A Vida Íntima de Pippa Lee

This film is about the disintegration of the life of Pippa Lee, a suburban housewife with a shady past.

"The Private Lives of Pippa Lee" has a very strong cast, and their acting talents are put into full use. However, the story does not seem to go anywhere. I do not find a reason why I should care or feel for Pippa Lee. Bad things happened to her when she was teenage, and bad things happen to her now. But so what? The film gives us no compelling reason why we should care about her life story, which could have been anyone's life story.

I find "The Private Lives of Pippa Lee" boring and not engaging. I am disappointed, especially because of the strong cast.

The feeling that we all are crossing paths one versus another, yet not noticing but shadows, not humans, overcame me, viewing for the first time this movie. I will not see the movie again, because of the hard feelings that transcend from each chapter.

Everything here is not about the plot, but about solitude and neglecting the stranger that is passing on your street, walking shoulder to shoulder with you, or living in the same house you live. I have found myself remembering fragments from "The Stand", starring Gary Sinise, 1994, in the end of the movie. Do we need an Apocalypse to make us notice the others, living or passing next to you? Is it more important to enter museums or noticing the way people from other country live their lives, when visiting crossing borders? The whole cast is like a feast, playing their parts wonderfully. I have wondered why a mega star like Keanu Reeves (even controversial), had has accepted this short supporting role. I have thought that he has sensed this about his character: probably the only one meant to bring hope, versatility, and future in the story. My best regards for his talent.

Remember Lucy Jordan? The tragic heroine of Shel Silverstein's 1975 ballad immortalized by Marianne Faithful? Think of this fabulous movie as of Lucy Jordan's life set in an alternate universe, a universe in which she doesn't kill herself at 37. Rather, she rides out her life as a radiant wife and a loving mother of two. Pippa Lee (Robin Wright Penn) is about ten years older than Lucy Jordan at her time of dying. But her father-figure husband (Alan Arkin), many years her senior, isn't getting any younger, her kids are distant both physically and emotionally, and her friends are really not much help at all. As Pippa starts to lose it, a stranger (Keanu Reeves) comes to town. Writer-director Rebecca Miller, who is also an actress of some distinction, has composed an engaging tale that is touching, but never cheesy. There's a moment in one of the flashbacks when the story is about to take a Charlie Kaufman turn, but it doesn't. No regrets though. Outstanding performances by Robin Wright Penn as Pippa Lee, Blake Lively as her younger self, and Maria Bello as her mother. Guest appearance by Winona Ryder as Pippa's best friend Sandra. Stay for Lucinda Williams, whose 1978 classic "I lost it" is playing over the credits.

"The Private Lives of Pippa Lee" is an independent, character drama, with an all star cast, and written by Rebecca Miller, the daughter of playwright Arthur Miller - so what's not to like? Well, Pippa Lee, for one thing.

I found that they gave us no reason to really like or care for Pippa Lee. And the so called private lives seem to be non-existent. Sure, Pippa was a child, then a teenager, then a young adult, now middle-aged and she will grow old - but I failed to see how this was different from everybody else on the planet.

For character drama enthusiasts you will probably need to see this because I'm sure all the buzz it got piqued your interest like mine, but for everybody else there are plenty of other independent dramas out there with actual characters that will pique your interest.

More and more, Hollywood is checking out the state of those born in the 50s. The former hippies, with their libertarian ways of life, and what happened to them after the backlash. Why are they nowadays so strangely conservative? What made them become like that?

This is an intelligent version of the theme. Many under-texts show us Pippa Lee as the disastrous teenager and young woman, heading into this relationship with this old man, who pretends to see her, but much more sees himself and his sophisticated needs.

Good acting, good thoughts, unforeseeable feelings, but no real answer to the backlash question.