Pyewacket

This movie, as it has been accurately described, is a slow burn. It is no question that this low budget indie horror title is driven by solid performances, specifically by Nicole Munoz and Laurie Holden. The dynamic between these characters is believable and could pass as a standalone drama if the horror elements weren't included. The most impressive aspect of this film is how Adam MacDonald used his low budget to create a piece of film that uses effective storytelling and edge-of-your-seat suspense. If you're an individual who prefers the louder, high budget horror shows, I'm sad to say you will be slightly disappointed with this film. But if you enjoyed films like The Witch or It Follows, I can definitely recommend this movie, as I believe it is truly something special.

"The demon is very manipulative. Don't trust in your eyes"

Next scene? She trusts in her eyes.

Forgetting that, it is an enjoyable slow burn that is not *that* terrifying, it is a bit rushed, but it is still able to create a tense and creepy atmosphere.

Pyewacket is a hidden gem for the lovers of the horror genre that might stay with you as "it follows" or "the babadook" did. Sure it does not have the scale or the production values, it does not have a major scope but it tells a slow, personal story with style and credibility. The movie is slow, but not in a pretentious and artsy way. It tells its story without flashy effects or jump scares and relies on character building. You can feel the transition the mother and daughter has been through, and you can see Leah's self esteem wavering when she needs to be sincerely accepted. The lore is simply there to move the story and does it in a subtle but impressing way. Everything from acting to music to visuals completes what comes out as this hidden gem called "Pyewacket". Watch it and see for yourself but know what you are getting into and do not judge the movie for what it's not.

I don't often have patience for the "slow burn" horror movies, but that's because so many entries into that little sub-genre of horror don't actually have the goods to back up their approach, and often seem to do it simply because their budget ran out or they needed a way to pad out the minutes.

Pyewacket is successful in its attempt to build suspense and tension though, and the cast, script, and direction are good enough to hold your attention until the end despite the fact that very little is actually directly shown in terms of the evil presence at work here.

It's not going to blow your mind, but it's a solid, relatively well-crafted story with a memorable ending.

P.S. Don't listen to that ridiculous 1/10 kid's review that claims you need to be "a professor" to understand this one. This is absolutely not one of those movies with some complex meta plot that you need to rewatch to be able to catch everything. It's 100% straightforward and literally explains right to the viewers' faces what is happening. You shouldn't have any trouble whatsoever understanding this movie unless you ride the short bus.

Adam Macdonald really arrives with Pyewacket. I was a bit put off by the idea of 'teen angst' being a center piece of the plot, but once I saw the type of angst Macdonald was talking about and the absolute realism and dramatic conflict (external and internal) that he divines from it, well I might never look at 'teen angst' the same way again.

It's well worth noting that 'slow burn' is a very apt description, and Pyewacket requires some patience, but luckily it thoroughly nails the delivery of its final act in a way that pays off the viewers endurance as well as the story.

Great film and should advance Macdonald up the charts in the horror genre. Can't wait to see what comes next.