In the wake of his mother's death and his father's remarriage, a headstrong boy ventures into a dreamlike world shared by the living and the dead in search of his missing stepmother.In the wake of his mother's death and his father's remarriage, a headstrong boy ventures into a dreamlike world shared by the living and the dead in search of his missing stepmother.In the wake of his mother's death and his father's remarriage, a headstrong boy ventures into a dreamlike world shared by the living and the dead in search of his missing stepmother.
- Won 1 Oscar
- 34 wins & 87 nominations total
Soma Santoki
- Mahito Maki
- (voice)
Masaki Suda
- The Grey Heron
- (voice)
Kô Shibasaki
- Kiriko
- (voice)
- (as Kou Shibasaki)
Yoshino Kimura
- Natsuko
- (voice)
Takuya Kimura
- Shoichi Maki
- (voice)
Keiko Takeshita
- Maid #1
- (voice)
Jun Fubuki
- Maid #2
- (voice)
Sawako Agawa
- Maid #3
- (voice)
Karen Takizawa
- Wara Wara
- (voice)
Shinobu Ôtake
- Maid #4
- (voice)
Kaoru Kobayashi
- Old Pelican
- (voice)
Shôhei Hino
- Great-Uncle
- (voice)
Nami Uehara
- Additional Voice
- (voice)
Takuya Yagyu
- Additional Voice
- (voice)
Featured reviews
If you have never watched a Hayao Miyazaki film, I wouldn't recommend starting with The Boy and the Heron.
For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).
If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.
The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.
Was it fun and visually pleasing? Yes.
Was I confused at times And had a lot of unanswered question? Also yes.
For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).
If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.
The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.
Was it fun and visually pleasing? Yes.
Was I confused at times And had a lot of unanswered question? Also yes.
Seeing The Boy and The Heron, Hayao Miyazaki's latest movie feels almost like a monumental event in and of itself. It was announced almost as a surprise with the words "Hayao Miyazaki's last movie". With this amount of hype, including the amazing reviews it's got from critics, my hype was built up to the max. The end result? Not what I expected, and that's ok!
Let's get to the positives, the animation is STUNNING. The way Hayao Miyazaki manages to build these worlds and characters is just an amazing feat, they all come alive with the colours and the movement. Another positive is the tone of the movie, I really hate Disney for trying to market this as a kid's movie, when it's not. It's got some unnerving and scary moments and themes that are not suited for kids, which is good. Hayao Miyazaki is at his best when he manages to blend the adult with the fantastical.
The actors are always amazing, I saw the Japanese dub so I don't know how the western VAs are doing but wow; they all do a fantastic job!
Now to the negatives... a huge thing about Studio Ghibli movies in general, especially the ones from Hayao Miyazaki, is that they're always by rule driven by the characters, it's their journey that's in the front. World building and narrative always takes a second place in his movies to be able to not distract from the characters journeys, big examples of this are Spirited Away and Howl's Moving Castle where the world building is built by very simple and effective means and rules. But here in the Boy and The Heron the world building is so convoluted and confusing it almost feels like he wanted it to take center stage in this movie and it's such a shame because it feels at like it's at odds with it's own main character who supposedly undergoes a deep deep emotional journey but it all finishes off in a very abrupt and unfitting send-off in the end which really confused me and just didn't feel like a good payoff.
Also the way this movie introduces characters left and right with no rhyme or reason is super confusing. Once again, Hayao Miyazaki did this very minimally in his past movies where the characters get room to be explored and to leave an impact in the story but here once again it's at odds with its own world building- it all feels very haphazard and messy. The Heron is a fun character but I don't feel like he or Mahito do or learn anything from these adventures.
Now, it may sound like I hated this movie, but I didn't. It's just that I care so much about Hayao Miyazaki movies and Studio Ghibli movies that I can't help to compare them to the movies we've seen before. And despite it not being Hayao Miyazaki's best it's still pretty good, it's very much worth a watch.
Let's get to the positives, the animation is STUNNING. The way Hayao Miyazaki manages to build these worlds and characters is just an amazing feat, they all come alive with the colours and the movement. Another positive is the tone of the movie, I really hate Disney for trying to market this as a kid's movie, when it's not. It's got some unnerving and scary moments and themes that are not suited for kids, which is good. Hayao Miyazaki is at his best when he manages to blend the adult with the fantastical.
The actors are always amazing, I saw the Japanese dub so I don't know how the western VAs are doing but wow; they all do a fantastic job!
Now to the negatives... a huge thing about Studio Ghibli movies in general, especially the ones from Hayao Miyazaki, is that they're always by rule driven by the characters, it's their journey that's in the front. World building and narrative always takes a second place in his movies to be able to not distract from the characters journeys, big examples of this are Spirited Away and Howl's Moving Castle where the world building is built by very simple and effective means and rules. But here in the Boy and The Heron the world building is so convoluted and confusing it almost feels like he wanted it to take center stage in this movie and it's such a shame because it feels at like it's at odds with it's own main character who supposedly undergoes a deep deep emotional journey but it all finishes off in a very abrupt and unfitting send-off in the end which really confused me and just didn't feel like a good payoff.
Also the way this movie introduces characters left and right with no rhyme or reason is super confusing. Once again, Hayao Miyazaki did this very minimally in his past movies where the characters get room to be explored and to leave an impact in the story but here once again it's at odds with its own world building- it all feels very haphazard and messy. The Heron is a fun character but I don't feel like he or Mahito do or learn anything from these adventures.
Now, it may sound like I hated this movie, but I didn't. It's just that I care so much about Hayao Miyazaki movies and Studio Ghibli movies that I can't help to compare them to the movies we've seen before. And despite it not being Hayao Miyazaki's best it's still pretty good, it's very much worth a watch.
From Studio Ghibli, The Boy and the Heron is an animated movie about a boy that dramatically lose his mother due the war in Japan, and he and his father have to move to a safer place. When they arrive, they live in a nice and quiet home. In a place, were strange things did happen, and will happen, too. First of all, I have to list up what was good about the film. It was absolutely beautiful animation with great paint, drawing techniques, and amazing colors. They had that mix with painting-like animation, but at the same time, classic Japanese anime. And I really liked that, I think it is a very nice thing, and I can see that this is a technique that Studio Ghibli is using a lot, and they are really doing it well. Very nice music. It was soft, easy and quiet, but at the same time it built up a hidden suspense that was holding. The music was some sort of anxiety mixed with calmness. Very strange. Last thing that was good was the overall atmosphere and the feeling of the movie, at least in the first act. Because then things started to get a little weird. Everything became unknown and messy, the story changed the course multiple times, and I wasn't sure which way the plot was going to go. At the end everything became a little more clear, but still a little weird. When you don't know what is really going on, the action becomes a little nonsense, too. And that was exactly what happened. The action sequences were sometimes fun and entertaining, but I was still questioning: Why are they doing it? Why are they running? What are they running from? What's the point of the story? Good enough that they had a good moral at the end. Very great with a good message about the balance of the world, and that the soul value is very important. After all, this was a movie on the middle. Great music and animation. Fine atmosphere in the first act. But it got a little messy, and the story changed course to many times. They rushed a lot and I didn't get time to think. Studio Ghibli could have definitely done better.
Mahito's life is dramatically changed, he's lost his mother, and his father has started a new life in the country, escaping a war. One day Mahito follows a heron, and enters a whole new fantasy world.
This first thing I'm going to start with, the visuals, what a feast for the eyes, it is a vividly, beautiful film, some of the scenes are honestly captivating, not just the animations themselves, but the colours and creativity.
To be honest, I can't say I fully understood what was going on, I did find myself needing to read up about the plot, as some of it did go over my head, I imagine this improves with a second viewing.
It feels like a very personal story, I wonder if Miyazaki was exercising personal demons through it. As always there's a strong moral angle running through it, but plenty of really good scenes.
I'm nitpicking, but I did prefer Spirited Away, maybe simply because I found it easier to follow, but I'd recommend this very highly.
Worth seeing for the incredible visuals alone.
7/10.
This first thing I'm going to start with, the visuals, what a feast for the eyes, it is a vividly, beautiful film, some of the scenes are honestly captivating, not just the animations themselves, but the colours and creativity.
To be honest, I can't say I fully understood what was going on, I did find myself needing to read up about the plot, as some of it did go over my head, I imagine this improves with a second viewing.
It feels like a very personal story, I wonder if Miyazaki was exercising personal demons through it. As always there's a strong moral angle running through it, but plenty of really good scenes.
I'm nitpicking, but I did prefer Spirited Away, maybe simply because I found it easier to follow, but I'd recommend this very highly.
Worth seeing for the incredible visuals alone.
7/10.
I have been recently getting into Studio Ghibli films and I've been impressed. I was highly looking forward to this movie strictly because it was the first time I got the opportunity to see a Miyazaki film on the big screen. And the English dub is studded with talent.
I must say... I feel let down. I almost fell asleep halfway through, and the ending didn't make sense. There was so much happening and things weren't explained. I understand that there was probably deep symbolism attached to certain writing choices, but what's the point if the viewer has no idea what they're trying to say?
There were some good scenes and some good humor, but overall I feel a little empty.
I must say... I feel let down. I almost fell asleep halfway through, and the ending didn't make sense. There was so much happening and things weren't explained. I understand that there was probably deep symbolism attached to certain writing choices, but what's the point if the viewer has no idea what they're trying to say?
There were some good scenes and some good humor, but overall I feel a little empty.
Did you know
- TriviaIn December 2019, the film was announced to be 15% complete after three-and-a-half years of work. Producer Toshio Suzuki explained that Hayao Miyazaki, in the past, would be able to direct seven to ten minutes of animation per month, and they had scheduled five minutes of animation per month or about one hour per year on the film. However, Miyazaki was directing only about one minute of animation per month.
- GoofsWhen a knife is being honed on a steel the knife blade is facing up, it should be facing down. Whilst you can hone in either direction, up the steel away from you, or down the steel towards you, the blade should be facing towards the handle of the steel.
- Quotes
The Grey Heron: I'll be your guide.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: End of the Year Embarrassments (2020)
- How long is The Boy and the Heron?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El niño y la garza
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $46,832,867
- Opening weekend US & Canada
- $13,011,722
- Dec 10, 2023
- Gross worldwide
- $282,422,186
- Runtime2 hours 4 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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