Headshot

It's not every day you see a martial arts movie which may be as violent as any horror flick released the same year. "Headshot" is one such movie. It might be second only to "The Story of Ricky" in terms of violence, but whereas that one was a cartoonish gore flick, this one is disturbingly realistic, at least in its handling of injury. Off the top of my head we have people getting stabbed through the head sideways, a loose bullet being jammed into someone's eyeball, and someone being impaled on a broken tree branch and then trying to pull someone else onto the spike. Also, countless people are shot to death. You've heard of the Hongkongese genre "heroic bloodshed"? You don't have to be a hero to shed blood in this one.

The "story" is the usual "violent man with no past saves people while other people come to get them". I think they tacked on some kind of non-explanation for how the violent characters got that way; something about a covert operation training child soldiers. From what you see of this shady business, it is impossible to believe that anyone could come from it and be proficient at fighting; it's one of the dumbest contrivances I have seen in a recent movie. These scenes don't depict a hardcore training program for brats: they're more like an extremely inefficient method to kill children en masse.

But you don't (and won't) care about that stuff. You care about the fight scenes, and yes, they are impressive. I didn't think they were as impressive as "The Raid 2"'s, but it's hard to imagine too many fans of those kinds of movies will leave this one disappointed.

Great action, quite bloody though. Lead actors did an excellent job.

Being a big fan of The Raid I & II, I was looking forward to watching this movie once I had seen the trailer. Headshot proves to be one hell of a brutal action film that really earns its R rating. The action is pretty relentless and doesn't let up with with the movie racking up a solid body count within the first 20 minutes. Iko Uwais is a great up and coming action star and choreographs and pulls off some amazing fight sequences like he's done in other films (Man of Tai Chi, Merantau). Although the movie probably could of been more focused and efficient in terms of the story and the characters motivations, it is still well paced for a two hour film and action packed throughout. Overall, a solid early contender for one of the best action films of 2017.

7/10

"The door swings both ways my friend." This is not something a maximum security prison guard likes to hear when facing a dangerous psychopath and skilled fighter who appears, with the help of insiders, to be on the verge of a break out attempt. The prison guard, as may be expected, is not long for this world. The man he faced, Lee, escapes from the prison over piles of injured and dead. By force of will and fist, Lee re-assumes command of a fearsome gang and drug distributing territory, but he is searching for someone that he desperately needs. The man he is looking for was admitted to the hospital with severe head trauma and amnesia. In the hospital, a burning bus, shadowy warehouse and the remains of a shattered police station, we begin to understand the stories of the two opposing characters. A doctor, Ailin, gets caught in the middle.

This gory, raw and darkly humorous film contains some amazing scenes and lines, especially in the first half. The main characters, both good and evil, repeatedly defy the odds as well as expectations. There are a lot of broken bones and buckets of blood are spilled. I like how the fighters make mistakes in judgment, such as impulsively swinging a machete at someone and not realizing there is an iron beam blocking your arm. These mistakes accord with human nature. Too often in films, action films in particular, the characters and scenes seem devoid of such substance, black and white and no gray in between. In another example of this, Lee chides Ailin; "You should have stabbed me here (points to artery), I thought you were a doctor."

Headshot also includes thrilling music, romances between beautiful people, and unexpected twists and turns. I love the frequent nods to Herman Melville. Even the main character of Headshot is tagged with the nickname of Ishmael, the narrator of Moby Dick. Headshot's theme echoes a theme of Moby Dick; what it means to be strong. The last half of the film is tamer and blander than the first, yet it is still thrilling. Seen at the 2016 Toronto International Film Festival.

Short review: Nicely plotted, acted, little action thriller. The two hours go by fairly quickly.

Longer review: Some have suggested that this is Bourne with "more violence." And especially after the sorry mess that was the last Bourne film (see my IMDb review) such a feat would have been welcome. But no it is not. The Bourne story -- the top professional with a slight memory problem -- was much more subtle, This is more like Tony Jaa from Ong Bak (who actually looks like the star here!) waking up with a migraine and then everyone on the planet tries to kill him.

The action scenes are wonderful, except for the very first scene in the prison, which features too many automatic weapons going off at once. Some are especially memorable. For example -- just a tease -- this film will teach you how the very same bullet can kill a man twice. Once when you fire it. And again when you get your hands on the spent cartridge.

Recommended.