O Plano de Maggie

"Maggie's Plan" is a Drama - Romance movie in which we watch woman falling in love with a married man while she was trying to have a baby. She now has to deal with her new reality since everything will change in her life.

Since I did not have any expectations from this movie I was not disappointed by it but in the end I was thinking that I lost almost two hours from my life. The plot was simple but not interesting and it reminded me the "Before" trilogy in which Ethan Hawke also plays. The direction which was made by Rebecca Miller was not the best, it was just another average work. The interpretations of Ethan Hawke who played as John and Julianne Moore who played as Georgette were also average and without reaching their potential. To sum up, I have to say that "Maggie's Plan" is a below average drama movie and I do not recommend anyone to watch it.

New Yorker Maggie Hardin (Greta Gerwig) wants to have a baby. Her relationships never last more than six months except her college romance with best friend Tony (Bill Hader) but that doesn't count. She decides to get sperm from college acquaintance, pickle entrepreneur Guy Childers. She works at an art school with Tony's wife Felicia (Maya Rudolph) and John Harding (Ethan Hawke). Maggie and John meet over a paycheck mixup and start a relationship over a novel he's trying to write. He's unhappily married to Columbia professor Georgette (Julianne Moore) with two kids.

The appeal of this movie depends a lot on one's appreciation of Gerwig's flighty, quirky persona. It's a rom-com where the romance is not the most likable. Harding starts off poorly and I never find him a good match for Maggie. Even the pickle guy is better although Tony could be the best if there is no Felicia. I'm actually glad at the turn in the second half of the movie and it becomes an anti-rom-com. The funniest relationship is between Maggie and Georgette. The movie could do with more of them together.

Greetings again from the darkness. A significant portion of Woody Allen's film career has been projects that seem designed to appeal to (sometimes only) the New York intellectual sub-culture. You know the type … those who thrive on talking (incessantly) about all the things they know, often without really accomplishing anything themselves. They are the kind of people we usually laugh at, rather than with. Filmmaker Rebecca Miller appears ready to accept the passing of the Woody Allen baton, and at a minimum, her latest is heavily influenced by his comedic-brain food.

Ms. Miller casts perfectly for her first film in six plus years (The Secret Life of Pippa Lee, 2009). Greta Gerwig plays Maggie, whose ever-evolving "plan" is both the title and focus of the film. Ethan Hawke plays John, the middle-aged crisis guy who wants desperately to be showered with attention. Julianne Moore plays Georgette, John's slightly odd and brilliant wife, and mother to their two kids. Other key players include Travis Fimmel as Guy, a pickle entrepreneur and the center piece to Maggie's master plan; Bill Hader and Maya Rudolph as friends and confidants of Maggie; and Wallace Shawn, always a treat on screen.

The story starts out pretty simple, and then gets complicated, and then kind of loses focus before ending just right. Perpetually whining Maggie has admittedly given up on ever finding the kind of true love that results in a happy family. Because of this, she has recruited former schoolmate and math whiz and pickle dude Guy to supply the missing link for her artificial insemination. This leads to one of film's rare cheap laughs and one that not even the quirky Gerwig can pull off. A payroll mishap brings Maggie and aspiring novelist John (a 'ficto-critical anthropologist' by trade) together, and her willingness to read his writing and offer some support, is all it takes to finish off John's slowly disintegrating marriage to Georgette (Ms. Moore dusting off the Euro accent she used in The Big Lebowski).

Writer/director Miller is the daughter of famed playwright Arthur Miller, who wrote Death of a Salesman and was once married to Marilyn Monroe (after Joe DiMaggio). She also directed The Ballad of Jack and Rose, which starred her husband, Oscar winner Daniel Day-Lewis. Much of her latest film feels contrived and over-written … as if every scene carries the burden of generating a laugh out loud moment. It shouldn't be too surprising that the ultra talented Julianne Moore creates the most interesting character, though unfortunately, she has the least amount of screen time among the three leads. It's good for a few laughs, as well as some cringing … and an ending that actually works.

A narcissistic man-child falls for a frumpy, Midwestern stereotype, leaves his German shrew-wife, then vacillates back and forth pointlessly.

Bonus: a foreigner selling artisanal pickles to Whole Foods for distribution, and a child attending "Eurythmics" class. I honestly can't tell if this is all an elaborate trolling effort.

The only humor in this "comedy" are a few bitter lines from the comedians.

I would write more, but honestly, there's nothing more to say. It's an almost empty film. My interest in the actors was the only thing compelling me to watch.

Woody Allen by way of Noah Baumbach is as close as I can come to give you an idea of how amusing, smart, and awkward Rebecca Miller's Maggie's Plan is. But, then, the adjectives as well describe indie-fav Greta Gerwig playing Maggie, whose plan to send her husband back to his ex wife reveals the layers that make Maggie one of the most complex romantic heroines in film.

Having fallen in love with hot "ficto-critical anthropologist" John (Ethan Hawke) at The New School, where she works as a career counselor for grad students, Maggie in her quietly innocent but manipulative way has a child with him after his divorce and their marriage. One of the comedic elements is her previous plan to have an artificial insemination from hippy pickle entrepreneur Guy (Travis Fimmel). She has no need to produce the baby in a normal way, an eccentricity never explained but for me felt to be another facet of her quirky and honest personality.

Although you can see the goofy and formulaic elements, underneath is Maggie's genuine wish to have a normal love, a situation not really meant for her given her wacky judgment and clueless orientation. Throughout the wryly wacky plot are numerous elements of truth in modern culture: having a child purposely without father involved; career taking precedence over family (Julienne Moore as high-powered ex-wife academic); step kids as complicating elements; and so on.

Writer/director Miller is deft at playing the elements off each other to make it feel as if all of this confusion is just part of a larger plan. Maggie, as a self-confessed meddler, goes through a labor-intensive series of challenges that go beyond the clichés of the romantic comedy formula. Although the accumulation of challenges may seem too many, each one resonates with a human predicament common to us all.

It's romantic comedy with brains and heart. So human.