IMDb RATING
6.4/10
4.4K
YOUR RATING
A fairytale exploring the absurd and the all too real.A fairytale exploring the absurd and the all too real.A fairytale exploring the absurd and the all too real.
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You can't do movies anymore like this. (not that this movie is not good) but you can't expect people to fall into a trance and get lost in a film. This is a super moody movie that you really need to not have other distractions when watching. I had my daughter crying, had to turn it off -- turned it back on, couldn't remember what happened. My husband starts yapping about a sports game -- had to turn it off. Turn it back on and can't remember what I was watching. It's not that people don't have patience anymore, but they are simply too distracted by other people to focus. I'm sure this movie is great in a nice air conditioned dark movie theater, but that's not how I saw the movie. And that's not how most people will see the movie.
It feels like a lot styles are bouncing off of each other in this film. It's a comedy but it's sad. It's a revenge story but it's not violent. It's colorful yet muted. It's extremely slow at points and jaggedly fast at others. I've watched it twice just to make sure that all this was done on purpose. It feels as though it was. Different camera styles is a choice. Lens', framing, lighting and editing were choices. The fact that it's a rock n roll band but there's no rock n roll, but rather opera as a soundtrack is a choice. So with that said, I at least know there's a reason I'm supposed to be watching what i'm watching. But there's just something that's a little off about it. I can't place it. Nonetheless, i'd definitely recommend the movie to people that like weird movies.
I rented this from the local library and don't know why it was in the "rock doc" section. It's not a documentary at all. There's not even any of the fictional band's music in it. I was actually looking for the new Go Go's documentary. I guess the fact that there wasn't the band's music in it was smart, because the score is lush with an old school western vibe. And since the plot is a revenge plot, I see why the choice of western was made.
Anyway, the movie is actually very good. It's creepy and surreal. Even the casting was surreal. Like outside of Valentine from the Go Go's, I feel like I saw every other actor in a different strange indie or something. Sure enough, after I looked them up, they were in other strange films that i'd seen. Good casting.
Anyway, the movie is actually very good. It's creepy and surreal. Even the casting was surreal. Like outside of Valentine from the Go Go's, I feel like I saw every other actor in a different strange indie or something. Sure enough, after I looked them up, they were in other strange films that i'd seen. Good casting.
Trippy film with a plot about tracking down a mysterious band. It follows the same structure of Eddie and the Cruisers in where you have the past (the formation of a band) colliding with the present (where the hell is this band now?). Unlike EATC, however, we never hear the band's music. (One single chord on a sitar at the end). I think this choice works really well as The Transcendents' (the band) music is not important to the story. (I'm also pretty sure that with all the well known musicians in the film, they could have had some great original music if they wanted to)
Which brings me to the acting. All the musician/actors are terrific. But the performance by Savanah Welch in the lead role is jaw droppingly good. Her character, Kim, doesn't start out as much (kinda bratty and annoying), but as the film builds momentum, the layers of her character are peeled away and you get this broken beauty that's hanging on to life by threads. LONG MONOLOGUE. (If you've seen Paris, Texas you'll understand.). The film probably has a debt to Paris, Texas as well with its weird leading man and desolate landscapes and long monologues.
Also, this isn't a movie about a cult. I don't know why the trailer looks like it's about a cult. Don't expect a story about a cult.
Which brings me to the acting. All the musician/actors are terrific. But the performance by Savanah Welch in the lead role is jaw droppingly good. Her character, Kim, doesn't start out as much (kinda bratty and annoying), but as the film builds momentum, the layers of her character are peeled away and you get this broken beauty that's hanging on to life by threads. LONG MONOLOGUE. (If you've seen Paris, Texas you'll understand.). The film probably has a debt to Paris, Texas as well with its weird leading man and desolate landscapes and long monologues.
Also, this isn't a movie about a cult. I don't know why the trailer looks like it's about a cult. Don't expect a story about a cult.
This movie is a touching story about broken people. It really doesn't fit inside any one genre. It's funny but tragic. Exploitative yet sensitive. Trashy and artful. Grainy and colorful. The characters are ghosts and full-blooded human beings.
A lot of it feels familiar. But I can't place where it's borrowing from. At the risk of sounding ridiculous, it's almost like if Roger Corman made Days of Heaven. Or somehow if Malick made a Corman script.
All that to say: I'm glad I rented it. (I think. I really don't know what I saw)
A lot of it feels familiar. But I can't place where it's borrowing from. At the risk of sounding ridiculous, it's almost like if Roger Corman made Days of Heaven. Or somehow if Malick made a Corman script.
All that to say: I'm glad I rented it. (I think. I really don't know what I saw)
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Details
Box office
- Budget
- $90,000 (estimated)
- Gross US & Canada
- $2,041
- Opening weekend US & Canada
- $358
- Jun 28, 2020
- Gross worldwide
- $2,041
- Runtime1 hour 36 minutes
- Color
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