American Fable

I'm not too sure exactly what 'American Fable' was trying to be. It's listed as a thriller on its IMDb page, and there are elements to it that could certainly make it a thriller, only it doesn't feel like a thriller. The problem is I'm not sure exactly what it does feel like. It's a story that kind of just drifts along until it ends. Even though there is an interesting scenario at the heart of the film, I still never felt like I cared what was going to happen next, because the film didn't feel like it had a lot of tricks up its sleeve. Unfortunately, because of this the end product is a rather bland film.

I suspect writer/director Anne Hamilton had a vision for this film which was to entrance the audience and create an almost fairy tale like world. Sadly though, she just seemed to find the nothingness middle ground of everything. I think that's the biggest problem with the film is that it never commits to any direction and it never dares to be anything great. I think Hamilton had the idea right somewhere along the line, she just perhaps didn't have the writing and film making skills to put it together. It's a shame too because films like this, when done right, can be an absolute treat. Sadly, 'American Fable' is a misfire.

Even more, simpler that I thought it would be! The story it's quite simple, really. The ending seems abrupt, but it's not really, by the last scene everything is solved... there's nothing to add. Or at least I don't need anything else to add. It's true, there are a few details that I don't know what they mean, and maybe I'm missing something and I didn't realise of something, but as I've understood it makes sense and there's not a lot more to add, even from those details "unsolved" for me. The cinematography is very good, everyone is very good on their roles, and it's a different take on a thematic seen many times before. Good movie. I wonder though what was those details... will update this review if I ever find out!

I find it strange but mostly harsh to read so many one star reviews for a movie that was entertaining from beginning till the end. I agree that the end could have been better explained but overall it's still much better than any of those negative reviewers want you to believe. The story is about friendship and compassion, not so much a thriller (I wouldn't have categorized it in that genre), but more as a drama with some decent actors, especially the twelve year old Peyton Kennedy. I wouldn't listen too much to the negative reviewers, just watch it and make your own conclusion, I'm sure you'll find it better than those pathetic one star reviews (I guess those people only watch a movie once a month or so).

Greetings again from the darkness. The feature film debut of writer/director Anne Hamilton may cause Aesop to turn over in the grave, but it also supports the adage that desperate times call for desperate measures. Just how desperate is really the point here, and the moral line in the sand is drawn by an 11 year old girl named Gitty (short for Gertrude).

Gitty (an outstanding Peyton Kennedy) lives on a farm with her pregnant mother Sarah (Marci Miller), bullying brother Martin (Gavin MacIntosh), and beloved father Abe (Kip Pardue). Gitty is the kind of kid who loves stories with happy endings, has a pet chicken named Happy, and loves exploring the surrounding countryside with her friends … a dried water well, abandoned house, and lighting bugs are all part of their daily adventures. Only a remote silo is considered off-limits per her father.

It's the 1980's and times are tough for family farms. Making ends meet is incredibly challenging and the sagging economy has resulted in many sell-offs of generational farms and the subsequent suicides of farmers who simply can't face the failure. Gitty blindly trusts her dad when he promises they won't lose their farm. Doubt only enters her mind when she discovers a battered man (Richard Schiff) in business attire locked in that off-limits silo. The captive man tells her not to tell her dad, and instead asks her to bring food and books. Even an 11 year old cloaked in innocence begins to suspect something isn't right.

We see the story unfold through the eyes of Gitty, and her fantasies, dreams and visions remind us just how the world looks to a kid. Her openness, curiosity and imagination all act as a kind of sixth sense that lead to the judgment of a child … what is right and what is wrong. Knowing Gitty is the source of our insight helps explain the near cartoonish evil perpetrated by Martin – an overanxious kid who sees himself as some type of "warrior" (an image bestowed by the mysterious Vera). Zuleikha Robinson plays Vera in the mold of a fairy tale witch influencing others … in this case, Gitty's dad … to do her dirty work.

The film is beautifully shot by cinematographer Wyatt Garfield, and at various times recalls Pan's Labyrinth, The Fall, and the camera work of Terrence Malick. Gitty's character is easily compared to Scout from To Kill a Mockingbird, but her "Honest" Abe dad is no Atticus Finch. Richard Schiff is excellent as the captive man, while Peyton Kennedy reminds of a young Elle Fanning (very high praise indeed). Kids have an amazing ability to see the black and white of right and wrong despite all the extraneous noise going on in their young uncorrupted heads. It's a shame it all turns to gray as we grow older. It's a nice first film from Ms. Hamilton.

Thought this was a wonderful film, visually and atmospherically. The characters were excellent, both the likable and the not-so-likable (like the brother and the 'villain'), and the storyline was gripping and evocative. The only problem for me was the ending, or lack of it - too much was left unexplained which I'm afraid ruined it for me overall.