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Rebellion is a five part serial drama about the birth of modern Ireland. The story is told from the perspectives of a group of fictional characters who live through the political events of t... Read allRebellion is a five part serial drama about the birth of modern Ireland. The story is told from the perspectives of a group of fictional characters who live through the political events of the 1916 Easter Rising.Rebellion is a five part serial drama about the birth of modern Ireland. The story is told from the perspectives of a group of fictional characters who live through the political events of the 1916 Easter Rising.
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Rebellion is a worthy attempt to place the Easter Rising of 1916 and the later rebellions involving the key figures of Michael Collins and Eamon de Valera in a historical context. The arrogance of the British and the keen nationalism of the Irish is depicted with great vigour. The support of the Americans in the Irish uprising is also a vital component. What the series fails to display is the lack of planning in carrying out the rebellion against the British rule, and as a result the programme as a whole lacks coherence. This was particularly obvious in the first series where the Rebellion appeared to be little more than an attempt to take over Dublin Castle.
First class acting, matched by beautiful sets - the Dublin of 1920 is shown as a city where British hedonism is counter balanced by the relative poverty of the Irish - makes a strong visual statement, and the harsh handling of both rebellions by the British Government makes one understand how Eire eventually became a republic.
First class acting, matched by beautiful sets - the Dublin of 1920 is shown as a city where British hedonism is counter balanced by the relative poverty of the Irish - makes a strong visual statement, and the harsh handling of both rebellions by the British Government makes one understand how Eire eventually became a republic.
I am 85, I was not there, but met Irish (Republic) people in 1949 in Bradford UK, who had relatives alive and emotionally in this historic event. I was 18 (and from a small community) I was forever imbued by the emotions I witnessed, and the varied descriptions. The programme literally had me saying prayers, I was captivated, excited and horrified with the poverty depicted, which I was personally familiar with, being moved about during the WW11. This is a highly enthralling programme, I was very disappointed to learn that episode 5 is the last one. For me the realism was total, the emotions entirely believable. Casting and acting magnificent. I watched the 5 episodes on Netflix.
I saw this on Netflix and it starts in 1914 where we meet a group of Dubliners, some of whom are still loyal to an ever distant British Crown and others who are confined by the bonds of a colonial power that has abused and neglected its closest colony for hundreds of years – rebellion is in the air.
This has many of the real people at the time being portrayed including Padraig Pearse and James Connolly to name but two. But it is really told through the eyes and experiences of three women – a touch I liked very much. We have five succinct episodes that chart the road to the 1916 uprising and the consequences and I have to say I thought it was excellent.
Now there are some critics who say this is a trivialised account by the state owned RTE television company and as such has airbrushed a lot of the important details. It may well have done but there is still enough here to give a real flavour of what the times were like.
It is a big budget affair too with some stellar performances including Brian Gleeson and Ruth Bradley but no one does a bad job at all. I loved the period detail and the use of Gaelic in parts added to the authenticity and made me realise my Gaelic is sorely rusty. The action scenes are excellent too with all the tense atmosphere and raw emotion pouring off the screen. Historical licence aside this is still an ambitious and well realised TV series. My only real complaint is I wanted it to go much farther and would love a second season or maybe even a third – truly recommended.
This has many of the real people at the time being portrayed including Padraig Pearse and James Connolly to name but two. But it is really told through the eyes and experiences of three women – a touch I liked very much. We have five succinct episodes that chart the road to the 1916 uprising and the consequences and I have to say I thought it was excellent.
Now there are some critics who say this is a trivialised account by the state owned RTE television company and as such has airbrushed a lot of the important details. It may well have done but there is still enough here to give a real flavour of what the times were like.
It is a big budget affair too with some stellar performances including Brian Gleeson and Ruth Bradley but no one does a bad job at all. I loved the period detail and the use of Gaelic in parts added to the authenticity and made me realise my Gaelic is sorely rusty. The action scenes are excellent too with all the tense atmosphere and raw emotion pouring off the screen. Historical licence aside this is still an ambitious and well realised TV series. My only real complaint is I wanted it to go much farther and would love a second season or maybe even a third – truly recommended.
There were so many actor changes in Season 2 that cliff notes should be provided. Best to watch it as if it is a new series otherwise, it will drive you bonkers trying to figure out the characters.
Beautifully made. But they replaced three perfectly good female characters with three others, while keeping many of the other (male?!) players in situ for season 2. Not only did this complicate and confuse but frankly dissolved my enthusiasm. I think it undermines the story itself, since everything other than the headlines are fictional.
Did you know
- TriviaTwo members of the Game of Thrones cast are in the series, Michelle Fairley (as Catelyn Stark) and Ian McElhinney (as Barristan Selmy).
- GoofsThe British officers are seen with rank insignia on their shoulders. While some officers did this in the trenches in 1916 it was not adopted officially and outside of France until 1917.
- ConnectionsFeatured in Jeremy Vine: Episode #2.84 (2019)
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