Wonderland

Dark moody and no fun it makes me wonder if any Swiss are happy. I wish I could take my time back and suggest you avoid this one.

This is unusual. It seems disjointed, for sure. I suppose it would make sense to me if I were Swiss and experienced actions that might affect that society. I didn't find the usual empathy for the characters that show up in most movies regarding some type of disaster. I have no doubt that it has some philosophical meaning apparent to Europeans. Is the storm societal change that people face? Characters handled their 'doom' predicament in various ways: self destruction, sensual parties, self destruction, attempts of escape, masturbation, etc. I could barely stay with the flick, but I did, just to see what happened. To me, it was just odd, but one of the girls was cute!

A gigantic strom developing over Switzerland works as a backgroung for a boring, uninspired and badly written film that slowly crawls to an end that should have arrived at least 1 hour earlier. Photography is ok, but that´s all. Avoid it.

Ten people directed this snoozefest. No explenation of why the storm is there (CERN maybe?). Characters seem totally uninterested in the whole ordeal. We don't know what happens when the storm hits and by the time it does hit (which we don't see) the movie ended and I didn't care anymore. Maybe the storm is there to get rid of Switzerland for being such a boring country, who the hell knows at this point.

Despite being slow sometimes (it may have been the reason for so many bad rating for this nice film), this is a very innovative and clever film from Switzerland. Indeed, it is a movie that criticizes the country's comfortable place and widespread cynical positions throughout history until nowadays. Besides the social political issues, it is also an interesting film in the way it has been conceived and organized: made by ten different directors, it does not show the bizarre upcoming storm that will devastate Switzerland (an no other place!) from a single perspective, but showing several interesting characters, such as a couple in crisis, a football ultra who supports Young Boys, a Croatian cab driver, his family and a rich passenger, a manager of a supermarket dealing with chaos due the fear of shortage, a mother and her daughter, followers of a fascist agitator, a policewoman with a taint in her recent past, a worker in an insurance company, an old woman who lives alone, and so forth. The flaw in the film, more serious than an initial sluggish pace, is that, among these various parallel stories (some o them quite violent), not all of them are well developed and some of them have confusing or non-existent ends.