really short. It is long and meandering. Visually confusing, thematically unoriginal. The first half was repetitive, boring and also quite silly. Half of the time I don't know what are they fighting for or what the heck is going on. And what was supposed to be the multiverse just felt like the characters were wearing silly different costumes. It is not until the last act that things of relevance happened. The performance from the cast was great though.
Burning Qs With 'Everything Everywhere ...' Stars
Burning Qs With 'Everything Everywhere ...' Stars
Michelle Yeoh joins co-stars Jamie Lee Curtis, Stephanie Hsu, and Ke Huy Quan, and directors Dan Kwan and Daniel Scheinert to reveal which actor had everyone laughing the most on set, and more.
Did you know
- TriviaAll the VFX for this film were done by 9 people, including the two directors, with the majority of the shots being done by a core group of 5 people. None of the VFX team went to school for VFX. They were all friends who taught themselves with tutorials they found online for free.
- GoofsAt around 5:50 various items of equipment and crew including the boom mic operator can be seen in the reflections of the launderette dryer glass doors.
- Quotes
Waymond Wang: [subtitles] So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you.
- Crazy creditsWhispering voices speak throughout the end credits, seemingly coming from random universes, in random directions.
- Alternate versionsJenny Slate's character was originally referred to as 'Big Nose' in the theatrical release. Due to associations with Jewish stereotypes, the character's name was changed to 'Debbie the Dog Mom' in the credits for the digital and DVD/Blu-Ray releases.
- ConnectionsFeatured in Jimmy Kimmel Live!: Chris Pine/Ke Huy Quan/Wallows (2022)
- SoundtracksLife Can Be So Delicious
Written by Daniel Kwan, Ryan Lott and Daniel Scheinert
Performed by Sunita Mani and Aaron Lazar
- How long is Everything Everywhere All at Once?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Todo En Todas Partes Al Mismo Tiempo
- Filming locations
- 400 National Way, Simi Valley, California, USA(IRS Building)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,300,000 (estimated)
- Gross US & Canada
- $77,191,785
- Opening weekend US & Canada
- $501,305
- Mar 27, 2022
- Gross worldwide
- $143,412,671
- Runtime2 hours 19 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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