Ice Merchants

This short about a father and son living in a tiny cabin anchored on the side of an immense and icy mountain-side cliff is totally absorbing. There is no spoken word but the music is great. Father and son eke out their existence by taking ice to the village far below by jumping off their porch and parachuting down, then they come back up using a rope system. Since I am somewhat acrophobic, parts were a little difficult for me to watch (the son sitting on a swing thousands of feet above the ground - oh my!) but the basic colored line drawings were so engaging and gorgeous that one could not finish the film.

At first the ending is somewhat open to interpretation. Watching it a second and third time I picked up the hints scattered along the way as to what was happening that I had not fully grasped on my first viewing. I so appreciate being able to watch it on The New Yorker Screening Room.

Absolutely gorgeous 14 minute short about a father and son that parachute off a steep mountain daily sometimes stylish and always peaceful! Hugely focused on feeling a sense of warmth even shortly. Ice Merchants is so good the bonding, the look of everything, and impressive! Magnificent and scary when heat finally arrives when the father and son least expect it; I can't imagine living the way they did. The music is quite tranquil and I love how the hat mountain towards the end looks like candy corn. Quite an interesting animated short that defiantly deserves some recognition regardless of win or not would highly recommend!

It's incredible how a 14 minute movie without a single word can move you this much.

With just simple and repeated scenes, the director manages to get you to know the characters. For that purpose, this movie makes use of color in a simple way that just makes sense. The slow pace just makes it feel natural and there is no rush to achieve the end of the story.

I also loved the soundtrack, every second of it adds to the story and, in the absence of words, acts as a good way to show feelings from the characters.

Loved this movie, and it's good to see it get this much attention, specially the Oscar nomination.

Out of all of the Academy Award nominees in the category this year, this film was by far my favorite, and I hope that it takes home the trophy come March.

Not only did it have a beautiful art style a creative premise, but the story itself really affected me.

I'm a sucker for animated projects without any dialogue, and I think this project perfectly exemplifies why. The story was simple yet impactful, and was universal so that anybody- no matter where they're from or what language they speak- could understand and empathize with it.

Ice Merchants to me was the clear winner of the nominees this year, and it's certainly worth fifteen minutes of your time.

Take the drawing style of Ed Gorey, the sensibility of doom of Abner Dean, and the Sysyiphean zeitgeist of, oh, a filmmaker working in Communist-era Eastern Europe, and you'll have an approximate idea of the feel of Ice Merchants.

I'd warn you that any description of the plot would be full of spoilers, but the IMDB tagline itself is full of spoilers! My advice is to watch this cold, without any particular description of the plot, for best effect. You'll get a very deftly done, real sense of jeopardy for the characters, as well as experiencing the strangeness of the whole premise as one is meant to.

It's a parable for loss and recovery, grief and holding on to love, but wordless and without engaging in sentimentality. There's a reasonably nice revelation with a laugh out loud moment as we see something decidedly inexplicable and seemingly extraneous come in at the end. It's really quite touching, and again, if I explained the plot even a little bit, you'd likely lose the emotional sense that this film very adeptly creates.

This was not my first choice among the Oscar nominees for best short animation (we saw them all at one sitting) but it's a credible runner-up. If you're not literally on the edge of your seat watching this, I'd be surprised.