Listen
- 2020
- 1h 13m
IMDb RATING
7.0/10
2.2K
YOUR RATING
In the London suburbs, Bela and Jota face serious difficulties when "social services" raise concerns about the safety of their three children. The 7-year-old daughter's deafness triggers a p... Read allIn the London suburbs, Bela and Jota face serious difficulties when "social services" raise concerns about the safety of their three children. The 7-year-old daughter's deafness triggers a process in the system that seems to go on forever.In the London suburbs, Bela and Jota face serious difficulties when "social services" raise concerns about the safety of their three children. The 7-year-old daughter's deafness triggers a process in the system that seems to go on forever.
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A film that criticizes UK social services. Being poor is not a reason to take children away from their parents, but they should receive social support.
Story: 6*
Actors: 5*. There is the exception of Lúcia Moniz who carried the film on her shoulders. 8*
Photography: 4*
Music/Sound: 4*
Best part: courtroom scene.
Worst part: the end of the story was missing.
Costume Design/Makeup and Hairstyling: 7* Given the context of poverty. They did well. It can be seen that the film was made with a low budget, in all aspects.
Even so, it had everything to be a better film. 1 hour of film that was incomplete. At least it's only an hour.
Rating: 5/10.
Story: 6*
Actors: 5*. There is the exception of Lúcia Moniz who carried the film on her shoulders. 8*
Photography: 4*
Music/Sound: 4*
Best part: courtroom scene.
Worst part: the end of the story was missing.
Costume Design/Makeup and Hairstyling: 7* Given the context of poverty. They did well. It can be seen that the film was made with a low budget, in all aspects.
Even so, it had everything to be a better film. 1 hour of film that was incomplete. At least it's only an hour.
Rating: 5/10.
From the little girl spying the world through her own lens to the mother's despair for the loss of her children, this movie is both a look at one side of our complicated, sometimes messed-up society, and a cinematographic experience for a young director.
Keeping my expectations low, I was surprised by how much I enjoyed this. The director, Ana Rocha de Sousa, shows her ability to catch emotions from the right shot. I was moved by Lúcia Moniz's performance. I do wonder how accurate this story is to reality... I sure hope it isn't, but I'm not keeping my hopes up for that.
However, the movie is short, which it shows as the story comes to a resolution rather quickly. Too quickly for what we expect the reality of social services to be. All feels too simple for what is a very complicated process.
In any case, bravo.
Keeping my expectations low, I was surprised by how much I enjoyed this. The director, Ana Rocha de Sousa, shows her ability to catch emotions from the right shot. I was moved by Lúcia Moniz's performance. I do wonder how accurate this story is to reality... I sure hope it isn't, but I'm not keeping my hopes up for that.
However, the movie is short, which it shows as the story comes to a resolution rather quickly. Too quickly for what we expect the reality of social services to be. All feels too simple for what is a very complicated process.
In any case, bravo.
A broken system like many British services that are supposed to help but end up harming more than helping. But hey, 'I understand. I know how you are feeling'. So typical.
The film has some issues getting out of the same place and developing the plot. It also doesn't conclude in a very positive way as the ending seems rushed and incomplete, not giving us the emotional impact it aimed to (we don't even see one of the children). Still, the acting is good, especially Lucia Moniz's, which is excellent, and the situation always keeps us engaged with a story that is infuriating but, unfortunately, based on real situations.
The film has some issues getting out of the same place and developing the plot. It also doesn't conclude in a very positive way as the ending seems rushed and incomplete, not giving us the emotional impact it aimed to (we don't even see one of the children). Still, the acting is good, especially Lucia Moniz's, which is excellent, and the situation always keeps us engaged with a story that is infuriating but, unfortunately, based on real situations.
Another Portuguese quality movie, tackling a very serious and urgent issue that clearly needs more visibility.
I am glad to see that my home country is continuing the trend of making good film content. There is a stigma in Portugal where a lot of people believe that there aren't good ideas or movies coming out of the industry, but the reality is that the lack of support specially from the government in our own culture has made things tougher for amazing artists to be able to actually execute their ideas, so it's always good that not only we have a good movie, but it is also being recognized internationally in the prestigious awards ceremonies.
The movie tells the story of a real life ongoing issue within the UK and one that is probably not that well known around the world - poor families, are being ripped of their children if the social security services state that they are incapable to maintain them. Now this doesn't sound so bad when mentioned like this, but the reality is much, much darker... Even if families are poor, there are a lot of reported situations where they can still viably take care of their children, even with the financial difficulties, and instead of helping them out paying for specific needs like health related equipment for instance, social security services have no problem in taking the kids to feed a high demanding industry: adoption. There have been several real life reported cases where this is actually happening, poor families, destroyed, their children taken from them, simply for the profit of the adoption market - they give a hard time to the original families to connect with their children, once adoption is made it cannot be reversed and if the original parents try to get to their children and take them again they will be considered kidnappers.
It is a very heartbreaking and unfortunate real issue, and it is amazing that Portugal was able to make such a social statement, specially since a lot of the affected families are actually Portuguese. The acting is on point, Lucia Moniz has proven herself before but she shines on this movie, right next to her co-star Ruben Garcia.
For her directorial debut, Ana Rocha did an amazing job, although the movie has a lack of variety in its atmosphere, happening for most of its time in the same locations, which slightly gives you an emptiness feeling, it's a really important message, well executed, well acted and a must see. I was sad to hear that it wasn't considered as a foreign movie contender for the Oscars since it is partially spoken in English (the story takes place in the UK), I believe it would have had very good chances, one of the best movies coming out of Portuguese lands so far!
I am glad to see that my home country is continuing the trend of making good film content. There is a stigma in Portugal where a lot of people believe that there aren't good ideas or movies coming out of the industry, but the reality is that the lack of support specially from the government in our own culture has made things tougher for amazing artists to be able to actually execute their ideas, so it's always good that not only we have a good movie, but it is also being recognized internationally in the prestigious awards ceremonies.
The movie tells the story of a real life ongoing issue within the UK and one that is probably not that well known around the world - poor families, are being ripped of their children if the social security services state that they are incapable to maintain them. Now this doesn't sound so bad when mentioned like this, but the reality is much, much darker... Even if families are poor, there are a lot of reported situations where they can still viably take care of their children, even with the financial difficulties, and instead of helping them out paying for specific needs like health related equipment for instance, social security services have no problem in taking the kids to feed a high demanding industry: adoption. There have been several real life reported cases where this is actually happening, poor families, destroyed, their children taken from them, simply for the profit of the adoption market - they give a hard time to the original families to connect with their children, once adoption is made it cannot be reversed and if the original parents try to get to their children and take them again they will be considered kidnappers.
It is a very heartbreaking and unfortunate real issue, and it is amazing that Portugal was able to make such a social statement, specially since a lot of the affected families are actually Portuguese. The acting is on point, Lucia Moniz has proven herself before but she shines on this movie, right next to her co-star Ruben Garcia.
For her directorial debut, Ana Rocha did an amazing job, although the movie has a lack of variety in its atmosphere, happening for most of its time in the same locations, which slightly gives you an emptiness feeling, it's a really important message, well executed, well acted and a must see. I was sad to hear that it wasn't considered as a foreign movie contender for the Oscars since it is partially spoken in English (the story takes place in the UK), I believe it would have had very good chances, one of the best movies coming out of Portuguese lands so far!
A searing indictment of the UK's indictment of the UK's social service system if ever there was one, Listen is basically a low-budget film about a poor Portuguese couple living in London who have their kids taken away under the most dubious of circumstances.
Their little girl is deaf with bruises on her back, the son is violently ill and the other one is just a baby who won't stop crying. Not an ideal day for the welfare checkers to come a-knocking you might say, and once the adoption process stops it's very hard to stop.
Listen has good acting from all participants (apart from the kid who plays the little boy, he seemed a bit too 'polished' to me) and a very believable plot to boot which must be every mother's worst nightmare. It could easily have been longer though, with the most abrupt of endings arriving at around the 70 minute mark.
A shame really, as with a bit more time spent on the narrative and a few extra scenes this could've been something a bit special. Instead, we have a decent piece of cinema which feels as a whole unsatisfying with a pretty disappointing conclusion.
Ah well. It was worth watching once at least. 5/10.
Their little girl is deaf with bruises on her back, the son is violently ill and the other one is just a baby who won't stop crying. Not an ideal day for the welfare checkers to come a-knocking you might say, and once the adoption process stops it's very hard to stop.
Listen has good acting from all participants (apart from the kid who plays the little boy, he seemed a bit too 'polished' to me) and a very believable plot to boot which must be every mother's worst nightmare. It could easily have been longer though, with the most abrupt of endings arriving at around the 70 minute mark.
A shame really, as with a bit more time spent on the narrative and a few extra scenes this could've been something a bit special. Instead, we have a decent piece of cinema which feels as a whole unsatisfying with a pretty disappointing conclusion.
Ah well. It was worth watching once at least. 5/10.
Did you know
- TriviaIn December 2020, Portugal's submission Listen was disqualified for having more than half of its dialogue in English. Portugal's selection committee submitted a second film, Vitalina Varela.
- How long is Listen?Powered by Alexa
Details
Box office
- Gross worldwide
- $330,179
- Runtime1 hour 13 minutes
- Color
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